| "Political
Cartoons," in Princeton Encyclopedia of United
States Political History, ed. Michael Kazin (Princeton
University Press, forthcoming).
Principal investigator/co-author, Picturing United
States History: An Online Resource for Teaching with
Visual Evidence, a gateway website demonstrating
how the visual record illuminates the U.S. past: http://picturinghistory.gc.cuny.edu
(with Peter N. Carroll), Robeson
in Spain, special graphic history issue of The
Volunteer (publication of the Abraham Lincoln Brigade
Archives) 26:2 (June 2009).
Visual editor (with David Jaffee),
Who Built America? Working People and the Nation's
History (3rd Edition: Bedford/St. Martin's, 2008
[1st Edition: Pantheon, 1989, 1992; 2nd Edition: Worth
Publishers, 2000]).
"The Great Uprising and the
Collapse of Pictorial Order in Gilded Age America,"
in The Great Strike of 1877: New Perspectives,
ed. David Stowell (University of Illinois Press, 2008).
My Mimeographed Career; Part One: 1968, autobiographical
comic strip in Students for a Democratic Society:
A Comic History, ed. Paul Buhle (Hill and Wang,
2008).
"Historians and Photography," in symposium
on "Histories of Photography," American
Art (Fall 2007).
"The Graphic Fight: New York Political Cartoonists
and the Spanish Civil War," in Fighting Fascism:
New York City and the Spanish Civil War, eds.
Peter Carroll and James Fernandez (New York: Museum
of the City of New York/NYU Press, 2007), catalog
accompanying Museum of the City of New York exhibition.
Co-editor (with Georgia Barnhill and Ian Gordon),
"Revolution
in Print: Graphics in Nineteenth Century America,"
special issue of Common-place: The Interactive
Journal of Early American Life 7:3 (April 2007).
(Visual essays), Forever Free: The Story of Emancipation
and Reconstruction, Eric Foner principal author
(Alfred A. Knopf, 2005).
Participant, "Interchange:
Genres of History," Journal of American
History, 91:2 (September 2004).
"From
the Illustrated Newspaper to Cyberspace: Visual Technologies
and Interaction in the 19th and 21st Centuries"
and "Commentary: Random Thoughts while on a Virtual
Stroll . . .," Rethinking History,
8:2 (June 2004).
Co-editor, special issue on "A
Cabinet of Curiosities," Common-place:
The Interactive Journal of Early American Life,
4:2 (January 2004).
"'The
Social and Sensational News of the Day': Frank Leslie,
The Days' Doings, and Scandalous Pictorial
News in Gilded Age New York," New-York
Journal of American History, 66:2 (Fall 2003).
"Toward
a Meeting of the Minds: Historians and Art Historians,"
American Art, 17:2 (Summer 2003).
"The Bloody Sixth: The Real Gangs of New York,"
London Review of Books, 25:2 (January 23, 2003).
Guest curator, City on Display: A Newark Photographer
and His Clients, 1890s-1940s, New Jersey Historical
Society exhibition (October 8, 2003 opening).
Beyond the Lines: Pictorial Reporting, Everyday
Life, and the Crisis of Gilded Age America (University
of California Press, 2002). Published also in electronic
format as part of the American Council of Learned
Societies' History E-Book Project.
Author/art, The
Hungry Eye [serialization of an illustrated
novel about 19th century New York], Common-place:
The Interactive Journal of Early American Life,
2 (January-April 2002).
Co-author, Who Built America? From the Great War
of 1914 to the Dawn of the Atomic Age, interactive
CD-ROM (Worth Publishers/Learn Technologies Interactive,
2000).
Co-executive producer/co-writer, The
Lost Museum: Exploring Antebellum Life and Culture,
website 3-D re-creation and archive of P. T. Barnum's
American Museum.
Co-principal investigator, The
September 11 Digital Archive, website devoted
to collecting and preserving the digital record of
the attacks and their aftermath (donated to Library
of Congress).
Co-executive producer/creative director, History
Matters: The U.S. History Survey on the Web,
website on teaching US history.
Work in Progress
The
Divided Eye: Studies in the Visual Culture of the
American Civil War.
Content advisor, Mission America, an online
history adventure game produced by WNET/Thirteen in
partnership with Electric Funstuff, ASHP/CML, the
NYC Department of Education, and the National Council
on Social Studies, funded by the Corporation for Public
Broadcasting.
Guest curator, "'I Always Had Pads with Me':
A G.I. Artist's Sketchpad, 1943–1944,"
exhibition, New-York Historical Society (scheduled
by 2012).
Recent Papers and Conferences
Panelist,
"Interpreting the American Landscape," Picturing
America School Collaboration Conference, Newberry
Library, October 23, 2009.
James Russell Wiggins Lecture in the History of the
Book in American Culture, "Catching His Eye:
The Sporting Male Pictorial Press in the Gilded Age,"
American Antiquarian Society, October 16 2009.
Lecture, "Augustus Saint-Gaudens’s New
York,” in symposium accompanying Metropolitan
Museum of Art exhibition, October 9, 2009.
Guest faculty, "Interpreting Visual Materials
for Research and Teaching," NEH Summer Seminar,
Center for Historic American Visual Culture, American
Antiquarian Society, June 15-19, 2009.
Comment, "Visualizing 'Bleeding Kansas,' the
'Yellow Peril' and 'Crimes of Passion'," Organization
of American Historians Annual Meeting, Seattle, March
28, 2009.
Lecture, "Seeing Race and Rights," New-York
Historical Society, January 6, 2009.
Moderator/Panelist, "The Persuasive Image,"
in "Picturing Politics," a symposium presented
by the Illustration Program, Parsons The New School
for Design and The Politics Department, New School
for Social Research, November 15, 2008.
Panelist, "Beyond Portraits of Dead White Men:
Art History as Social History," Society for Historians
of the Early American Republic (SHEAR) Annual Meeting,
Philadelphia, July 19, 2008.
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