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"Political Cartoons," in Princeton Encyclopedia of United States
Political History, ed. Michael Kazin (Princeton University Press,
2010).
Principal investigator/co-author, Picturing United States History:
An Online Resource for Teaching with Visual Evidence, a gateway
website demonstrating how the visual record illuminates the U.S. past.
(with Peter N. Carroll),
Robeson
in Spain, special graphic history issue
of The
Volunteer (publication of the Abraham
Lincoln Brigade
Archives) 26:2 (June 2009).
Visual editor (with
David Jaffee),
Who Built America? Working People and
the Nation's
History (3rd Edition: Bedford/St.
Martin's, 2008
[1st Edition: Pantheon, 1989, 1992; 2nd
Edition: Worth
Publishers, 2000]).
"The Great Uprising and the Collapse of Pictorial
Order in Gilded Age America," in The Great Strike of 1877: New Perspectives,
ed. David Stowell (University of Illinois Press, 2008).
My Mimeographed Career; Part One: 1968, autobiographical comic
strip in Students for a Democratic Society: A Comic History,
ed. Paul Buhle (Hill and Wang, 2008).
"Historians and Photography," in symposium on "Histories of Photography,"
American Art (Fall 2007).
"The Graphic Fight: New York Political Cartoonists and the Spanish Civil
War," in Fighting Fascism: New York City and the Spanish Civil War,
eds. Peter Carroll and James Fernandez (New York: Museum of the City
of New York/NYU Press, 2007), catalog accompanying Museum of the City
of New York exhibition.
Co-editor (with Georgia Barnhill and Ian Gordon), "Revolution in
Print: Graphics in Nineteenth Century America," special issue of
Common-place: The Interactive Journal of Early American Life
7:3 (April 2007).
(Visual essays), Forever Free: The Story of Emancipation and Reconstruction,
Eric Foner principal author (Alfred A. Knopf, 2005).
Participant, "Interchange: Genres of History," Journal of American
History, 91:2 (September 2004).
"From the Illustrated Newspaper to Cyberspace: Visual Technologies
and Interaction in the 19th and 21st Centuries" and "Commentary: Random
Thoughts while on a Virtual Stroll . . .," Rethinking History,
8:2 (June 2004).
Co-editor, special issue on "A Cabinet of
Curiosities," Common-place: The Interactive Journal of Early
American Life, 4:2 (January 2004).
"'The
Social and Sensational News of the Day': Frank Leslie, The Days'
Doings, and Scandalous Pictorial News in Gilded Age New York,"
New-York Journal of American History, 66:2 (Fall 2003).
"Toward a Meeting
of the Minds: Historians and Art Historians," American Art,
17:2 (Summer 2003).
"The Bloody Sixth: The Real Gangs of New York," London Review of
Books, 25:2 (January 23, 2003).
Guest curator, City on Display: A Newark Photographer and His Clients,
1890s-1940s, New Jersey Historical Society exhibition (October
8, 2003 opening).
Beyond the Lines: Pictorial Reporting, Everyday Life, and the Crisis
of Gilded Age America (University of California Press, 2002). Published
also in electronic format as part of the American Council of Learned
Societies' History E-Book Project.
Author/art, The Hungry
Eye [serialization of an illustrated novel about 19th century
New York], Common-place: The Interactive Journal of Early American
Life, 2 (January-April 2002).
Co-author, Who Built America? From the Great War of 1914 to the
Dawn of the Atomic Age, interactive CD-ROM (Worth Publishers/Learn
Technologies Interactive, 2000).
Co-executive producer/co-writer, The Lost Museum: Exploring
Antebellum Life and Culture, website 3-D re-creation and archive
of P. T. Barnum's American Museum.
Co-principal investigator, The September 11 Digital Archive,
website devoted to collecting and preserving the digital record of the
attacks and their aftermath (donated to Library of Congress).
Co-executive producer/creative director, History Matters: The
U.S. History Survey on the Web, website on teaching US history.
Work in Progress
The Divided Eye: Studies in the Visual
Culture of the American Civil War (recipient 2010 John Simon Guggenheim
Memorial Fellowship).
Author/artist, Ithaca, graphic novella about Reconstruction,
to be serialized on Common-place:The
Interactive Journal of Early American Life, beginning November
2010.
Content advisor, Mission America,
an online
history adventure game produced by
WNET/Thirteen in
partnership with Electric Funstuff,
ASHP/CML, the
NYC Department of Education, and the
National Council
on Social Studies, funded by the Corporation
for Public
Broadcasting.
Guest curator, "'I Always Had Pads with
Me':
A G.I. Artist's Sketchpad, 1943–1944,"
exhibition, New-York Historical Society
(scheduled
by 2012).
Recent Papers and Conferences
Guest faculty, "Interpreting Historical Images for Teaching and
Research," NEH Summer Seminar, Center for Historic American Visual
Culture, American Antiquarian Society, June 24-25, 2010.
Paricipating scholar, "American Visions: Towards Modern America,
19th-early 20th century," Picturing America School Collaboration
Conference, Newark Museum, April 23-24, 2010.
Panelist, "Interpreting the American Landscape," Picturing America School
Collaboration Conference, Newberry Library, October 23-24, 2009, April
16-17, 2010.
Paper, "Teaching with Prints, Photographs, and Ephemera,"
Organization of American Historians Annual Meeting, Washington, D.C.,
April 10, 2010.
Panelist, "Eyewitness News: When Prints were Truth," SGC Philadelphia
(Southern Graphics Coucil) conference, Tyler School of Art, Philadelphia,
March 26, 2010.
Roundtable participant, "The Artifact in the Age of New Media,"
Bard Graduate Center, February 3, 2010.
James Russell Wiggins Lecture in the History of the Book in American
Culture, "Catching His Eye: The Sporting Male Pictorial Press in the
Gilded Age," American Antiquarian Society, October 16 2009.
Lecture, "Augustus Saint-Gaudens’s New York,” in symposium
accompanying Metropolitan Museum of Art exhibition, October 9, 2009.
Guest faculty, "Interpreting Visual Materials for Research and Teaching,"
NEH Summer Seminar, Center for Historic American Visual Culture, American
Antiquarian Society, June 15-19, 2009.
Comment, "Visualizing 'Bleeding Kansas,' the 'Yellow Peril' and 'Crimes
of Passion'," Organization of American Historians Annual Meeting, Seattle,
March 28, 2009.
Lecture, "Seeing Race and Rights," New-York Historical Society, January
6, 2009.
Moderator/Panelist, "The Persuasive Image," in "Picturing Politics,"
a symposium presented by the Illustration Program, Parsons The New School
for Design and The Politics Department, New School for Social Research,
November 15, 2008.
Panelist, "Beyond Portraits of Dead White Men: Art History as Social
History," Society for Historians of the Early American Republic (SHEAR)
Annual Meeting, Philadelphia, July 19, 2008.
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