CJ Volumes 46-48

Volume 46 Number 1	Countering Censorship: Edgar Dale and the Film Appreciation Movement John Nichols Disturbing the Peace: Lost Boundaries, Pinky, and Censorship in Atlanta, Georgia, 1949-1952 Margaret T. McGehee Cinemagoing in Portsmouth during the 1930s John Sedgwick "The most explosive object to hit Britain since the V2!": The British Films of Hardy Kruger and Anglo-German Relations during the 1950s Melanie Williams In Focus: Documentary, edited by B. Ruby Rich Bus 174 and the Living Present by Amy Villarejo Cinema Solidarity: The Documentary Practice of Kim Longinotto by Patricia White Rethinking Documentary in the Digital Age by Faye Ginsburg Wu Wenguang: An Introduction by Chris Berry DV: Individual Filmmaking by Wu Wenguang, translated by Cathryn Clayton Archival News Scott Higgins and Sara Ross Professional Notes Kirsten Moana Thompson (with Terri Ginsberg)
Volume 46 Number 2	The Revered Gaze: The Medieval Imaginary of Mel Gibson's The Passion of the Christ Alison Griffiths La Camera-Crayola: Authorship Comes of Age in the Cinema of Wes Anderson Devin Orgeron The Big Lift (1950): Image and Identity in Blockaded Berlin Ralph Stern Banal and Magnificent Space in Electra Glide in Blue (1973), or An Allegory of the Nixon Era Mark Shiel In Focus: Fair Use and Film, edited by Peter Decherney From Fair Use to Exemption by Peter Decherney Fair Use, Film, and the Advantages of Internet Distribution by Fred von Lohmann Untold Stories: Collaborative Research on Documentary Filmmaker's Free Speech and Fair Use by Peter Jaszi and Patricia Aufderheide Access to Orphan Works: Copyright Law, Preservation, and Politics by Eric J. Schwartz and Matt Williams "If You Can't Protect What You Own, You Don't Own Anything": Piracy, Privacy, and Public Relations in 21st Century Hollywood by Jon Lewis Archival News Scott Higgins and Sara Ross Professional Notes Terri Ginsberg
Volume 46 Number 3	Broadcasting Modernity: Cuban Television, 1950-1953 Yeidy M. Rivero Moving Pictures, Still Lives: Staging National Tableaux and Text in Prospero's Books Ryan Trimm The Surrealism of the Photographic Image: Bazin, Barthes, and the Digital Sweet Hereafter Adam Lowenstein Visual "Drive" and Cinematic Narrative: Reading Gaze Theory in Lacan, Hitchcock, and Mulvey Clifford T. Manlove In Focus: The 21st Century Archive edited by Eric Schaefer Archives and Access in the 21st Century by Rick Prelinger Regional Moving Image Archives in the United States by Karan Sheldon The Role of Orphan Films in the 21st Century Archive by Dan Streible The Archivist, the Scholar, and Access to Historic Television Materials by Margaret A. Compton Collective Effort: Archiving LGBT Moving Images by Lynne Kirste The Library of Congress National Audio-Visual Conservation Center by Mike Mashon Archival News Scott Higgins and Sara Ross Professional Notes Kirsten Moana Thompson (with Terri Ginsberg) Society for Cinema and Media Studies Membership Directory
Volume 46 Number 4	Having It All Ways: The Tourist, the Traveler, and the Local in The L Word Candace Moore Blackboard Jungle: The Ethnographic Narratives of Education on Film Dan Leopard Decompressing Modernity: South Korean Time Travel Narratives and the IMF Crisis David Martin-Jones The Australian Western, or A Settler Colonial Cinema par excellence Peter Limbrick In Focus: Visual Culture, Scholarship, and Sexual Images, edited by Chuck Kleinhans Introduction: Prior Constraints by Chuck Kleinhans How I published vintage queer filth in film, video, photography, and graphics over 25 years of editors, designers, lawyers, printers, and booksellers--and survived by Thomas Waugh "Frenzy of the Visible," Indeed! by Linda Williams You and Voyeurweb: Illustrating the Shifting Representation of the Penis on the Internet with User-Generated Content by Peter Lehman Racism and Pornography: Evidence, Paradigms, and Publishing by Daniel Bernardi Seizing Moving Image Pornography by José B. Capino Academic Cult Erotica: Fluid Beings or a Cubicle of Our Own? by Katrien Jacobs Conference Update by Chuck Kleinhans Archival News Scott Higgins and Sara Ross Professional Notes Kirsten Moana Thompson (with Terri Ginsberg) Annotated Index to Volume 46
Volume 47 Number 1	Kuhle Wampe and the Problem of Corporal Culture Theodore F. Rippey Making a Go of It: Paternity and Prohibition in the Films of Wes Anderson Joshua Gooch Irresistible Death: 21 Grams as Melodrama Michael Stewart A Mexican Nouvelle Vague: The Logic of New Waves under Globalization Jeff Menne In Focus: Teaching "Difficult" Films, edited by Paul McEwan Exploitation Films: Teaching Sin in the Suburbs by Eric Schaefer Racist Film: Teaching The Birth of a Nation by Paul McEwan Misogynist Films: Teaching Top Gun by Tania Modleski Teaching Indian Cinema by Sumita Chakravarty Avant-Garde Films: Teaching Wavelength by Michael Zryd Indecipherable Films: Teaching Gummo by Jeffrey Sconce Archival News Scott Higgins and Sara Ross Professional Notes Kirsten Moana Thompson (with Terri Ginsberg)
Volume 47 Number 2	What the Public Wanted: Hollywood, 1937-1942 Catherine Jurca Ingrid Bergman's Star Persona and the Alien Space of Stromboli Ora Gelley A Lotta Night Music: The Sound of Film Noir Richard R. Ness Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film Scott Higgins Guys Gone Wild? Soft-Core Video Professionalism and New Realities in Television Production Vicki Mayer In Focus: The Practitioner Interview, edited by Christine Cornea Introduction: Interviews in Film and Television Studies by Christine Cornea An Ethics and an Aesthetics of Interviewing by Scott MacDonald Speaking of Soft Core by Linda Ruth Williams The Recalcitrant Interviewee by Mark Kermode Studying Up and F**cking Up: Ethnographic Interviewing in Production Studies by Vicki Mayer After the Interview by Brett Mills The Society for Cinema and Media Studies' Statement of Best Practices for Fair Use in Teaching for Film and Media Educators Archival News Scott Higgins and Sarah Professional Notes Kirsten Moana Thompson (with Terri Ginsberg)
Volume 47 Number 3	Becoming Clifton Webb: A Queer Star in Mid-Century Hollywood Leonard Leff " The More You Look, the Less You Really Know": The Redemption of White Masculinity in Contemporary American and French Cinema Judith Franco National, Regional, and Global: New Waves of Latin American Cinema Luisela Alvaray What the Shadow Knows: Race, Image, and Meaning in Shadows (1922) Alice Maurice The Price of Heaven: Remaking Politics in All that Heaven Allows, Ali: Fear Eats the Soul, and Far from Heaven Salomé Aguilera Skvirsky In Focus: The Place of Television Studies: A View from the British Midlands, edited by Charlotte Brunsdon and Ann Gray Is Television Studies History? by Charlotte Brunsdon "Television Resurrections": Television and Memory by Amy Holdsworth Feeling Sentimental about Television and Audiences by Helen Wood and Lisa Taylor Is Archiving a Feminist Issue? Historical Research and the Past, Present, and Future of Television Studies by Rachel Moseley and Helen Wheatley Television Studies Goes Digital by James Bennett Archival News Scott Higgins and Sara Ross Professional Notes Kirsten Moana Thompson (with Terri Ginsberg) Society for Cinema and Media Studies Membership Directory
Volume 47 Number 4	The Creature from the Black Lagoon: Marilyn Monroe and Whiteness Lois Banner The Visual Re-creation of Black People in a "White" Country: Oscar Micheaux and Swedish Film Culture in the 1920s Tommy Gustafsson Of Myths and Men: Better Luck Tomorrow and the Mainstreaming of Asian America Cinema Margaret Hillenbrand Nothing on But Hoppy Badges: Hopalong Cassidy, William Boyd Enterprises, and Emergent Media Globalization Michael Kackman Noir Citizenship: Anthony Mann's Border Incident Jonathan Auerbach In Focus: The British Film Institute, edited by Toby Miller Who Are These People? By Toby Miller The British Film Institute by Geoffrey Nowell-Smith After the flood: BFI Publishing beyond the BFI Rebecca Barden Reponds Cultural Strategies: Publishing at the British Film Institute by Manuel Alvarado and Edward Buscombe Whatever Happened to BFI Publishing? by Pam Cook Implementing Cultural Policy: The Case of the BFI Distribution Library by Colin McArthur In the Dark: The BFI Archive by Charlotte Brunsdon In For a Downer? Notes on Some British Film Institute Feature Film Productions of the 1980s by Bill Grantham Archival News Scott Higgins and Sara Ross Professional Notes Kirsten Moana Thompson (with Terri Ginsberg) Cinema Journal Annotated Index to Volume 47
Volume 48 Number 1	Examples in Theory: Interpassive Illustrations and Celluloid Fetishism Boaz Hagin The New Wave Meets the Tradition of Quality: Jacques Demy's The Umbrellas of Cherbourg Rodney Hill "Feed Me!": Power Struggles and the Portrayal of Race in Little Shop of Horrors Marc Jensen Pop Go the Warner Bros., et al.: Marketing Film Songs during the Coming of Sound Katherine Spring The Eye of the Frog: Questions of Space in Films Using Digital Processes Deborah Tudor Conference Report: Border Crossings: Rethinking Silent Cinema, February 8–10, 2008, University of California, Berkeley, submitted by Steve Choe In Focus: Sound Studies, edited by Michele Hilmes Book Reviews: Sound Studies, edited by Amanda D. Lotz