Cinema Journal

Volume 6
Number 1

Front Matter

The Auteur Theory Reexamined, 1-7 Donald E. Staples

The Mutual Approval of Keaton and Lloyd, 8-15 Donald W. McCaffrey

The Two Faces of Drama, 16-32 Robert Steele

Studies in past and Decelerated Time, 33-45 Robert Gessner

The Prophet Louis Ducos Du Hauron and His Marvelous Moving Picture Machine, 46-51 Walter Stainton

Back Matter

Volume 7
Number 1

Front Matter

World War II and the American Film, 1-21 Lewis Jacobs

The Editor's Role in Film Making, 22-28 Paul Falkenberg

The Bayeux Tapestry, 29-35 Gerald Noxon Cinema Journal Book Reviews From Universities, from Underground ----------------, 36-37

Man and the Movies W. R. Robinson

Film Makers on Film Making Harry M. Geduld Review Author[s]: Richard Dyer MacCann
----------------, 37-38

An Introduction to the American Underground Film Sheldon Renan

The New American Cinema. A Critical Anthology Gregory Battcock Review Author[s]: Kirk Bond
Cinema Journal Notes

Annual Meeting, 39-44 Donald E. Staples, Donald McCaffrey, John B. Kuiper

Back Matter

Volume 8
Number 1

Front Matter

Cinema in Eastern Europe, 2-11 Jerzy Toeplitz

The Young Grierson in America, 1924-1927, 12-21 Jack C. Ellis

What, Indeed, Is Cinema?, 22-28 Peter Harcourt Carl Mayer, Screen Author, 29-38 Herbert G. Luft Cinema Journal Notes

Breaking the Code: A Historical Footnote, 39-41 Peter Dart

Past, Present, Future in Cinema, 42-45 Philip di Franco

Annual Meeting, 45 Cinema Journal Book Reviews Interviews and Reminiscences ----------------, 46-47

Losey on Losey Tom Milne

Fritz Lang in America Peter Bogdanovich Review Author[s]: John Fell
----------------, 47-48

One Reel a Week Fred J. Balshofer, Arthur C. Miller

Silent Star Colleen Moore Review Author[s]: Kirk Bond
Robert Gessner

Back Matter

Volume 8
Number 2

Front Matter

The Seventeen Preliminary Scripts of "A Day at the Races", 2-9 Joseph Adamson

The Roadrunner and Other Characters, 10-16 Chuck Jones

Memories of Mr. Magoo, 17-24 Howard Rieder

The Impressionism of "Elvira Madigan", 25-31 Allen K. Schwartz Cinema Journal Book Reviews Animators, Directors, and a Host of Critics ----------------, 32-33

The Art of Animation Ralph Stephenson

The Disney Version Richard Schickel Review Author[s]: John Tibbetts
----------------, 33-35

Interviews with Film Directors Andrew Sarris

The American Cinema Andrew Sarris Review Author[s]: Michael Budd
----------------, 35-38

Kiss Kiss Bang Bang Pauline Kael

The Great Films: Fifty Golden Years of Motion Pictures Bosley Crowther

"The Private Eye, the Cowboy, and the Very Naked Girl:" Movies from Cleo to Clyde Judith Crist

Private Screenings John Simon

Film 67/68 Richard Schickel, John Simon Review Author[s]: Richard Dyer MacCann
----------------, 38-40

Films and Feelings Raymond Durgnat

Eros in the Cinema Raymond Durgnat Luis Bunuel Raymond Durgnat

The Marx Brothers Raymond Durgnat Review Author[s]: John L. Fell
Back Matter

Volume 9
Number 1

Front Matter

Annual Meeting, 1969, 1

The Chaplin World-View, 2-12 Philip G. Rosen

"Praxis" as a Cinematic Principle in Films by Robert Bresson, 13-22 Donald S. Skoller

Film and Foreign Policy: The USIA, 1962-67, 23-42 Richard Dyer MacCann Cinema Journal Book Reviews

A Film Student's Guide to the Reference Shelf, 43-48 Review Author[s]: John L. Fell
New Contributions to American Film History ----------------, 48-50

Hollywood in the Twenties David Robinson

Hollywood in the Thirties John Baxter

Hollywood in the Forties Charles Higham, Joel Greenberg Review Author[s]: Howard Suher
----------------, 50-52

The Parade's Gone by... Kevin Brownlow

The Movies, Mr. Griffith, and Me Lillian Gish Review Author[s]: Thomas R. Cripps
----------------, 52-53

The Moving Image Robert Gessner Review Author[s]: Robert Steele
----------------, 53-55

Four Great Comedians Donald McCaffrey

The Great Funnies David Robinson

Buster Keaton David Robinson

Buster Keaton J. P. Lebel Review Author[s]: John Tibbetts
----------------, 55-56

The Rise of the American Film Lewis Jacobs

The Emergence of Film Art Lewis Jacobs Review Author[s]: R. D. M.
----------------, 56

The Lubitsch Touch Herman Weinberg

Josef von Sternberg Herman Weinberg Review Author[s]: Richard Dyer MacCann
Back Matter

Volume 9
Number 2

Front Matter

What Does the past Foretell?, 1

The Cartridges Are Coming, 2-12 Richard Kahlenberg, Chloe Aaron

On Hollywood. And Valentino, 13-23 H. L. Mencken

"The Gold Rush" and "The General", 24-30 Gerald Mast

The Camera as Snowball: France 1918-1927, 31-39 Ronald H. Blumer

Theories of Film Music, 40-47 Douglas W. Gallez Cinema Journal Book Reviews ----------------, 48-51

Fellini Angelo Solmi, Elizabeth Greenwood

Federico Fellini Gilbert Salachas, Rosalie Siegel Review Author[s]: Peter Harcourt
----------------, 51-53

Signs and Meaning in the Cinema Peter Wollen

Literature and Film Robert Richardson Review Author[s]: Christian Koch
----------------, 53-55 Censorship of the Movies Richard S. Randall

Shakespeare on Silent Film Robert Hamilton Ball Review Auth

or[s]: Richard Dyer MacCann
----------------, 55-56

Dwight Macdonald on Movies Dwight Macdonald

Film 68-69 Hollis Alpert, Andrew Sarris Review Author[s]: Richard Geary
Back Matter

Volume 10
Number 1

Front Matter

Annual Meeting, 1

John Grierson's First Years at the National Film Board, 2-14 Jack C. Ellis

The Limitations of Kracauer's Reality, 15-22 Richard Corliss

Images and Words in Ingmar Bergman's Films, 23-33 Birgitta Steene

Hale's Tours: Ultrarealism in the Pre-1910 Motion Picture, 34-47 Raymond Fielding Cinema Journal Notes

A Bergman Film for Television, 48-50 Judith Gollub Cinema Journal Book Reviews ----------------, 51-54

Visual Thinking Rudolf Arnheim

The Intelligent Eye Richard L. Gregory Review Author[s]: John L. Fell
----------------, 54-59

The International Film Industry Thomas H. Guback

Michael Balcon Presents... A Lifetime of Films Review Author[s]: Calvin Pryluck
----------------, 59-60

Billy Wilder Axel Madsen

The Bright Side of Billy Wilder, Primarily Tom Wood Review Author[s]: Howard Suber
----------------, 60-64

The Haunted Screen. (L'Ecran Demoniaque) Lotte H. Eisner, Roger Greaves

Film in the Third Reich David Stewart Hull Review Author[s]: Richard B. Byrne
Back Matter

Volume 10
Number 2

Front Matter

The Poetics of Horror: More than Meets the Eye, 1-18 Dennis L. White

Toward a Cinema of Cruelty, 19-33 William Blum Cinema Journal Notes

The Decay of the Motion Picture Patents Company, 34-40 Jeanne Thomas

Ten Years after Marienbad, 40-43 Richard M. Blumenberg

Re-Sorting Things out, 43-45 Hubert I. Cohen

"The New York Times" Notices Movies, 1896-1915, 45-50 Judith Vogelsang Cinema Journal Book Reviews ----------------, 51-56

The New York Times Film Reviews, 1913-1968 Who Wrote the Movie; And What Else Did He Write? Review Author[s]: Howard Suber
----------------, 56-58

French Cinema since 1946 Roy Armes

The New Wave Peter Graham Review Author[s]: Judith Gollub
----------------, 58-60

The Film Director as Superstar Joseph Gelmis

Film and the Liberal Arts T. J. Ross Review Author[s]: Marvin Felheim
----------------, 60-64

Film Culture Reader P. Adams Sitney

Expanded Cinema Gene Youngblood Review Author[s]: Donald Crafton
Back Matter


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