Avant-Garde and Modernist: Women Dramatists of the Provincetown Players: Bryant, Davies and Millay
Barbara Ozieblo

Fighting Disease, Seducing Cavalrymen and Achieving Modernity: Yellow Jack
Robert F. Gross

Kitchen Sink Realisms: American Drama, Dining and Domestic Labor come of Age in Little Theatre
Dorothy Chansky

Bodies, Voices, Words: Elmer Rice and the Cinematic Imagination
Julia A. Walker

Hawthorne’s Hester as a Red-Lettered Black Woman: Suzan-Lori Parks’s In the Blood and Fucking A
Deborah R. Geis

Bringing The Wall to Broadway
Robert Franciosci

E/merging Territories: Latina/o Theatre and Performance
Maria Delgado and CaridadSvich

Shaping the Future of the American Voice
Caridad Svich

Sympathy for the Devil? Maria Irene Fornes and The Conduct of Life
Stephen Bottoms

The Stigmatized Body on Stage: Evelina Fernandez’s Dementia in relation to the AIDS Crisis
Ashley Lucas

The Politics of Ephemerality: Harry Gamboa Jr. in Conversation
Jennifer Flores Sternad

Brownout 2, with an Introduction by Elaine Katzenberger
Guillermo Gomez-Pena

Re-Shaping the Future: Afterthoughts on a Community Conversation
Caridad Svich

Canned Cooking: Stage Actors, Screen Acting and Cultural Hierarchy in the United States 1912-1929
Sean P. Holmes

Ethel Waters and Racial Sterotypes: Crafting a Career in the Pre-Civil Rights Era
Peach Pittenger

The Antiphon as Parody: Djuna Barnes and the Literary Tradition
Penny Farfan

Expansion, Expulsion and Domination: Jonathan’s Spatial Tactics on the Jacksonian Stage
Maura L. Cronin-Jortner

Neo-Slave Drama: Narratives of Resistance in Alice Childress’s Wedding Band
Nghana Lewis

From Minstrel Shows to Radio Shows: Racism and Representation in Blackface and Blackvoice
Daniel H. Foster

The Transcendental Realism of American Verse Drama
Sarah Bay-Cheng

Go Tell it on the Stage: Blues for Mister Charlie as Dialectical Drama
Nicholas K Davis

Inhospitable Structures: Some Themes and Forms in Tennessee Williams
Ehren Fordyce

Dramatic Trans-formations: The Surrealism of Being Black and Female in Adrienne Kennedy’s The Owl Answers
Nita N. Kumar

Realism and Realpolitik in Eve Ensler’s The Vagina Monologues
Erin Striff

Staging Versailles: Charles Mee and the Re-Presentation of History
Jennifer Schleuter

Susan-Lori Parks’s Staging of the Lincoln Myth in The America Play and Topdog/Underdog
Verna Foster

A Mid-Life Critical Crisi: Chiastic Criticism and Encounters with the Theatrical Work of Suzan-Lori Parks
Rena Fraden

Sean Combs’s 2004 Broadway Portrayal of Walter Lee Younger in Lorraine Hansberry’s A Raisin in the Sun: a Historical Assessment
Glenda Gill

Our Kind: Albee’s Animals in seascape and The Goat or, Who is Sylvia?
Deborah Bailin

The Kidders and the Disappointment Club: A Critical Theme in Horton Foote’s The Young Man From Atlanta
Robert Haynes

On the Verge of a Breakthrough: Projections of Escape From the Attic and the Thwarted Tower in Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Susan Glaspell’s The Verge
Anita Duneer

“Waiting in the Wings”: Marxist Fantasia in Naomi Wallace’s Slaughter City
Buell Wisner

A Funny Thing Happened on the Way to the Cross: Arthur Miller’s Resurrection Blues
Katherine E. Egerton

The Dangers of Memory in Arthur Miller’s I Can’t Remember Anything
Susan C. W. Abbotson

You Can’t Get a Man With a Gun – But You Can Get an Audience: Marketing Annie Oakley
Valerie Joyce

“Serving the Purpose Amply”: The Hanlon Brothers’s Le Voyage en Suisse
Mark Cosdon

“May I Have a Drag . . . ?”: Mae West, Tennessee Williams, and the Politics of a Gay Identity
John S. Bak

Yankee Doodle Dixie: Performing Nationhood on the Eve of War Elizabeth
Reitz Mullenix

From M. Butterfly to Bondage: David Henry Hwang’s Fantasies of Sexuality, Ethnicity, and Gender
Jon D. Rossini

Pageant and Passion: Willa Saunders Jones and Early Black Sacred Drama in Chicago
Erin Striff