JADT Volumes 1-3

Volume 1 Number 1 Spring 1989	Our English-American Playwrights of the Mid-Nineteenth Century WALTER J. MESERVE Miss Anglin: A Memoir STANLEY KAUFFMANN High Comedy Over a Cavern GERALD WEALES Noble or Ruthless Savage?: The American Indian on Stage and in the Drama DON B. WILMETHA Stage of Her Own: Susan Glaspell's The Verge and Women's Dramaturgy J. ELLEN GAINOR
Volume 1 Number 2 Fall 1989	Explosive Cocktails: Albee, Eliot, Wooster RUBY COHN "Old West"/New "West": The New Frontier in Sherwood's The Petrified Forest (1934) and Saroyan's The Time of Your Life (1939) RICHARD WARTENBERG Tentative Checklist of Indian Plays DON B. WILMETH "Presented with Appreciation": Minnie Maddern Fiske as Producer and Director MARGARET KNAPP "Copy Play Wrote at Boston 1732" and the Extension of Theatrical Satire in Colonial America PETER A. DAVIS
Volume 2 Number 1 Winter 1990	Olive Logan and "The Leg Business" VERA MOWRY ROBERTS Early Drama in New Orleans: The French Tradition CHARLES S. WATSON 'The War that is to Begin Tomorrow Night": American Anti-War Drama in the 1930s RICHARD G. SCHARINE All My Sons and Paternal Authority JAMES A. ROBINSON Albee's Lost Decade ANDREW B. HARRIS Rock/Poetry: Popular Theatricality in The Tooth of Crime ROBERT BAKER-WHITE
Volume 2 Number 2 Spring 1990	Schools of One WARREN KLIEWER "colored girls"; A Reaction to Black Machismo, or Hues of Erotic Tension in New Feminist Solidarity? SERENA ANDERLINI Mr. Ben Teal: America's Abusive Director LEWIS E. SELTON Social Darwinism in the Powder Room: Clare Boothe's The Women MARY MADDOCK Random Recollections and Reflections of an Old Playgoer EDWARD WAGENKNECHT
Volume 2 Number 3 Fall 1990	A Little More Virginity, Please! A Scrapbook of Theatre Stories RICHARD MOODY Feminism and Theatre in Eighteenth-Century Boston AMELIA HOWE KRITZER Violets in the Mountains: Tennessee Williams's Women and the Search for Love GEOFFREY EDWARDS The Nigger LOREN K. RUFF The Anti-Lynch Play" Toward an Interracial Feminist Dialogue in Theatre JUDITH L. STEPHENS Under Cover: Edward Harrigan's Final Act ALICIA K. KOGER
Volume 3 Number 1 Winter 1991	Out of the Kitchen and Into the Marketplace: Normalizing Uncle Tom's Cabin for the Antebellum Stage BRUCE MCCONACHIE Sophie Treadwell: Author if Machinal NANCY WYNN The American West of the 1870s and 1880s as Viewed from the Stage WALTER J. MESERVE Theatrical Biographies of Eminent Actors and Authors F. C. WEMYSS, Compiler
Volume 3 Number 2 Spring 1991	Paul Green, The Lost Colony, and Native Son LAURENCE G. AVERY O'Neill's Hughie and Albee's The Zoo Story: Two Tributes to the Teller and His Tale SALLY HARVEY "No One is Alone": Society and Love in the Musicals of Stephen Sondheim ROBERT L. MCLAUGHLIN The Horse Drama, with Supernumaries: Bronson Howard's Semi-Historical Shenandoah PAT G. RYAN
Volume 3 Number 3 Fall 1991	New York's Theatre War of 1854: The Burton and Broadway Productions of A Midsummer Night's Dream MICHAEL L. GREENWALD S. D. Johnson; or, the Struggles of an Antebellum Actor/Playwright JACK HRKACH Staging the Unstageable: Theatrical Depictions of the Spanish Civil War JOHN D. SHOUT Alan Schneider's Direction of Who's Afraid of Virginia Woolf? LEWIS E. SELTON Count Joannes and the Nineteenth-Century Audience YVONNE SHAFER