JADT Volumes 10-12

Volume 10 Number 1 Winter 1998	David Belasco and the Scientific Perspective LEWIS E. SHELTON Effeminacy or Art? The Performativity of Julian Eltinge GERALDINE MASCHIO The Dining Room: A Tocquevillian Take on the Decline of WASP Culture BRUCE A. MCCONACHIE Theatre Arts Monthly and the Construction of the Modern American Theatre Audience DOROTHY CHANSKY The Mythologizing of American Regional Theatre VINCENT LANDRO
Volume 10 Number 2 Spring 1998	The Blue Rose of St. Louis: Laura, Romanticism, and The Glass Menagerie BERT CARDULLO Street Theatre Epiphanies: Maryat Lee and the Making of Dope! MICHAEL OLIVER Kaleidoscope of the American Dream RICHARD SCHARINE Psychic Space: The Interiors of Maria Irene Fornes SCOTT T. CUMMINGS From Coitus to Craziness: The Italian Premiere of A Streetcar Named Desire PHILIP KOLIN
Volume 10 Number 3 Fall 1998	Hidden Perspectivism: A Contemporary Nietzschean Approach to O'Neill's Days Without End ERIC M. LEVINE "Rise and Fall of the Moustache": Opera House and Culture in Late Nineteenth- and Early Twentieth-Century Appalachia WILLIAM F. CONDEE Paradox Now MIKE RIGGS Love in Black and White: Miscegenation on the Stage GLENDA GILL Sexual Symmetry and Moral Balance in William Inge's Bus Stop JEFF JOHNSON
Volume 11 Number 1 Winter 1999	Arthur Hopkins and the Neo-Romantic Perspective of Directing LEWIS E. SHELTON Lunchtime Follies: Food, Fun, and Propaganda in America's Wartime Workplace ROBERT C. ROARTY An I am Sheba me am (She be do be wah waaaah doo wah) O(au)rality, Textuality, and Performativity: African American Literature's Vernacular Theory and the Work of Suzan-Lori Parks KIMBERY D. DIXON Issues of Identity in Broken Glass: A Humanist Response to a Postmodern World SUSAN C. W. ABBOTSON Facing the Holocaust: Romulus Linney's Examination of Goering at Nuremberg JOHN FLEMING
Volume 11 Number 2 Spring 1999	Malice, Ignorance, and Good Intentions: The Struggle for Stability in the American Theatre during the 1850s WALTER J. MESERVE (Re)placing Lillian Hellman: Her Masculine Legend and Feminine Difference THERESA JOETTE MAY The Lost Premiere of Tennessee Williams's Eccentricities of a Nightingale RICHARD E. KRAMER ''Emasculating Tom, Dick, and Harry'': Representations of Masculinity in Susan Glaspell's The Verge CYNTHIA D. SMITH ''Beware of Tourists if You Look Chinese'' and Other Survival Tactics in the American Theatre: The Asian(cy) of Display in Frank Chin's The Year of the Dragon ROBERT JI-SONG KU
Volume 11 Number 3 Fall 1999	Domestic Formations in Antebellum Theatre in New York City WELDON B. DURHAM Critiquing the ''Huzza'': The Historiography of the Astor Place Riot JEFFREY ULLOM Maude Adams as Joan of Arc at the Harvard Stadium YVONNE SHAFER The Dramatic Magazine (May 1880 - August 1882), New York City FAY CAMPBELL KAYNOR Stella Adler: Teacher Emeritus JOANNA ROTTÉ
Volume 12 Number 1 Winter 2000	The Dilemma of Commitment: John Howard Lawson's The Marching Song JONATHAN CHAMBERS George Abbott and the Total Theatre Perspective of Directing LEWIS E. SHELTON Eugene O'Neill's ''New Men'' and the Theatrical Possibility: Strange Interlude and Ah, Wilderness! MICHAEL R. SCHIAVI Let's Get a Divorce: American Drama's Divorce Crisis, 1870-1925 RONALD WAINSCOTT What Does August Wilson Teach in The Piano Lesson? The Place of the Past and Why Willie Boy Knows More Than Berniece SUSAN C.W. ABBOTSON
Volume 12 Number 2 Spring 2000	Atom and Eve: A Consideration of Gertrude Stein's Doctor Faustus Lights the Lights SARAH BAY-CHENG Hair: The Legal Legacy JOHN H. HOUCHIN Import or Immigrant? The Representation of Blacks and Irish on the American Stage from 1767 - 1856 JENNIFER STILES Stereotypes and the Development of African American Drama LAWRENCE G. AVERY Questioning the Ground of American Identity: George Pierce Baker's The Pilgrim Spirit and Suzan-Lori Parks's The America Play ROBERT BAKER-WHITE
Volume 12 Number 3 Fall 2000	The Successful Career of Mae West on the American Stage YVONNE SHAFER Parables Against Religion: The Modern Miracle of Humanity in O'Neill's Dynamo Cycle MIKE RIGGS Masculine Mythology in Feminist Femininity: Molly Newman's and Barbara Damashek's Quilters BROOK BAETEN The Rhetoric of Race and Slavery in an American Patriot Drama: John Leacock's The Fall of British Tyranny MARK EVANS BRYAN Jig Cook: Stage Manager for an American Renaissance ROBERT BAKER-WHITE