JADT Volumes 16-18

Volume 16 Number 1 Winter 2004	Before Oklahoma!: A Reappraisal of Musical Theatre during the 1930s ALISA ROOST Ghosts and Follies MARVIN CARLSON Infelicities of Form In Zona Gale’s Miss Lulu Bett ALAN ACKERMAN “Stanley Made Love to Her!—by Force!”: Blanche and the Evolution of a Rape JOHN S. BAK An American Medley for New Haven? Or, Why Tony Aston Didn’t Go to Yale JUDITH MILHOUS
Volume 16 Number 2 Spring 2004	Avant-Garde and Modernist: Women Dramatists of the Provincetown Players: Bryant, Davies and Millay Barbara Ozieblo Fighting Disease, Seducing Cavalrymen and Achieving Modernity: Yellow Jack Robert F. Gross Kitchen Sink Realisms: American Drama, Dining and Domestic Labor come of Age in Little Theatre Dorothy Chansky Bodies, Voices, Words: Elmer Rice and the Cinematic Imagination Julia A. Walker Hawthorne’s Hester as a Red-Lettered Black Woman: Suzan-Lori Parks’s In the Blood and Fucking A Deborah R. Geis Bringing The Wall to Broadway Robert Franciosci
Volume 16 Number 3 Fall 2004	E/merging Territories: Latina/o Theatre and Performance Maria Delgado and CaridadSvich Shaping the Future of the American Voice Caridad Svich Sympathy for the Devil? Maria Irene Fornes and The Conduct of Life Stephen Bottoms The Stigmatized Body on Stage: Evelina Fernandez’s Dementia in relation to the AIDS Crisis Ashley Lucas The Politics of Ephemerality: Harry Gamboa Jr. in Conversation Jennifer Flores Sternad Brownout 2, with an Introduction by Elaine Katzenberger Guillermo Gomez-Pena Re-Shaping the Future: Afterthoughts on a Community Conversation Caridad Svich
Volume 17 Number 1 Winter 2005	Canned Cooking: Stage Actors, Screen Acting and Cultural Hierarchy in the United States 1912-1929 Sean P. Holmes Ethel Waters and Racial Sterotypes: Crafting a Career in the Pre-Civil Rights Era Peach Pittenger The Antiphon as Parody: Djuna Barnes and the Literary Tradition Penny Farfan Expansion, Expulsion and Domination: Jonathan’s Spatial Tactics on the Jacksonian Stage Maura L. Cronin-Jortner Neo-Slave Drama: Narratives of Resistance in Alice Childress’s Wedding Band Nghana Lewis
Volume 17 Number 2 Spring 2005	From Minstrel Shows to Radio Shows: Racism and Representation in Blackface and Blackvoice Daniel H. Foster The Transcendental Realism of American Verse Drama Sarah Bay-Cheng Go Tell it on the Stage: Blues for Mister Charlie as Dialectical Drama Nicholas K Davis Inhospitable Structures: Some Themes and Forms in Tennessee Williams Ehren Fordyce Dramatic Trans-formations: The Surrealism of Being Black and Female in Adrienne Kennedy’s The Owl Answers Nita N. Kumar Realism and Realpolitik in Eve Ensler’s The Vagina Monologues Erin Striff
Volume 17 Number 3 Fall 2005	Staging Versailles: Charles Mee and the Re-Presentation of History Jennifer Schleuter Susan-Lori Parks’s Staging of the Lincoln Myth in The America Play and Topdog/Underdog Verna Foster A Mid-Life Critical Crisi: Chiastic Criticism and Encounters with the Theatrical Work of Suzan-Lori Parks Rena Fraden Sean Combs’s 2004 Broadway Portrayal of Walter Lee Younger in Lorraine Hansberry’s A Raisin in the Sun: a Historical Assessment Glenda Gill
Volume 18 Number 1 Winter 2006	Our Kind: Albee’s Animals in seascape and The Goat or, Who is Sylvia? Deborah Bailin The Kidders and the Disappointment Club: A Critical Theme in Horton Foote’s The Young Man From Atlanta Robert Haynes On the Verge of a Breakthrough: Projections of Escape From the Attic and the Thwarted Tower in Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Susan Glaspell’s The Verge Anita Duneer “Waiting in the Wings”: Marxist Fantasia in Naomi Wallace’s Slaughter City Buell Wisner
Volume 18 Number 2 Spring 2006	A Funny Thing Happened on the Way to the Cross: Arthur Miller’s Resurrection Blues Katherine E. Egerton The Dangers of Memory in Arthur Miller’s I Can’t Remember Anything Susan C. W. Abbotson You Can’t Get a Man With a Gun – But You Can Get an Audience: Marketing Annie Oakley Valerie Joyce “Serving the Purpose Amply”: The Hanlon Brothers’s Le Voyage en Suisse Mark Codson
Volume 18 Number 3 Fall 2006	“May I Have a Drag . . . ?”: Mae West, Tennessee Williams, and the Politics of a Gay Identity John S. Bak Yankee Doodle Dixie: Performing Nationhood on the Eve of War Elizabeth Reitz Mullenix From M. Butterfly to Bondage: David Henry Hwang’s Fantasies of Sexuality, Ethnicity, and Gender Jon D. Rossini Pageant and Passion: Willa Saunders Jones and Early Black Sacred Drama in Chicago Erin Striff