Unnatural Conception: (Per)Forming History and Historical Subjectivity in Suzan-Lori Parks's The America Play and Venus
Sun Hee Teresa Lee

Neglected Playscripts, Hidden Talent: The Vaudeville Playlet
Alan R Havig

The History/Memory Discourse in Robert Sherwood's Reunion in Vienna
Attilio Favorini

Langston Hughes's Experimental and Revolutionary Theatre: Water Drawn from the Well of the People and Given Back to Them in a Cup of Beauty
Olga Barrios

"Never Born": Angelina Weld Grimke's Rachel as Ironic Response to Topsy
Robin Bernstein

"I am a mere business machine": The Individualization of the Heart in Bronson Howard's The Henrietta
Garrett Eisler

Pageant and Passion: Willa Saunders Jones and Early Black Sacred Drama in Chicago
Brian Hallstoos

Dislocations of Time and Space on the Early Twentieth-Century Broadway Stage
Leigh Kennicott

What Is It?: The Frontier, Melodrama, and Boucicault's Amalgamated Drama
Matthew Rebhorn

The Industry of Spectacle Entertainment: Imrew Kiralfy's Grand Dramatic Productions of The Fall of Babylon and Nero, or the Destruction of Rome in Staten Island
Susan Tenneriello

Beyond the Caricature: Harrigan, Hart, and Braham's Music and the Construction of New York Irish Identity
Michelle Granshaw

Hard Travel: American Encounters with the Modern Russian Theatre
Valleri Hohman