Volume 4
Number 1
Winter 1992 |
Expressionism
Takes the Stage: Dreiser's "Laughing Gas"
KIETH NEWLIN
Mike Gold's Theatre
GERALD
WEALES
Battle of
Angels: Margaret Webster Directs Tennessee
Williams
MILLY S. BARRANGER
Role-Playing and Authenticity in
Mid-Century Melodrama
BRUCE MCCONACHIE
Artistic and Social Dimensions of Black
Culture in the "Voodoo" Macbeth
KAREN C.
BLANSFIELD |
Volume
4
Number 2
Spring 1992 |
Chaos and Cruelty in the
Theatrical Space:
Horse Eats Hat,
Hellzapoppin', and the Pleasure of Farce in
Depression America
MARK FEARNOW
"He Drank from the Poisoned Cup":
Theatre, Culture and Temperance in Antebellum America
JOHN W.
FRICK
Roberto Rodriguez Suarez: Transcultural
Catalyst of Puerto Rican Drama
JOHN V. ANTUSH
Reverence and Repugnance: Willy Loman's
Sentiments Toward His Son Biff
ANNE STAVNEY
Katherine Corcoran and Margaret
Fleming: Exploring the Feminist Dynamic
ELIZABETH REITZ
MULLENIX |
Volume
4
Number 3
Fall 1992 |
The Dramatization of Native Son: How "Bigger" was
Reborn
CURTIS R. SCOTT
Challenging the Frontier Myth:
Contemporary Women's Plays About Women Pioneers
RICHARD
WATTENBERG
Charles S. Gilpin: The Actor Before the
Emperor
DAVID KRASNER
Drama Along the Turnpikes:
The
Earliest Theatrical Activity in the Villages of Central and Western New
York
JACK HRKACH |
Volume
5
Number 1
Winter 1993 |
"Reminiscences" by Nate
Salbury
Edited and Introduced by ROGER
HALL |
Volume 5
Number 2
Spring 1993 |
Voyages of
Discovery:
The Columbus Productions of Imre Kiralfy, E. E. Rice, and
Steele MacKaye
TIM FORT
"The Game of Politics": Edwin Forrest
and the Jackson Democrats
MARK E. MALLETT
Theatre on the Home Front: World War II
on New York's Stages, 1941-1945
SAMUEL L. LEITER
Ideology and Theatre at Hull-House
Under Jane Addams
MELANIE N. BLOOD
Pandemic and Popular Opinion: Spirochete in Seattle
BARRY B.
WITHAM |
Volume
5
Number 3
Fall 1993 |
The Meaning of Pictures:
Myth and American History Plays of the Great Depression, or, Lincoln Died
(So You and I Might Live)
MARK FEARNOW
Mrs. Trolloppe Visits the Theatre:
Cultural Diplomacy and Historical Appropriation
ROSEMARIE K.
BANK
Alan Schneider's Entrances: Autobiography,
Theatre, and Style in an American Frame
MICHAEL L.
QUINN
An Air of the Dream: Jo Mielziner,
Innovation and Influence, 1935-1955
HARRY W. SMITH
Madame Pace's Hats: Architecture and
the Creation of Drama
WILLIAM F. CONDEE |
Volume
6
Number 1
Winter 1994 |
Harold
Clurman and the Group Theatre
ROBERT BRUSTEIN
Occupational Hazards of the Playwright
During the Age of Jackson
WALTER J. MESERVE
Petticoat Governments: Early Women
Theatre Managers in the United States
J.K. CURRY
Depraved Women and Wicked Plays: Olga
Nethersole's Production of Sapho
JOHN H. HOUCHIN
Beyond ''A Curtain Chain of
Reasoning'': Wallace Shawn's Aunt Dan and Lemon
W.D.
KING |
Volume
6
Number 2 & 3
Spring/Fall 1994 |
Shaw's American
Inheritors
GERALD WEALES
The Forgotten Music of Triple-A Plowed Under, Power, and One Third of a Nation
DEBORAH
NOVAK
Garland Anderson and Appearances: The Playwright and
His Play
ALAN KREIZENBECK
The Search for America's National
Theatre at the Vivian Beaumont
WILLIAM FARICY
CONDEE
Ida Ruah: Power Player at the
Provincetown
CHERYL BLACK
"This Sort of Thing . . . " Productions
of Gothic Plays in America: 1790-1830
M. SUSAN
ANTHONY
Tennessee Williams's Plastic Theatre: Camino Real
CLAUS-PETER
NEUMANN |