Tadeusz Kantor: A Brief Chronology
DANIEL GEROULD

Memory by Tadeusz Kantor
Translated by MICHAL KOBIALKA

Tadeusz Kantor's Labyrinths of Memory
MICHAL KOBIALKA

There Was No Choice by Zygmunt Hübner
Translated by JADWIGA KOSICKA

On the Stages of Ukraine 1990: From Sholom Aleichem to Mykola Kulish
LARISSA ONYSHKEVYCH

Soviet Film
NICHOLAS RZHEVSKY

Glasnost on the Cuyahoga: The First Cleveland Film Conference
JAMES H. KRUKONES

REVIEWS

A Light From the East
MELINDA JO GUTTMAN

Cerceau at the Arena
LEO HECHT

Tango, by Slawomir Mrozek: Manticore Theatre, New York
JOEL BERKOWITZ

Kantor's Marionettes: Taking it Personally
AGNIESZKA PERLINSKA

Soviet and American Scholars Gather at Harvard Theatre Collection
MICHAEL YURIEFF

PAGES FROM THE PAST

Russian Drama and Performance in the United States Prior to the Arrival of the Moscow Art Theatre in 1923
Compiled by LAURENCE SENELICK

REVIEWS

Three Soviet Suicides
JOHN FREEDMAN

Diary of a Madman by Nikolai Gogol: Prop Theatre, Chicago
JEFF STEPHENS

The Lenigrad Leteiny Theatre's Lolita: A Review
SHIRLEY BURKE

Blue Nights of the K.G.B.
EDWARD DEE

Theatre in Prague and the Seventh Prague Quadrennial
ARNOLD ARONSON

Interview with István Eörsi
IMRE GOLDSTEIN

Meyerhold's Grave
ALMA LAW

Polish Theatre's Incomplete Transition: The Rape of Europe
KATHLEEN CIOFFI

Broadway in the Barren Land?
GREG GRANSDEN

PAGES FROM THE PAST

Meyerhold's Grave
ALMA LAW

REVIEWS

Caught Between Two Worlds: A Review of The Emigrants by Slawomir Mrozek at the Jean Cocteau Repertory, New York
SCOTT E. WALTERS

Seagull at the Arena Stage
MARINA J. B. PETER

'Funny and Sad Stories' GITIS of Moscow: Hunter College, New York
J. K. CURRY

REVIEWS FROM THE SECOND NEW YORK INTERNATIONAL FESTIVAL OF THE ARTS

Tattoo Theatre by Yugoslavia's Open Stage/Obala
CHRISTINE A. PINKOWICZ

The State Theatre of Lithuania's Uncle Vanya
JOEL BERKOWITZ

Tadeusz Kantor's Today is My Birthday by Cricot 2 at La Mama E.T.C.
EDWARD DEE

Largo Desloato by Václav Havel: Divadlo na zábradlí, Prague, September 1990. Directed by Jan Grossman
MICHAEL L. QUINN

Whose Side Are You On, Master Bulgakov?
AGNIESZKA PERLINSKA

Mrozek at the Playwright's Center, Minneapolis
ANTHONY BUKOSKI

Recreating a Tradition: Moscow's Sibilyov Studio
JOHN FREEDMAN

Today Is My Birthday: Tadeusz Kantor's Living Archive
AGNIESSZKA PERLINSKA

REVIEWS

Hungarian President's Iron Bars in New York City
PATRICK HENNEDY

Aleksandr Gelman's A Man With Connections at the No Curtain Theatre, Washington, D.C.
VERA BORKOVEC

Stanislavski in the Sticks
MICHAEL YURIEFF

Understanding the Language of the Theatre: Nekrosius's The Nose
JOHN FREEDMAN

Edinburgh Festival Report, 1991: The National Theatre of Martin, Czechoslovakia Baal, by Bertolt Brecht; The Dispute, by Pierre Marivaux
JAMES F. SCHLATTER

Some Moscow Premieres: The 1991-1992 Season
JOHN FREEDMAN

The European Cultural Month and the Witkacy Week: Cracow 1992
DANIEL GEROULD

The Yara Arts Group Works in Kiev
VIRLANA TKACZ

Meeting a Dream. . . Meeting Yourself
DMYTRO KROTELENETS

Theatre's Velvet Revolution
MELINDA JO GUTTMAN

Ghelderode Colloquium at the University of Cluj, Romania
DAVID WILLINGER

REVIEWS

Metro
EDWIN WILSON

The Suicide Comes 'Full Circle' in Cleveland
SCOTT T. CUMMINGS

Edvard Radzinsky's An Old Actress in the Role of Dostoevsky's Wife at the Jean Cocteau Repertory
PATRICK HENNEDY

Audience Discussion with Eve Adamson and Alma Law Following a Performance of An Old Actress in the Role of Dostoevsky's Wife

Edited by PATRICK HENNEDY

Havel's Vanek Plays at the Jean Cocteau Repertory
CHRISTINE A. PINKOWICZ

Yuri Lyubimov Directs in Helsinki
ALMA LAW

The First Anton Chekhov International Theatre Festival
JOHN FREEDMAN

Theatre-On-Podol: Kiev, Ukraine Repertoire and Performance Style
SUZANNE TRAUTH

Antigone Hangs Herself in Tompkins Square Park
JAN KOTT

PAGES FROM THE PAST

Zygmunt Hübner's Letter to Václav Havel
DANIEL GEROULD

REVIEWS

No Conductor and In Shadow
JANE HOUSE

Stanislaw Ignacy Witkiewicz's The Water Hen Performed at the Playground Theatre
DAVID CALLAGHAN

Iztok Kovac's Slovenian Performance Art
PATRICK HENNEDY

Kiev Season: Autumn 1991
VRENELI FARBER

A Glimpse into Anatoly Vasilyev's School of Dramatic Art
JOHN FREEDMAN

Grotowski at Fifty-Nine: The Ten-Day Conference at Irvine (August 1992) and the Six-Day Mini-Course at NYU (February 1993)
ROBERT FINDLAY

An Overview of the Romanian Theatre
TUDOR PETRUT

PAGES FROM THE PAST

Grotowski Visits Moscow (Photos)
ALMA LAW

Mikhail Chekhov's The Castle Awakens
MEL GORDON

REVIEWS

Mrozek's Tango by the Independent Theatre Co.
JOEL BASSIN

Cinema in Transition: Recent Films from East and Central Europe-Symposium
DAVID A. GOLDFARB

The Year of the Actor in Moscow
JOHN FREEDMAN

Grossman, Machácek, Schorm: The Loss of Three Major Czech Directors of the Late Twentieth Century
JARKA M. BURIAN

Jerzy Grzegorzewski: The Power of Images
ELWIRA M. GROSSMAN

The Wheel of Misfortune: Intrigue and Love at the Bolshoi Dramatic Theatre, St. Petersburg
MARIA IGNATIEVA and JOSEPH BRANDESKY

Creating the Dramatic Space: Blind Sight by the Yara Arts Group, New York
IRINIA MILLER

Ivanov and Others, Moscow
ELIZABETH SWAIN

REVIEWS

Chekhov at the Festival des Amériques, Montreal May/June 1993
JANE HOUSE

The Bedbug, Lehman College, New York
DANA SUTTON

Pinokio Theatre Drak (Czechoslovakia) at the Joseph Papp Public Theatre, New York
SHARI TROY

Orchestics: A Direction in Hungarian Movement Theatre. An Interview with Mária Tatai
ESZTER SZALACZER

Theatre Scholars Tour the Baltic States
MARVIN CARLSON

The Rise and Fall of the Youth Movement in Moscow: The Fomenko Studio and Others
JOHN FREEDMAN

Arthur Miller at the Theatre-on-Podol: A Crucible and a Coup
SUZANNE TRAUTH

International Conference on Jewish Theatre in Poland
MICHAEL STEINLAUF

Polish Theatre in the Nineties: Catastrophe and Hope
JULIUSZ TYSZKA

PAGES FROM THE PAST

Frolov on Tragicomedy
DANIEL GEROULD

Vladimir Frolov: Tragicomedy
Translation by LEONID CHECHELNITSKY and ROBERTA READER

REVIEWS

How Are Things in Bratislava?: The Slovak National Theatre Visits Ohio
SCOTT T. CUMMINGS

Nikolai Gogol's The Government Inspector at the National Actors Theatre, New York
DAVID CALLAGHAN

Ukrainka's Forest Song at La Mama, New York
ROXANA STUART

On Viewing a Production of Vladimir Gubaryev's Sarcophagus
CHARLOTTE J. HEADRICK with contributions by VRENELI FARBER

Mrozek's Chekhovian Tragicomedy Stirs Mixed Emotions
DANIEL GEROULD

Moving in New Directions: The Class of Expressive Plastic Movement
JOHN FREEDMAN

"Polish Theatre: From the Shadows of the Communist Past to the Challenges of the Democratic Future"
A Lecture by Kazimierz Braun, April 28, 1994, Bruno Walter Auditorium, Lincoln Center
DAVID A. GOLDFARB

PAGES FROM THE PAST

Restoring Theatricality to the Art of Theatre
LIVIU CIULEI

Liviu Ciulei's "Restoring Theatricality to the Art of Theatre"
HERBERT C. RAND

REVIEWS

SEEP Reviews of Chekhov Productions, 1981-1994

Clown Wanted by Romanian Playwright Matei Visniec
JANE HOUSE

Bulgakov's The Master and Margarita at the University of the Arts in Philadelphia
MARCIA L. FERGUSON

The Museum of Modern Art Presents Rarely Seen Soviet Films
DANIEL GEROULD

Moscow Trends: The 1993-1994 Season
JOHN FREEDMAN

Slava Polunin, President of the Academy of Fools
JOEL SCHECHTER

The Rustaveli Theatre Moscow Tour
JOHN FREEDMAN

IFTR Meets in Moscow
LAURENCE SENELICK

Witkiewicz Conference in Slupsk, Poland: September 16-18, 1994
DANIEL GEROULD

Polish Institute of Arts & Sciences of America Panel Discussion on Yiddish-Language Theatre in Poland
NAHMA SANDROW

Vladimir Frolov, 1917-1994
IRINA MILLER

PAGES FROM THE PAST

Lunacharsky and Melodrama
DANIEL GEROULD

What Kind of Melodrama Do We Need? by Anatolii Lunacharsky
Translated by DANIEL GEROULD

REVIEWS

From Lower Depths to Mountain Heights
MELISSA T. SMITH

Prague Theatre Four Years After the Velvet Revolution: The Veterans Remain
JARKA M. BURIAN

Tribute to a Very Small Theatre, or Eulogy for the Balustrade
VERONIKA AMBROS

Volodymyr Kuchynsky's Theatre of Inquiry
LARISSA M. L. Z. ONYSHKEVYCH

Eimuntas Nekrosius Brings Pushkin and Consternation to Moscow
JOHN FREEDMAN

REVIEWS

Seventy-Two Years Later: The Magnificent Cuckold at the "Satirikon" Theatre, Moscow
IRINA MILLER

Lev Dodin's Gaudeamus at Dartmouth College and Gorky in Vermont
MICHAEL YURIEFF

Sokurov's Tikhiye Stranitsy: The Labyrinthine Path from Literature to Film
MARC ROBINSON

The Problem with Anatoly Vasilyev
JOHN FREEDMAN

Theatrical Life in Budapest: A Snapshot
ESZTER SZALCZER

Kama Ginkas Directs Fyodor Dostoyevsky
JOHN FREEDMAN

PAGES FROM THE PAST

The Possessed Produced by Michael Chekhov on Broadway in 1939
LIISA BYCKLING

REVIEWS

The Beekeeper's Daughter: A Play on the Genocide in Bosnia
ODETTE BLUMENFELD

An Inspector Calls: Director Mark Weil's Journey from Tashkent to Honolulu
LURANA DONNELS O'MALLEY

Puzzling Theatre: Edvard Radzinsky's How to Murder a Man
PHILIP ALEXANDER

Approaching Grotowski's Work-Without-Witness
LISA WOLFORD

Cricoteka: Kantor's (Un)Resting Place in Theatrical History
JEFF LAWSON

Thoroughly Moderne Moscow
LAWRENCE SENELICK

Moscow Narrows its Sights and Hits the Mark: The 1994-1995 Season
JOHN FREEDMAN

PAGES FROM THE PAST

Tarkovsky, or the Burning House: Part 1
PETR KRAL (Translated by KEVIN WINDLE)

REVIEWS

The Comic Struggle for Ideology after Communism:
La Petite Apocalypse-Costa-Gavras and The Convert-Kazimierz Kutz
DAVID A. GOLDFARB

Mayakovsky's The Bedbug Adapted by Snoo Wilson
ELIZABETH SWAIN

Silviu Purcarete's The Tempest
MARVIN CARLSON

Havel's The Memorandum at the Independent Theatre Company
DAVID CRESPY and JULIE GOCHMAN

Antique Puppets and Ageless Tales: The Czechoslovak-American Marionette Theatres Production of The White Doe and other Stories
ESZTER SZALACZER