WES Volumes 17-19

Volume 17 Number 1 Winter 2005	Report from Barcelona Maria M. Delgado Three New Productions at Barcelona’s TNC and a Theme in Common Marion Peter Holt Acting, Writing and Directing in Barcelona: Angels Aymar Barbara Foley Buedel Paris Theatre 2004 Barry Daniels Theatre in Paris: The New Season, October 2004 Allan Graubard and Caroline McGee Truth and Lies in Paris: Corneille’s Illusion Comique and Horvath’s The Belvedere Marvin Carlson Angels in America: The Opera Barry Daniels Jean-Marie Chevret’s New Looks at Boulevard Comedy Phyllis Zatlin Summer Opera Under the Stars in Northern Italy Samuel T. Shanks Salzburg Festival 2004: Cutting Edge Productions. Glenn Loney High Art and Popular Culture in Berlin Yvonne Shafer In the Bleak Midwinter: Vienna and Munich. Erik Abbott The New New Bayreuth: Is this Really Necessary? Glenn Loney London Theatre, Summer 2004 Helen Huff Forced Entertainment and Others at London’s LIFT Festival Simon Breden Iphigenia at Aulis: An Offering Anna Keeling Measure for Measure Stephen Knapper Aladdin at the Old Vic Marvin Carlson Two Endings in London Yvonne Shafer
Volume 17 Number 2 Winter 2005	Paris Theatre: April 2005 Barry Daniels Report from Dublin Marvin Carlson Euripides’ The Bacchae by Kneehigh Theatre Judith Milhous A Quick May Visit to Stratford and London. Elizabeth Swain Shakespeare’s Henry IV at the National Theatre Scott McMillin Fathers and Sons: Don Carlos and Festen in London. Marvin Carlson Why do Euripides’ Hecuba? Judith Milhous The RSC’s Spanish Golden Age Season in London Lourdes Orozco And Now Playing in Madrid.Fall 2004.. Candyce Leonard Madrid Gets Physical: Six Productions in Spain’s Capital City Simon Breden Theatre in Valencia: looking back and moving forward.. Maria M. Delgado Berlin, Hamburg, and Hannover: a Winter Sampling Erik Abbott Electronic Environments in Berlin. Marvin Carlson
Volume 17 Number 3 Fall 2005	Festival Reports The 2005 Berlin Theatertreffen. Marvin Carlson Kriegenberg’s Nibelungen at the 2005 Berlin Theatertreffen Jens Christian Lauenstein Led 2005 German Festivals: Bayreuth and Munich. Glenn Loney The Recklinghusen Festival and the Ruhr Triennale. Roy Kift The 2005 Festivals in Bregenz and Salzburg Glenn Loney Avignon, 2005: Theatre or Something Else? Philippa Wehle Avignon Off 2005: Reunion or Truce—Transition, maybe. Jean Decock The 2005 Edinburgh International Festival Glenn Loney Performance of Religious and Civic Devotion in Elx.. Jenna M. Soleo Aristophanes’ Peace in Cyprus. George Panaghi Other Reports Paris Theatre, May-June 2005.. Barry Daniels The New Tartuffe at the Comédie Française Joan Templeton Sunny Response to Dany Laurent’s Storm Warning Phyllis Zatlin Shakespeare and Others, London and Stratford. Elizabeth Swain Deborah Warner’s Julius Caesar at the Barbican Centre. Robert Davis Barcelon via Madrid: Revisiting the Past and Prophesying the Future. Maria M. Delgado Madrid and Barcelona: May 2005 Phyllis Zatlin José Martin Recuerda: A Spanish Soul and a Granadian Spirit. Candyce Leonard The Threepenny Opera at the Maxim Gorki Theater, Berlin. Steve Earnest Interview with Maja Zade Steve Earnest
Volume 18 Number 1 Winter 2006	Theatre in Portugal Guest Editor: Maria Helena Serôdio Theatre in Portugal: A First Approach. Maria Helena Serôdio Gil Vicente: Poet and Artist of the Portuguese Golden Age Maria João Brilhante Theatre of the Cornucópia: A Passion for Word and Meaning. Maria Helena Serôdio CENDREV, 1975-2005: Thirty Years of Theatrical Decentralization Christine Zurbach Reinventing a Cultural Concept, Creating a Theatrical Reality: The Teatro Nacional S. João Directed by Ricardo Pais. Paulo Eduardo Carvalho When Producing Art is a Social Act: Artists United of Their Own Free Will. Sebastiana Fadda The Changeling Theatre: Madrid, Winter 2005 Simon Breden An Interview with Jeronimo Lopez Mozo: Memories of the Forgotten. Candyce Leonard Barcelona: Revisiting the Classics, Rewriting the Present. Maria M. Delgado Zeffirelli Directs Pagliacci at the Acropolis Marvin Carlson Paris Theatre, Fall 2005. Barry Daniels American Countercultures on London Stages. Josh Abrams and Jennifer Parker-Starbuck Old Wine in New Bottles: The UN Inspector and The Philanthropist. Marvin Carlson
Volume 18 Number 2 Spring 2006	Harold Pinter & Luca Ronconi in Turin. Glenn Loney Finding Pirandello in Six Characters. Patricia Gaborik L’Amante Inglese in Rome. Eleanor B. Ferrar An Endgame for Beckett’s Centennial: Celebrating Masterful Yet Meaningless Language. Patricia Gaborik Interview with Armando Nascimento Rosa.. Marvin Carlson Less is More: Barcelona’s Tenth Pocket Opera Festival. Lourdes Orozco Paris Theatre, May-June 2006. Barry Daniels Downsizing the London Musical, or Various Reckonings in Little Rooms. Bruce Kirle My Name is Rachel Corrie Jennifer Worth A Midsummer Night’s Dream in Weimar. Elfin Vogel
Volume 18 Number 3 Fall 2006	Festival Reports Recklinghausen Festival, 2006 Roy Kift Summer Festivals 2006: Vienna, Salzburg and Munich Glenn Loney The 2006 Berlin Theatertreffen. Marvin Carlson Report from Munich, Summer 2006. Steve Earnest Summer 2006 in Bayreuth, Bregenz, and Edinburgh. Glenn Loney Avignon Looks Forward: The Festival Celebrates Sixty Years. Philippa Wehle Avignon OFF 2006: The State of Things before Chaos. Jean Decock Paris Theatre, Spring and Summer 2006. Barry Daniels Barcelona’s Grec: A Change of Name and a Change of Direction. Maria M. Delgado Other Reports Madrid, May 2006: Where are the living characters? Phyllis Zatlin Invaders in the Castle: Odin Teatret’s Ur-Hamlet at Kronborg Castle, Elsinore, Denmark. Kurt Taroff Olivier Py’s La Grande Parade. Barry Daniel
Volume 19 Number 1 Winter 2007	Theatre in the UK Guest Editors: Josh Abrams and Jennifer Parker-Starbuck British New Writing Today Aleks Sierz It Only Hurts Because It’s True: Recent Live Art and Performance in the UK. Dominic Johnson Anywhere (No, Devon) Roberta Mock Janus-faced Theater: Glasgow 2006-07 Adrienne Scullion Accessible Shakespeare: Propeller Company’s Twelfth Night and Kneehigh Company’s Cymbeline. Jennifer Parker-Starbuck Purely Theatre: Deborah Warner and the Struggle for Communication. Josh Abrams The Personal Is Not Political: Caryl Churchill’s Drunk Enough To Say I Love You?. Dan Rebellato New Writing for the Theatre: A Public Discussion. Alecks Sierz Other Articles The 2006 Ibsen Festival in Oslo. Marvin Carlson So Much Less, So Much More: Richard Maxwell’s The Frame (Nach America!) Erik Abbott On or Off the Rails? The Ruhrtriennale 2006. Roy Kift Report from Berlin. Marvin Carlson Theatre and Ritual: A Conversation with Luk Perceval Thomas Irmer Leonard Bernstein’s Candide: Revived and Rewritten in Paris. Barry Daniels Madrid: The Catalans are in Town!. Maria M. Delgado Staging History, Time, and Memory: Two Plays by José Ramón Fernández on the 2006 Madrid Summer Stage Linda Materna
Volume 19 Number 2 Spring 2007	Paris Theatre, Fall 2006. Barry Daniels Paris Theatre, January-March 2007 Barry Daniels Equus Marvin Carlson The Centrifugation of Iconic Actors and Characters: Daniel Radcliffe/Alan Strang and Maggie Smith/The Lady from Dubuque. Thomas Meacham Madrid March 2007: Success Stories. Phyllis Zatlin Building the Illusory Theatre—Madrid 2007 Simon Breden Barcelona: Opera, Operetta, and Ibsen. Maria M. Delgado Spring in Berlin Marvin Carlson
Volume 19 Number 3 Fall 2007	Festival Reports 2007 Festivals in Salzburg and Bregenz Glenn Loney The Sixty-First Avignon Festival July 6–27, 2007 Philippa Wehle The 2007 Theatertreffen Marvin Carlson A Climate Change of Quantity and Quality–Recklinghausen 2007 Roy Kift Katherina Wagner’s Die Meistersinger at Bayreuth. Glenn Loney A Grec of Transition. Maria M. Delgado The 2007 Edinburgh Festival. Glenn Loney Other Reports Paris Theatre, Spring 2007. Barry Daniels Jango Edwards and Nouveau Clowns Ben Carney Playing with I giocatori Janice Capuana Summer 2007 at Teatro Experimental de Cascais in Portugal GraÇa CorrÊa Angels in America, Lyric Hammersmith, London July 2007 Ken Nielsen Ira Aldridge at the Old Vic. Marvin Carlson