WES Volumes 5-8

Volume 5 Number 1 Spring 1993	The Golden Bicentennial: Giorgio Strehler's Chioggia Brawls ROSETTE C. LAMONT Peter Stein at Salzburg: In Max Reinhardt's Footsteps? GLENN LONEY Theatre Leaders in Vienna Discuss the Arts GLENN LONEY A Mystery Cycle for the Modern World ILONA KOREN-DEUTSCH Renaissance Drama Comes to Life in Madrid SABINE MACRIS The Paris Season 1992-93 ROSETTE C. LAMONT The London International Mime Festival MARVIN CARLSON Report from London JOHN LOUIS DiGAETANI A Hamlet for Our Era? SAM ABEL Interview with Rolf Winkelgrund YVONNE SHAFER Robert Wilson's Alice SAM ABEL Ingmar Bergman's Peer Gynt HARRY G. CARLSON Report from Copenhagen MARY BAYLOR
Volume 5 Number 2 Fall 1993	Report from Finland MARVIN CARLSON Interview with Esa Kikkopelto MARVIN CARLSON France's National Theatres: Belt-Tightening Time ROSETTE C. LAMONT Peter Brook's L'homme qui... PHILIPPE WEHLE Interview with Jacques Lassalle COLETTE GODARD The Forty-Seventh Avignon Theatre Festival JUDITH MILLER Additional Observations on Avignon JEAN DeCOCK Ulrich Roloff-Momin on the Arts--Berlin GLENN LONEY The Closing of the Schiller Theatre SABINE MACRIS The Iceman Cometh at the Deutsches Theater YVONNE SHAFER Greek Productions in Germany GLENN LONEY The Berlin Theatertreffen 1993 JOHN ROUSE Bondy and Castorf Direct John Gabriel Borkman MARVIN CARLSON Report from London JANE HOUSE Interview with Antonio Buero-Vallejo CANDYCE LEONARD Interview with Guillermo Heras JOHN P. GABRIELE Serreau's Tuttosa e Chebestia at the Teatro di Genoa JANA O'KEEFE BAZZONI Fo and Ruzante at the Spoleto Festival UBALDO SODDU
Volume 6 Number 1 Spring 1994	Report from Portugal--Lisbon 94: European Capital of Culture VICKI RAAB Interview with Luís Miguel Cintra VICKI RAAB European Capital of Culture Productions, Lisbon, Portugal, 1994 Interview with Erland Josephson HARRY G. CARLSON Intimate Grand Opera: The Swedish Folksopera HARRY G. CARLSON London Theatre Diary, January 1994 JUDITH MILHOUS London: Treadwell, Churchill, Berkoff, Mime JANA O'KEEFE BAZZONI The Merchant of Venice at Stratford DANA SUTTON Report from Paris MARVIN CARLSON The End of Utopias: Maison d'arrêt (Olly's Prison) ROSETTE C. LAMONT Drama Directors on Bayreuth's Opera Stage GLENN LONEY New Productions in Berlin's Center YVONNE SHAFER Report from Vienna EVAN BAKER Ibsen's Ghosts at Oslo's National Theatret SARAH STANDING
Volume 6 Number 2 Summer 1994	The Theatre In the Netherlands: From Crisis to Crisis RUDY ENGLELANDER Actors of the Amsterdam Werkteater: Yesterday, Today, and Tomorrow DUNBAR H. OGDEN Dutch Theatre Memories 1969-1975 RHEA GAISNER Richard, Vanya, and James DAVID WILLINGER Interview with Gerardjan Rijnders DAVID WILLINGER Pierre Audi and Il Re Pastore at the Nederlandse Opera MARVIN CARLSON Theatre on Location in the Netherlands PETER EVERSMAN After-Images of Dogtroep JANE McMAHAN Suver Nuver and Negerangst MARVIN CARLSON The Trust: Looking for the Truth in Vain REZY SCHUMACHER Art en Pro: From a Marginal Theatre to the Post-Modern Establishment KAREL HUPPERETZ Interview with Jan Van Vlijman PAUL KAPTEIN Dutch Theatre Festivals ROBERT STEIN Maatschappij Discordia, the Best Theatre Critic JOOST STERNHEIM Alex d'Electrique OLA EL MAFAALANI Children's Theatre in the Netherlands DENNIS MEIJER
Volume 6 Number 3 Fall 1994	Report from Paris, Spring, 1994 ROSETTE C. LAMONT Diving into a Lake: Interview with Renata Ramos Maza MARIA SHEVTSOVA Langhoff in Paris MANUEL GARCÍA MARTINEZ The Forty-Eighth Avignon Theatre Festival: Angels in Avignon JUDITH MILLER Générik Vapeur on "The Paths of the Imaginary" JANE McMAHAN Three Belgian Quests SUZANNE BURGOYNE Classic Drama at the Vienna Burgtheater MARVIN CARLSON The 1994 Ibsen Stage Festival in Oslo LOUIS MUINZER Strindberg and Bergman at the Stockholm Festival HARRY G. CARLSON A Three Year Italian Success for Lucian MIRIAM GISOLFI D'APONTE Two from London's Royal National SARAH STANDING Patrick Mason and the Irish Repertoire at the Abbey BRIAN SINGLETON Interview with Patrick Mason BRIAN SINGLETON The Galway Arts Festival CHARLES DIETRICH
Volume 7 Number 1 Winter 1995	German Theatre After Reunification KARIN UECKER The Berlin Theatre YVONNE SHAFER Theatertreffen Berlin LYDIA STRYK Three Berliner Ensemble Productions EVA FORSTER Frank Castorf at the Berlin Volksbühne ANGELIKA CZEKAY Interviews with T. Langhoff, Hetterle, Rudolz YVONNE SHAFER Luc Bondy on Directing GLENN LONEY A Trio of Unusual German Theatres GLENN LONEY Leipzig and Berlin Theatres Explore Fascist Right MARNA KING Hamburg Dramaturgies KATRIN SIEG Theatre in München CHRISTOPHER BALME Beier's Romeo and Juliet in Düsseldorf MARVIN CARLSON Glaube Liebe Hoffnung and the Scene in Dresden WILLIAM GRANGE Theatre and Opera in Dresden YVONNE SHAFER The Theatre Scene in Frankfurt STEVEN G. VALK Report on the Staatstheater in Stuttgart ERICH HEINZ Sternheim's Burger Schippel and the Theatre Scene in Cologne WILLIAM GRANGE The Müllheim Theater Festival ROY KIFT Four Music/Theatre Festivals Auf Deutsch GLENN LONEY Alfred Kirchner's Ring Cycle at Bayreuth GLENN LONEY The Vogtland Theater in Plauen YVONNE SHAFER
Volume 7 Number 2 Spring 1995	A Dream Play in a Stockholm Cube HARRY G. CARLSON Stein's Oresteia at the Edinburgh Festival ARTHUR HOROWITZ Peter Stein on his Oresteia GLENN LONEY An Interview with Ernesto Caballero CANDYCE LEONARD A Play's Homecoming: Giorgio Strehler's L'Isola degli Schiavi ROSETTE C. LAMONT The Twenty-Sixth Tampere Theatre Festival ANNE AHTIAINEN and ANNUKKA RUUSKANEN Report from Paris ERIN HURLEY L'Amour en Crimée: Slawomir Mrozek's Epic Fresco ROSETTE C. LAMONT Nordey and Genet in Paris MARVIN CARLSON Agnès, directed by Catherine Anne MANUEL GARCÍA MARTINEZ Two New Mesguich Productions MARVIN CARLSON Theatre in London: January, 1995 JOHN LOUIS DiGAETANI Saints and Sinners on the London Theatre Scene JUDITH MILHOUS Patrick Mason brings Well of the Saints to Edinburgh GLENN LONEY Yvonne in Vienna: Anna Bennet ROBERT K. SARLOS Musical Theatre in Belgium YVONNE SHAFER Blauwe Maandag and Hugo Claus DAVID WILLINGER
Volume 7 Number 3 Winter 1995-6	Interview with Ariane Mnouchkine MARIA SHEVSTOVA Tartuffe and the Imams ROSETTE C. LAMONT Interview with Brigitte Jaques MANUEL GARCÍA MARTINEZ Interview with Claudia Stavisky MANUEL GARCÍA MARTINEZ Agathe Alexis' Self-Creation ROSETTE C. LAMONT Interview with Ewa Lewinson MANUEL GARCÍA MARTINEZ A Tale of Two Cities: Andrea Breth and Phyllida Lloyd LYDIA STRYK Phyllida Lloyd Directs Hysteria DIANA BARTH Interview with Katie Mitchell JANELLE REINELT Katie Mitchell's The Phoenician Women JANELLE REINELT Katie Mitchell's The Machine Wreckers MARVIN CARLSON Andrea Breth's Hedda Gabler MARVIN CARLSON Cash Registers and Kangaroos: Konstanze Lauterbach THOMAS ENGEL Interview with Pina Bausch GLENN LONEY Karen Beier's Midsummer Night's Dream and The Chairs MARVIN CARLSON Belgium's Nele Paxinou and Her Baladins du Miroir MALINDA COLEMAN Franca Rame, Woman of the 20th Century Theatre Par Excellence MIMI GISOLFI D'APONTE Fusion in the Theatre of Graziella Martinoli MIMI GISOLFI D'APONTE Dacia Maraini and Contemporary Italian Theatre MARCIA L. FERGUSON Women Directors: A Growing Presence on the Spanish Stage PHYLLIS ZATLIN Suzanne Osten and the Unga Klara Group HARRY G. CARLSON Birgitte Price, Drama Chief of the Danish Royal Theatre GLENN LONEY Women Directors in Norway: Edith Roger and Catrine Telle THORALF BERG The Intuitive Directing of Finland's Laura Jäntti SUNA VUORI
Volume 8 Number 1 Fall 1995	Holland’s Het theaterfestival SUSAN MASON Berlin, Bregenz, Bayreuth and Munich GLENN LONEY Theatertreffern Berlin LYDIA STRYK Productions in Belgium and Berlin YVONNE SHAFER The Bitches and Werewolves of Nieva’s Retable ROSETTE LAMONT Interview with Jérôme Savary MANUEL GARCIA MARTINEZ Report from London ELIZABETH SWAIN and MARVIN CARLSON Avignon’s Forty-Ninth Theatre Festival FRANCINE CONLEY A Summer View of Irish Theatre MIRIAM GISOLFI D’APONTE Festival Performances in Edinburgh GLENN LONEY Theatre and Opera in Venice and Rome JOHN LOUIS DiGAETANI
Volume 8 Number 2 Spring 1996	To America: Ronconi's Sturm und Drang at the Teatro Argentino MARCIA L. FERGUSON Grüber Directs Genet's Splendid's MANUEL GARCÍA MARTINEZ Letter from Paris, 1995-1996 ROSETTE C. LAMONT London Theatre: Highlights of the Fall Season DIANA BARTH Theatre in London: Winter 1996 JOHN LOUIS DiGAETANI Changes at the Royal Court ALAN WINSON Richard Eyre DIANA BARTH Esa Kirkkopelto and Tragedy in Finland PIRKKO KOSKI Copenhagen as Europe's 1996 Culture Capital GLENN LONEY Salesman in a Time Warp HARRY G. CARLSON Report from Germany: Berlin, Trier, Munich YVONNE SHAFER Report from the Ruhr MARVIN CARLSON Freedom: From Fidelio to Porgy in Bregenz GLENN LONEY Creating a New Voice: An Interview with Oliver Reese ELISABETH SCHULZ HOSTETTER
Volume 8 Number 3 Fall 1996	The Avignon Festival's Fiftieth Birthday PHILIPPA WEHLE Upcoming Productions in Paris Interview with Anne Delbée MANUEL GARCÍA MARTINEZ The Other Avignon JEAN DECOCK Doubled Myths by Mesguich MARVIN CARLSON Samuel Beckett at Ninety: Strasbourg International Festival ROSETTE C. LAMONT The Opening of the Fall Season in Paris CAROLINE McGEE Fifty Years 'Ruhrfestspiele'--A European Festival in Germany ROY KIFT Productions in Germany YVONNE SHAFER The Upcoming Season in Selected German Theatres Madrid, a Season of Diversity MARION PETER HOLT Erasmus Montanus at the National Theatre, Oslo LOUIS MUINZER Dance Dominates Edinburgh Festival GLENN LONEY Leipzig: A City and its Theatre Intersect MARNA KING One Week of Copenhagen's Culture Year GLENN LONEY Report from Dublin DIANA BARTH The Steward of Christendom at Dublin's Gate DIANA BARTH Interview with Donal McCann DIANA BARTH The 1996 Dutch Theatre Festival SUSAN MASON and MARVIN CARLSON