WES Volumes 9-12

Volume 9 Number 1 Winter 1997	The Catalans Invade the Madrid Stage PHYLLIS ZATLIN . . . And the Madrilenians Fight Back PHYLLIS ZATLIN A Homage to Buero-Vallejo at 80 MARION PETER HOLT José López Rubio, 1903 - 1996 MARION PETER HOLT Theatrical Politics and Political Theatrics in Barcelona SHARON G. FELDMAN Selected Theatre Listings in Madrid and Barcelona, 1996-97 Angel García Moreno: Director-Impresario of the Teatro Fígaro MARION PETER HOLT Interview with Alberto Miralles JOHN GABRIELE Diversity in Contemporary Spanish Theatre: Three Directors CANDYCE LEONARD Women Directors: An Important Force Throughout Spain's Theatre World PHYLLIS ZATLIN From Gags to Riches: The Uses and Abuses of Commedia NORMA BOWLES Interview with Playwright Fermín Cabal CANDYCE LEONARD Theatre in Galicia MANUEL GARCÍA MARTINEZ Paloma Pedrero: A Profile IRIDE LAMARTINA-LENS A Conversation with Rodrigo García JOHN GABRIELE Interview with Fernando Arrabal PETER PODOL
Volume 9 Number 2 Spring 1997	The 33rd Berlin Theatertreffen, May 1996 JOHN ROUSE Report from Berlin MARVIN CARLSON Leo De Berardinis Directs King Lear ANTONELLA Di NOCERA Report from London: Winter 1997 JOHN LOUIS DiGAETANI Jacques Nichet Directs Cocteau MANUEL GARCÍA MARTINEZ Two Peer Gynts in Paris MARVIN CARLSON Interview with Stéphane Braunschweig SOPHIE PROUST The 1996 Strindberg Festival in Stockholm ESZTER SZALCZER Sex and Gender in Stockholm SUE-ELLEN CASE The 1996 Ibsen Stage Festival in Oslo JOAN TEMPLETON The Production of Hamlet at the Västanå Theatre in Sweden FREDDIE ROKEM Epistemologies of Loss: Buried Child, The American Dream and A Lie of the Mind in Flanders JOHAN CALLENS Ludus Danielis in Maastricht ROBERT L. ERENSTEIN
Volume 9 Number 3 Fall 1997	Avignon: The Russians are Coming JEAN DECOCK Nathan the Wise: A Tranquil Force: Denis Marleau in Avignon JOSETTE FÉRAL Didier Bezace and Pereira Prétend BENJAMIN CARNEY Festival and Fringe in Edinburgh GLENN LONEY Two Festivals, Three Plays: Caryl Churchill in London and Edinburgh ROSE MALAGUE Spring Stages in Stockholm: Two Strindberg Productions EZSTHER SZALCZER Persephone at the Olympics: Robert Wilson in Munich CHRISTOPHER BALME Marthaler Meets Chekhov: Three Sisters, Volksbühne Premiere LYDIA STRYK Christoph Marthaler's Stunde Null oder Die Kunst des Servierens PHILIPPA WEHLE Interview with Frank Castorf YVONNE SHAFER Opera and Theatre in Berlin YVONNE SHAFER A Dissenter's View of The New Globe JUDITH MILHOUS Andalusian Theatre CANDYCE LEONARD Porgy and Bess on Lake Constance GLENN LONEY The Second Helsinki Act, May 1997 PHILIP AUSLANDER Visit to Galway DIANA BARTH Two Plays in Dublin, Summer 1997 GEORGE BERNSTEIN Claude Régy Directs Maeterlinck's La Mort de Tintagiles SUZANNE BURGOYNE Maeterlinck and Ibsen in Brussels LOUIS MUINZER Making the Invisible Visible: Julien Roy on Staging Maeterlinck SUZANNE BURGOYNE and CAROL McDANIEL
Volume 10 Number 1 Winter 1998	Italian Drama from the Post World War II Period to Today MARIO MORETTI Report from Northern Italy MARVIN CARLSON Harold Pinter: Two Italian Productions ANTONELLA Di NOCERA Laboratories and Carnivals: Notes on the Theatre in Venice PIERMARIO VESCOVO Brief Notes on the Theatrical Life in Naples ANTONELLA Di NOCERA The New Neapolitan Dramaturgy of the 1980s PAOLO SOMMIALO An Overview of Neapolitan Theatre GUILIO BAFFI Theatre as a Necessity: Interview with Mario Martone ANTONELLA Di NOCERA Rome: Among Institutional Theatre and Places of Experimentation DANIELE VIANELLO Luca Ronconi: The Karamazovs from Page to Stage DANIELE VIANELLO Italy's New Theatrical Legislation MARVIN CARLSON Molière for the Twenty-First Century NADINE PEDERSON Luca Ronconi-Eugene O'Neill: An American Tragedy PANAGIOTIS SFYRIS The Theatrical Company of Giorgio Barberio Corsetti ANNAMARIA SAPIENZA Where is the Italian Theatre Headed? CARLA CASTIGLIONE SESSI Theatre in Italy on the World Wide Web ERIN HURLEY Italian Experimental Theatre at Spielart '97 in Munich CHRISTOPHER BALME Report from Milan MARVIN CARLSON Romeo Castellucci's "Theatre of Cruelty": Orestea PHILIPPA WEHLE Recent Playwrighting in Italy MARIO FRATTI Expressing the Silence: The Theatre of Remondi and Caparossi ANTONIO PIZZO
Volume 10 Number 2 Spring 1998	Letter From Paris: Winter 1997-98 ROSETTE C. LAMONT Lucinda Childs and Robert Wilson: La Maladie de la Mort MARIA SHEVTSOVA Interview with Lucinda Childs MARIA SHEVTSOVA Festival Season in Munich GLENN LONEY Mediating the Body at Spielart 97: Munich's Festival of Experimental Theatre CHRISTOPHER BALME Berlin Productions During the Holidays YVONNE SHAFER Interview with Christine Meilitz YVONNE SHAFER The Stone Age is Over: Peter Stein Stages His Last Salzburg Shows GLENN LONEY Fresh Approaches to Modern Classics in Stockholm: Peer Gynt and The Father ESZTER SZALCZER London and Paris, 1998 JOHN LOUIS DiGAETANI Shakespeare's Globe Returns LOUIS MUINZER Theatre Without a Sense of Urgency: The 1996-97 Paris Season JOSETTE FÉRAL
Volume 10 Number 3 Fall 1998	Strindberg and O'Neill at the Stockholm Cultural Year Festival : Revisionism and Eroticism HARRY G. CARLSON Strindberg in Malmö, Sweden DEBRA L. FREEBERG Astrid Lindgren in Stockholm DEBRA L. FREEBERG The 1998 Ibsen Festival in Oslo LOUIS MUINZER Interview with Stein Winge MARVIN CARLSON A Touring Production at Rome's Teatro Orlogio MIRIAM GISOLFI D'APONTE The Sixth Festival of the Theatres of Europe, Thessaloniki KIKI GOUNARIDOU Jean-Pierre Miquel: On the State of Today's Comédie Française PETER SCHULMAN 52nd Avignon: Many (Happy) Returns JEAN DeCOCK Report from Paris MARVIN CARLSON Peter Brook's Return to Opera: Don Giovanni at Aix-en-Provence MARGARET CROYDEN Montemezzi's Love of Three Kings at the 1998 Bregenz Festival GLENN LONEY The Dresden International Music Festival EVAN BAKER Summer 1998 at the Royal National Theatre STEVE EARNEST Ibsen, McKellan, Nunn: The Stockmann Coup? MARY KAY NORSING Edinburgh's Traverse Theatre GLENN LONEY London and Edinburgh--Summer 1998 JOHN LOUIS DiGAETANI Yolanda Pallín's Lista Negra CANDYCE LEONARD and BARBARA BUEDEL Max Aub's San Juan Finally Reaches Its Destination PHYLLIS ZATLIN Sex and Politics in the Theatre of Alfonso Armada CANDYCE LEONARD
Volume 11 Number 1 Winter 1999	Index to Interviews Index to Special Issues General Index to Western European Stages, Volumes 1-10 Index to Contributors
Volume 11 Number 2 Spring 1999	The Paris Season: Winter, 1998-99 BRUCE KIRLE Beyond History: Postmodern Productions in Paris ROSETTE C. LAMONT Requieum pour Srebreniza in Paris BARBARA MASON and SUSAN MASON Directing on the Contemporary Spanish Stage CANDYCE LEONARD Barcelona Report: Shakespeare and Sanchis, Bene and Belbel MARION PETER HOLT Madrid: Buero's La Fundación at the Centro Dramático Nacional MARION PETER HOLT Fin-de-Siècle Berlin MARVIN CARLSON Berlin During the Holidays YVONNE SHAFER Interview with Thomas Ostermeier YVONNE SHAFER The 1998 Munich Festival GLENN LONEY Munich: A January Update MARVIN CARLSON Five Approaches to Theatre in Belgium DAVID WILLINGER A Post-Modernist Salzburg Festival GLENN LONEY The Hush Hush Ensemble and the London Fringe LES WADE Losing Consciousness in London MARK FEARNOW London: January 1999 JOHN LOUIS DIGAETANI Milan's Directors of Tomorrow CARLA CASTIGLIONNE SESSI The Dublin Festival: Words, Words, Words BEVYA ROSTEN Fall Festivals in Ireland GLENN LONEY Modern Medievalism at Danish Festival MARLA CARLSON
Volume 11 Number 3 Fall 1999	The Globe, 1999: A View from the Ground TERRY STOLLER Report from London ELIZABETH SWAIN India Song at Edinburgh JANELLE REINELT Performing Arts on Parade: Edinburgh Festival 1999 GLENN LONEY Avignon 99: Beyond the Apocalypse JEAN DECOCK La Balade du Grand Macabre: Doom and Dreams SUZANNE BURGOYNE Interviews with Alain Françon and Michel Vinaver ROSETTE C. LAMONT Casimir et Caroline at the Paris Colline MANUEL GARCIA MARTINEZ Austria's Major Summer Festivals: Salzburg and Bregenz GLENN LONEY The 36th Berlin Theatertreffen, 1-24 May 1999 JOHN ROUSE Theater der Welt 99, Berlin RALF E. REMSHARDT Dreaming Disasters in Germany: The Recklinghausen Festival ROY KIFT May 1999 at Schauspiel Leipzig STEVE EARNEST Spring 99 in Madrid: A Season of Spanish Revivals PHYLLIS ZATLIN Spanish Playwrights in Paris: May 1999 PHYLLIS ZATLIN Memories of Francisco Franco at the Close of the Century CANDYCE LEONARD Report from Athens MARVIN CARLSONA Roman Performance Space: Piazza di San Giovanni in Laterano MIMI GISOLLFI D'APONTE Belgium in August: The Eagle has two Heads? JEAN DECOCK Blood Wedding by Teatro Malandro, Geneva PHILIPPA WEHLE Western European Productions at the Cairo Festival MARVIN CARLSON
Volume 12 Number 1 Winter 2000	Trouble in the Swedish Theatrical Eden HARRY CARLSON Ingmar Bergman-Filmic Theatre Man and Actors' Director HARRY CARLSON and KARIN HELANDER Bergman's 2000 Production of Strindberg's Ghost Sonata KARIN HELANDER Theatre for Young Audiences - AND for Adults! KARIN HELANDER Dance in Sweden: Mats Ek and the Family Tree MARGARETA SÖRENSON Opera in Stockholm KARIN HELANDER Tradition, Revisionism and Renewal in the Swedish Theatre: Revisiting the Classic Canon HARRY CARLSON Spring 1999 in Madrid: Where are the Living Spanish Playwrights? PHYLLIS ZATLIN The 1999 Season at Shakespeare's Globe LOUIS MUINZER Berlin Theatre, November, 1999: Waiting for the Millennium MARVIN CARLSON Irish Festivals, 1999 GLENN LONEY
Volume 12 Number 2 Winter 2000	A Dionysian Explosion at the Cartoucherie ROSETTE CLÉMENTINE LAMONT Conversation with Hélèn Cixous ROSETTE CLÉMENTINE LAMONT Holiday in Paris GLENN LONEY The Burden of the Comic Heritage ROGER W. HERZEL Jacques Lassalle Confronts Brecht's Galileo ROSETTE CLÉMENTINE LAMONT Report From France MARVIN CARLSON Theatrical Events in Amsterdam, Berlin, and Schwerin YVONNE SHAFER Out of Time and Place: Spielart 99 in Munich CHRISTOPHER BALME Makbetas : Nekrosius between East and West DANIELE VIANELLO Berlin Musical Theatre: Disney's Hunchback Takes a Bow GLENN LONEY Report from Manchester JEFF JOHNSON Two Theatre Initiatives in Barcelona CARLES BATLLE An Athenian Production of Torquato Tasso MARINA KOTZAMAN
Volume 12 Number 3 Fall 2000	Festivals for the Millennium GLENN LONEY The Berlin Theatertreffen, Spring 2000 MARVIN CARLSON Musical Munich/Dramatic Munich GLENN LONEY The Avignon Festival, from the Baltic to the Balkans and Beyond PHILIPPA WEHLE Avignon OFF 2000—for the Common People JEAN DECOCK Paris: Millennium Summer BRUCE KIRLE The Millennial Edinburgh and Glyndebourne Festivals GLENN LONEY A Contentious Production of Valle-Inclán’s Barbaric Comedies MARIA M. DELGADO London: Millennium Summer BRUCE KIRLE Royal Offerings in London at the National Theatre and the Royal Court TERRY STOLLER The 2000 Season at Shakespeare’s Globe LOUIS MUINZER Violence and Innovation on the Holland Stage ROBERT SIMPSON MCLEAN Dutch Theatre Festival, 2000: Excellence despite lack of Innovation GRANT MCKERNIE A New Play from Ireland, A Bittersweet Meditation on Love and Life ROBERT SIMPSON MCLEAN A Streetcar Named Viettelys OUTI LAHTINEN AND JANELLE REINELT Spring 2000 in Madrid: Living Spanish Playwrights and the Calderon Centennial PHYLLIS ZATLIN Barcelona—The City of Theatre BETSY SHEVEY The Lliure’s Farewell Performance of The Cherry Orchard PHYLLIS ZATLIN Mannekins in Rome MIMI GISOLFI D’APONTE The 2000 Ibsen Festival in Oslo LOUIS MUINZER Report from Switzerland MARVIN CARLSON Voices at Kontakt in Torun HELEN WHITE