CJ Volumes 1-5

Volume 1	Front Matter Foreword "The Anatomy of the Close-up" "Some Literary Origins in the Works of Flaubert, Huysmans and Proust", 1-24 Gerald F. Noxon, Flaubert, Huysmans, Proust "The Parts of Cinema": A Definition, 25-39 Robert Gessner ----------------, 40-54 The Flute and the Arrow Arne Sucksdorff Review Author[s]: Robert Steele Part of a Study of "The Lights of New York", 55-65 Richard Griffith
Volume 2	Front Matter Porter and the Creation of Cinematic Motion: An Analysis of "The Life of an American Fireman", 1-13 Robert Gessner Art for "Whose" Sake?, 14-22 Arthur Knight "Cinema and Cubism" (1900-1915), 23-33 Gerald Noxon A Film-Maker's Approach to Aboriginal People, 34-60 Robert Steele
Volume 3	Front Matter Foreword, iii Norman N. Holland Some Notes on Cinematic Movements, 1-5 Robert Gessner Eisenstein's "Strike": A Study of Cinematic Allegory, 7-15 John B. Kuiper The Puzzling Movies: Their Appeal, 17-28 Norman N. Holland Pictorial Origins of Cinema Narrative: An Anticipation of Some Pictorial Narrative Techniques of Cinema in the Chinese Scroll Paintings of the Northern Sung Empire (A.D. 960 to 1126), with Particular Reference to the Scroll "The Ch'ing Ming Festival of the River" by Chang Tse-Twan, 29-43 Gerald Noxon The Library Organization of Printed Materials Having to Do with the Cinema, 45-71 Robert Steele Cinema and Scholarship, 73-80 Robert Gessner
Volume 4/5	Front Matter Foreword William J. Sloan The Evolution of the Chase in the Silent Screen Comedy, 1-8 Donald W. McCaffrey The Maturing Cinema, 9-19 Thorold Dickinson Pictorial Origins of Cinema Narrative: The Illusion of Movement and the Birth of the Scene in the Paleolithic Cave Wall Paintings of Lascaux, 20-26 Gerald Noxon A Reexamination of the Art versus Industry Question in the Light of Recent Developments Affecting Production Authority and Creativity, 27-30 Robert Gessner Film for Education: Considerations of Form, 31-36 Jack C. Ellis Report on a Study of Light Variables Measured as a Function of Time in the Cinema, 37-54 Robert Steele, Robert Logan The North Carolina Film Board: A Unique Program in Documentary and Educational Film Making, 55-65 Elmer Oettinger The Documentary Film and the Negro: The Evolution of the Integration Film, 66-69 William J. Sloan Some Observations on the Anatomy of the Long Shot: An Extract from Some Literary Origins of Cinema Narrative Being the First of a Series: Three Studies in Cinema, 70-80 Gerald F. Noxon Civil War Films: A Quantitative Description of a Genre, 81-89 John B. Kuiper An Approach to the Basics in Cinema: The ABC's of Teaching and Studying Film and Television, 90-95 Robert Gessner From a Toy to a Necessity: A Study of Some Early Reactions to the Motion Picture, 96-122 Jack T. Munsey