JADT Volumes 13-15

Volume 13 Number 1 Winter 2001	The Crook Play LYNN MARIAN THOMSON Korean Productions of A Streetcar Named Desire BYUNGHO HAN The Triumphs and Struggles of Earle Hyman in Traditional and Non-Traditional Roles GLENDA E. GILL Slaughtering Lambs: The Moral Universe of David Mamet and Wallace Shawn ROBERT COMBS Dubose Heyward and the Politics of Representation: A Mote in the Critical Eye JAMES POTTS
Volume 13 Number 2 Spring 2001	Aspirations, Challenges, and Accomplishments: America’s Literary Dramatists of the 1850s WALTER MESERVE AND MOLLIE ANN MESERVE Media Mania: The Demonizing of the Theatrical Syndicate VINCENT LANDRO The Yankee and the Veteran: Vehicles of Nationalism MAURA CRONIN “Wishing on the Eye of the Horse”: The Concept of “Entity” in Gertrude Stein’s Listen to Me ALICE PETERSEN William Dunlap’s A Trip to Niagara JULIAN MATES
Volume 13 Number 3 Fall 2001	“Thinking Makes It So”: Views and Uses of Shakespeare at the American Fins-de-Siècle, 1900/2000 DOROTHY CHANSKY A Lesson Before Dying: A Modern Existential Tragedy JOHN FLEMING The Sexual World of Paula Vogel ROBERT M. POST The Classical American Tradition: Meta-Tragedy in Oleanna DAVID V. MASON “The Battle-Shout of Freemen:” Edwin Forrest’s Passive Patriotism and Robert T. Conrad’s Jack Cade KARL KIPPOLA
Volume 14 Number 1 Winter 2002	Rent’s Due: Multiculturalism and the Spectacle of Difference DAVID SAVRAN “And the Rest is La History”: Autobiographical Strategies in The Colored Museum BRANDI WILKINS CATANESE Trampling the Native Genius: John Murdock versus the Chestnut Street Theatre HEATHER S. NATHANS When the “A” Word is Never Spoken: Fear of Intimacy and AIDS in Lanford Wilson’s Burn This RAY SCHULTZ Bob Cole’s Willie Wayside: Whiteface Hobo, Middle-Class Farmer, White Trash Hero MARVIN McALLISTER
Volume 14 Number 2 Spring 2002	Haunting the Social Unconscious: Naomi Wallace’s In the Heart of America BETH CLEARY “The Culture is the Body”: Suzuki Training and “American Aesthetics” of Anne Bogart’s SITI Company JULIA WHITWORTH Nelson Rodrigues and North America: A Case Study in Cultural Anthropophagy BRENDA MURPHY Listening with the Third Ear: Kabuki, Bharata Natyam and the National Theatre of the Deaf KANTA KOCHHAR-LINDGREN An Asian American in Thailand DAN KWONG Mayan Technology, Hactivist Performance: The Electronic Disturbance Theatre JILL LANE
Volume 14 Number 3 Fall 2002	Jim Crow Entertainment: The U.S.O. and World War II PAMELA BLOOM Where the Streetcar Doesn’t Run: The Black World of Tennessee Williams THOMAS D. PAWLEY To Break Down the Walls of Theatre: John Howard Lawson’s Roger Bloomer JONATHAN CHAMBERS Why They Loved the Ten, Twent’, Thirt’ BARBARA M. WALDINGER Elia Kazan and the Psychological Perspective of Directing LEWIS E. SHELTON
Volume 15 Number 1 Winter 2003	Mrs. Leslie Carter: “The Berhnardt of America” and the “Producer of Spectacular Plays” CRAIG CLINTON Professional Theatre in a Small Town? The Hippodrome Proves It Can Be Done MICK SOKOL An Entertainment of a Somewhat Novel Character ALICE M. ROBINSON Asking “Queer Questions,” Revealing Ugly Truths: Giles Corey’s Subversive Eccentricity in The Crucible J. CHRIS WESTGATE A Long and Winding Road JOHN HOUCHIN The Enigmatic God: Mask and Myth in Zoot Suit DANIEL DAVY
Volume 15 Number 2 Spring 2003	Introduction: The American Musical WILLIAM DEMASTES Assimilation and Dramatic Configurations in the American Musical STUART J. HECHT When Uncle Sam Invaded Broadway: Genre and Patriotism in the Critical Reception of Irving Berlin’s This Is the Army LAURIE SCHMELING Images of Women in American Musical Theatre: The 1920s LYN SCHENBECK Welcome Back to Berlin: Lessons in Staging the Holocaust from Cabaret, 1966 and 1998 HENRY BIAL A Different Drum: David Henry Hwang’s Musical “Revisal” of Flower Drum Song DAN BACALZO Song and Dance Men: New York Mayors in Musicals GARY KONAS
Volume 15 Number 3 Fall 2003	A Tribute to Vera Mowry Roberts Broadway’s Women on Trial: The McCarthy Years MILLY S. BARRANGER Strange Faces, Other Minds: Sartre, Miller and Clara JON TUTTLE “Nothing But a Man”: Leonard de Paur’s Legacy of Subtle Activism in Theatre and Music GLENDA E. GILL Theatrical Rescue in Harlem: Richard Harding Davis and John Drew at the Harlem Opera House, 1895 ROBERT C. VAN HORN “A Wallow in Slime”: The Attempt to Censor Tobacco Road in New Orleans JAY MALARCHER Rachel Crothers’ Ourselves: Feminist Dramaturgy in Brothel Drama KATIE N. JOHNSON