The Journal of American Drama and Theatre
Table of Contents
    Volume 21

Volume 19
Number 1
Winter 2007

Unnatural Conception: (Per)Forming History and Historical Subjectivity in Suzan-Lori Parks's The America Play and Venus
Sun Hee Teresa Lee

Neglected Playscripts, Hidden Talent: The Vaudeville Playlet
Alan R Havig

The History/Memory Discourse in Robert Sherwood's Reunion in Vienna
Attilio Favorini

Langston Hughes's Experimental and Revolutionary Theatre: Water Drawn from the Well of the People and Given Back to Them in a Cup of Beauty
Olga Barrios

Volume 19
Number 2
Spring 2007

"Never Born": Angelina Weld Grimke's Rachel as Ironic Response to Topsy
Robin Bernstein

"I am a mere business machine": The Individualization of the Heart in Bronson Howard's The Henrietta
Garrett Eisler

Pageant and Passion: Willa Saunders Jones and Early Black Sacred Drama in Chicago
Brian Hallstoos

Dislocations of Time and Space on the Early Twentieth-Century Broadway Stage
Leigh Kennicott

Volume 19
Number 3
Fall 2007

What Is It?: The Frontier, Melodrama, and Boucicault's Amalgamated Drama
Matthew Rebhorn

The Industry of Spectacle Entertainment: Imrew Kiralfy's Grand Dramatic Productions of The Fall of Babylon and Nero, or the Destruction of Rome in Staten Island
Susan Tenneriello

Beyond the Caricature: Harrigan, Hart, and Braham's Music and the Construction of New York Irish Identity
Michelle Granshaw

Hard Travel: American Encounters with the Modern Russian Theatre
Valleri Hohman

Volume 20
Number 1
Winter 2008

After the Emperor: Interracial Collaborations Between Provincetown Alumni and Black Theatre Artists, c 1924-1946

Cheryl Black

(Well, At Least) Lazarus Laughed - O'Neill, Religious Drama, and Stageability

Peter Civetta

I Remember Mama: La Mama's Past and Present in the 2006 The tooth of Crime Revival

Meredith Conti

The Shine of Egalitarian Morality: Staging a Connective Aesthetic in Robert Sherwood's Abe Lincoln in Illinois

Scott R. Irelan

Volume 20
Number 2
Spring 2008

Eggheads and Witches; Molly Kazan Boils the Left

Barry B. Witham

"It Sounds too Much Like Comrade"; The Preservation of American Ideals in Room Service

Sebastian Trainor

A Nation in Need: Revelations and Disaster Relief in The Federal Theatre Project

Elizabeth Osborne

Making it Real?: Theatre in times of Virtual Warfare

Ilka Saal

Singing Her Own Song: Writing the Female Press Agent Back Into History

Marlis Schweitzer

(Re)constructing Community and Identy: Harlem Experiemental Theatre and Social Protest

Adrienne C. Macki

Volume 20
Number 3
Fall 2008

Hooray for What!: A Glimpse into the Golden Age of Sexual Harrassment

Jennifer Jones Cavanaugh

From First Nighter to Essayist: The (dis)Establishment of/and Drama Critic John Mason Brown

Thomas F. Connolly

Take a Giant Step into (African) American Theatre History: Broadway's First "Universal" Drama

Melinda D. Wilson

William Thompson Price, the Uses of Science, and the Rhetoric of Early Modern American Dramaturgy

Stephen Weeks

Volume 21
Number 1
Winter 2009

Conflicting Ideological Interpretations of the Founding of the Stratford Festival

Joe Falocco

"Crusade of Conquest": Orientalist Surrogations in Manifest-Destinariam Theatre

Mark Evans Bryan

Eco-Epic Theatre: Materiality, Ecology, and the Mainstream

Miriam Kammer

Remembering and Revenging the Death of Christ: Adrienne Kennedy's Motherhood 2000 and the York Crucifixion

Leanne Groeneveld

Volume 21

Number 2

Spring 2009

Sectional Patriotism and Heroic Eloquence in William Gilmore Simms's Norman Maurice

Laura L. Mielke

Fantasies of a "Native Daughter": Seattle Repertory Theatre's Production of My Name is Rachel Corrie

Lisa Jackson-Schebetta

Molding a Heroine: Patience Wright and Transatlantic Notions of American Female Patriotism

Jennifer A. Kokai

Consuming "Little Girls": How Broadway and New York City Capitalized on Peggy Sawyer and Little Orphan Annie's Big Apple Dreams

Laura Pollard

El Gran Reto: Celebrity, Cultural Commodification, and Andean Citizenship

Jason Bush

Volume 21

Number 3

Spring 2009

"it is the Ugly That is so Beautiful": performing the Monster/Beauty Continuum in American Neo-Burlesque

Lynn Sally

Poverty, Philanthropy, and Polemics: Edward Sheldon's Salvation Nell and Theatre History

J. Chris Westgate

Dialogic Problems and Miscommunications: A Study of David Mamet's Oleanna

Ahmed S. M. Mohammed

Long Dong and Other Phallic Tropes in Hwang's M. Butterfly

John S. Bak

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