Faculty
Music program faculty, by department:
MUSICOLOGY
Allan W. Atlas 15th century; Puccini; free-reed instruments
Royal Brown film music
Ruth DeFord Italian madrigal; Renaissance theory
Raymond Erickson medieval theory; Baroque
Barbara Hanning late-Renaissance; early Baroque; opera
Sylvia Kahan 19th-century and 20th-century
French music
Richard Kramer 18th and 19th centuries
Tamara Levitz transnational modernism
Bruce MacIntyre Classical era; Haydn
Barbara Dobbs Mackenzie 18th century opera
Jennifer Oates, 19th-20th century British
music, women and music
Arbie Orenstein 20th century; French music
Antoni Pizà Spanish music; biographical studies
Ora Frishberg Saloman 19th century; French opera
Dennis Slavin 15th century, Renaissance
Anne Stone late 14th and early 15th centuries
Anne Swartz Romantic music; eastern European; women
composers
Jeffrey Taylor American music; jazz history
THEORY/ANALYSIS
Mark Anson Cartwright Schenkerian Analysis
L. Poundie Burstein Schenkerian Analysis, theories of form
Norman Carey scale theory, Schenkerian Analysis,
performance/analysis issues
David Gagné Schenkerian Analysis
Philip Lambert post-tonal analysis; Ives
Shaugn O’Donnell 20th Century;
transformational networks; rock music
Jonathan Pieslak 20th Century; critical
theory; popular music studies
William Rothstein Schenkerian Analysis; theories of
rhythm; theories of form
Mark Spicer popular music; postmodern
theory and aesthetics
Joseph Straus 20th century; Stravinsky; post-tonal theory
ETHNOMUSICOLOGY
Ray Allen music of urban America
Stephen Blum music of West and Central Asia, ethnomusicological analysis
Henry Burnett Japanese music
Barbara L. Hampton music of Africa, urban music
Peter Hollerbach, music of Indonesia
Peter L. Manuel music of India and the Caribbean; world popular music
COMPOSITION
John Corigliano
David Del Tredici
Hubert Howe
Tania León
Jeff Nichols
David Olan
Bruce Saylor
Amnon Wolman
PERFORMANCE
(for contact information of Performance teachers, contact
Prof.
Norman Carey)
Voice:
Richard Barrett, Jan Eric
Douglas, Susan
Gonzalez, Monica Harte,
Patricia McCaffrey, Norma
Newton, Janet Steele
Piano: Jeffrey Biegel, Martin Canin, Alison Deane,
Hugo Goldenzweig, Steven Graff, Gary Hammond, Ilya Itin, Sylvia Kahan, Ursula Oppens, Morey Ritt, Gerald Robbins Harpsichord: Raymond
Erickson
Violin: Liang Chai, Masao
Kawasaki, Daniel
Phillips, Naoko Tanaka, Neil Weintrob Viola:
John Dexter Cello: Marion Feldman, Frederick
Zlotkin, Vladimir Panteleyev, Ronald Thomas,
Marcy Rosen
Flute: Robert Dick, Bernard Goldberg, Tara O’Connor Oboe: Randall
Wolfgang, Sherry Sylar Clarinet: Charles
Neidich, Ayako Neidich Bassoon: Harry Searing Trumpet: Douglas
Hedwig French horn: David Jolley Trombone: Bruce
Bonvissuto, Michael Powell, Jack Schatz Percussion: Morris
Lang
Performance practice: Raymond
Erickson, Tania León, Maurice Peress
Music Programs • The Graduate Center, CUNY
365 Fifth Avenue • New York, New York 10016-4309
(212) 817-8590 • music@gc.cuny.edu
