Faculty:Musicology

Anne Stone
Assistant Professor, Queens College and the Graduate Center
(Ph.D., Harvard)

Aaron Copland School of Music
Queens College
Flushing, NY 11367
(718) 997-3820 
astone179@post.harvard.edu

Anne Stone is a musicologist specializing in the music of fourteenth- and fifteenth-century Italy and France. Her research interests include medieval music manuscripts, the "ars subtilior," medieval and Renaissance notation, the cultural history of music writing, and the relationship of song to late-medieval poetic subjectivity and autobiography.

REPRESENTATIVE PUBLICATIONS: 

The Manuscript Chantilly, Musée Condé, 564: Critical Study and Facsimile Edition. Co-Editor with Yolanda Plumley. (Paris: Minerve, 2003).

The Manuscript Modena, Biblioteca Estense, Alpha.M.5.24: Critical Study and Facsimile Edition. (Lucca: Libreria Italiana Musicale, 2002).

“The Composer’s Voice in the Late Fourteenth-Century Song: Four Case Studies” in Ciconia, musicien de la transition, ed. Philippe Vendrix (Paris: Klingksiek, in press).

"The Ars Subtilior in Paris," Musica e Storia, June 2002.

"Poetic Voice and Music Writing in Machaut: Some Remarks on Ballade 12 and Rondeau 14,” in Analysing Guillaume de Machaut, ed. Elizabeth Eva Leach (New York: Garland Press, 2002).

“Jean Cordier,” “Egardus, "Galiot," "Guido" entries for Die Musik in Geschichte und Gegenwart (2001- ).

Review of The Motet in the Age of Du Fay by Julie Cumming (Cambridge University Press, 1999), in Plainsong and Medieval Music, Spring 2001.

“A Singer at the Fountain: Homage and Irony in Ciconia’s Sus une fontayne” Music and Letters 83 (2001).

“Matteo da Perugia,” “Antonello da Caserta,” “Petrus Fabri,” entries for New Grove Dictionary of Music and Musicians, 7th edition (2000).