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COURSE DESCRIPTIONS
Fall 2006
RSCP. 72100 - Early
Modern Disseminations: Encounters with European Culture East & West GC: M,
6:30-8:30 p.m., Rm. TBA, 3/4 credits, Prof. Elsky, [96614] Cross listed with ART
75000/C L
80900 & ENGL 81000.
This course will explore the impact of contact
between European and non-European cultures in the Renaissance and Early Modern
period, an age of exploration and expansion. It will concentrate on the
transformations that occur when cultural forms originally associated with the
Italian city state move across borders via national states and empires to the
New World and the eastern Mediterranean, to Tenochtitlan and the Ottoman Empire.
We will begin by considering cartography as the European mapping of its own
internally dynamic geographical space and its relation to geographies beyond its
borders in the major English and Spanish cartographic projects. We will then
consider both the reciprocal effects of encounters between European and
non-European cultures on each other and the resulting hybrid forms expressing a
range from resistance, absorption, and synthesis.
Themes will include culture as forms in geographic motion, as well as issues of
authenticity, imitation, appropriation, and mimicry. Emphasis will be placed on
Italian English, French, and Spanish encounters with the New World and the
Ottoman Empire. Examples will be drawn from the historical, literary and visual
traditions, including case histories and the theory of the state and empire;
lyric, epic, travel narrative, and ethnographic description; prints, drawings,
architecture, and cartography.
Emphasis will be placed on critical approaches and research problems as
illustrated in readings from political and cultural history, literary criticism,
and art history as applied so such figures as Petrarch, Shakespeare, Columbus,
Las Casas, Oviedo, Cervantes, Garsilaso, Thevet, Léry.
This course satisfies a requirement for the Renaissance Studies Certificate
Program, but all students are welcome. Because this is a cross-disciplinary
course, students are encouraged to introduce material drawn from their home
discipline for discussion and assignments.
RSCP. 83100 - Women &
Learning in Early Modern Europe 1350-1750 GC: R, 6:30-8:30 p.m., Rm. TBA,
3/4 credits, Prof. King, [96615] Cross listed with HIST 74300.
From the fourteenth through eighteenth
centuries, European women emerged from the silence of the Middle Ages to become
eloquent, forceful participants in the mainstream of civilization. At first,
primarily those authorized by their holiness – nuns, mystics, tertiaries,
anchoresses – spoke of their visions and their mission.
Then, triggered by the first publication in 1361 of On Famous Women by
the Italian author Giovanni Boccaccio, there followed a stream of works, by both
men and women, defending the targets of a misogynistic tradition embedded in the
respected disciplines of law, medicine, philosophy, and theology.
By the early 1500s, the availability of the print medium and the maturation of
the European vernaculars permitted women authors to explore verse and prose
fiction, even as the querelle des femmes ("the debate about women")
soared to its climax in the first half of the seventeenth century.
By this date, writing by women and about women had moved from periphery to
center of European culture, and the major issues pertaining to women’s nature
and capacity had been addressed. These were the foundations on which Mary
Wollstonecraft erected her manifesto of 1792, challenging her contemporaries to
recognize the due rights of woman even as the French Revolution, then still in
progress, established the rights of man.
This course examines a few of the key works, originally in Latin and four
European vernaculars, that trace this story.
In addition to reading in common the works listed below (weekly readings will
average about 100 pages), students will prepare historiographical essays (15-25
pages) based on at least six monographs (or the equivalent), or similar project
with the instructor’s approval, due on the date of the scheduled final
examination.
Many of the assigned readings are available in inexpensive editions; the library
has been asked to place all works on reserve; some smaller selections will be
available on E-RES; and one work is available in full online. Online
bibliographies of relevant secondary works are available on my website at
http://academic.brooklyn.cuny.edu/history/king/BiblioWomen.htm
and
http://academic.brooklyn.cuny.edu/history/king/OVEMEBibliography.Secondary.050227.pdf.
Bibliographies and course website will be
updated by August 1, 2006. (Syllabus available in Certificate Programs Office,
Room 5109)
ART. 85010 - Italian Sculpture from
Michelanglo-Bernini GC: M, 4:15-6:15 p.m., Rm. TBA, 3 credits, Prof.
Richter, [96043] Permission of Ph.D. Program in Art History required.
This seminar focuses on the transition from
Renaissance to Baroque sculpture. The view of sculpture in the fifteenth century
was largely defined by Ghiberti in his Commentaries. For the sixteenth- and
seventeenth centuries the sources are considerably richer: Vasari and Condivi on
Michelangelo, The Autobiography of Benvenuto Cellini, and Baldinucci’s Life of
Bernini.
An examination of these primary sources will be followed by a study of
such major Florentine artists as Michelangelo, Jacopo Sansovino, Ammanati,
Bandinelli, and Cellini, along with the Northern sculptor Giovanni Bologna.
Shifting to Rome, students can focus on the early career of Algardi, Duquesnoy,
and Bernini. Classes will concentrate on the creation of new genres such as the
bronze statuette, the fountain, the colossus, and the emphasis placed on the
creation of innovative, decorative objects such as the Saleria of Cellini
(stolen from Vienna, but recently recovered).
We will also be exploring the
political, religious and social ambiance of Florence and Rome during the reign
of the Medici dukes and the pontificates of Sixtus IV, Julius II, and Urban
VIII.
Three (3) auditors permitted.
Course Requirements: 30 minute oral
presentation followed by a research paper (approx. 15 pages)
Preliminary
Readings:
John Pope-Hennessy, Italian High Renaissance and Baroque Sculpture
(London: Phaidon, 1st paperback edition, 2000).
The Autobiography of Benvenuto Cellini, trans. G. Bull (London: Penguin paperback, rev. ed., 1999).
Vasari, Life of Michelangelo.
C L. 71000 - Ariosto's
Orlando Furioso GC: R, 6:30-8:30 p.m., Rm. TBA, 3 credits, Prof. Fasoli, [96142]
ENGL. 81400 - Shakespearean
Economics GC: W, 11:45 a.m.-1:45 p.m., Rm. TBA, 2/4 credits, Prof. Di Gangi,
[96242]
This course will examine the
representation of economics in the drama of Shakespeare, and a few of his
contemporaries, from 1590-1610, when London theater was flourishing as a
business and England was beginning to emerge as an international economic power.
Economics will be broadly defined to encompass the financial, social, and sexual
dynamics of the household, the city, and the international market. We will
explore the dramatic representation of property (including stage properties and
the notion of the self as property), money, capitalism, mercantilism, class
conflict, nationalism, credit, debt, urban space, and questions of worth, value,
and ownership.
We will read the work of Marxist, materialist, and feminist
critics such as Douglas Bruster, Walter Cohen, Richard Halpern, Jonathan Gil
Harris, David Hawkes, Jean Howard, Natasha Korda, Lorna Hutson, and Theodore
Leinwand. Shakespeare plays might include 2 Henry VI (1591), The
Taming of the Shrew (1592), The Comedy of Errors (1592-94), The
Merchant of Venice (1596-97), Troilus and Cressida (1602), Measure
for Measure (1603), King Lear (1604-5), Timon of Athens (1607-8).
Non-Shakespearean plays might include Marlowe’s The Jew of Malta (1589),
Dekker’s The Shoemaker’s Holiday (1599), Heywood’s Edward IV
(1599) and The Fair Maid of the West (1600-1604), Jonson’s The
Alchemist (1610), and perhaps some civic pageants by Middleton.
FREN. 82000 - Femmes
ecrivant Renaissance GC: W, 6:30-8:30 p.m., Rm. TBA, 3 credits, Prof.
Sautman, [96255]
Quoique le canon littéraire, en
particulier pour la période ancienne ("early modern") ait beaucoup changé et
qu’il soit sous révision continue, la proportion des auteures par rapport à
leurs confrères masculins dans le corpus français au Moyen Age et à la
Renaissance reste infime, même comparé à des pays voisins, comme l’Italie. Aux
quelques écrivaines toujours étudiées, le nouveau canon a tout de même ajouté
plusieurs grands noms, et d’autres attirent l’attention au fil des travaux d’érudition
et de critique.
Ce cours prend acte de ces changements, et abordera un
groupe de six auteures couvrant la "grande" Renaissance,
à savoir, des femmes ayant écrit depuis le 15e
siècle à l’aube du 17e. Ecrivaines professionnelles (Christine de Pisan) ou
occasionnelles (la reine Marguerite de Valois), ou hauts personnages écrivant
par vocation (Marguerite de Navarre), les neuf femmes dans le corpus principal
incarnent des niveaux, des investissements, et des enjeux différents dans l’acte
d’écrire. Et bien que leurs propos éclairent ou polémiquent souvent sur le
statut de la femme, notre attention sera plutôt dirigée vers leur capacité
d’intériorité, sur les rapports entre intimité et extimité, sur les jeux de
miroir entre réel et représentation, sur l’acte d’écriture en tant que processus
autant que sur les écrits. D’où le titre "femmes écrivant," plutôt que "femme
écrivains/ écrivaines".
Le travail du cours comprendra des lectures substantielles; un travail de mi-trimestre;
un travail final basé sur recherches et critique/théorie, et une brève
presentation en classe du travail écrit de chacun/e.
Une bibliographie plus étendue avec textes premiers et ouvrages critiques/théoriques
sera distribuée à la fin du mois de mai. Le syllabus complet est distribué au
début du cours.
Les discussions sont en français, le travail à rendre par les étudiants du
programme de français aussi.
Students in programs outside of French may do all their
work, written and oral, in English.
Le cours est concentr é
sur les auteures suivantes:
Christine de Pizan 1364?-1431 (Advision Christine-
Livre de la cit é des dames.)
Marguerite de Navarre 1492-1549 (Heptaméron;
Comédies bibliques;
Chansons spirituelles)
Helisenne de Crenne (Angoysses douloureuses;
Epistres familieres et invectives)
Louise Lab é
1526?-1566 (Débat de Folie et
d’amour; élégies
et sonnets)
Jeanne d’Albret 1528-1572 (m émoires
et poesies: extraits)
Marguerite de Valois, de Navarre, de France 1553-1615 (correspondance,
m émoires:
extraits)
Madeleine Neveu, dame des Roches, 1520-1587 et Catherine
des Roches 1542-1587 (po ésie
et correspondance).
Marie de Gournay 1565-1645 (Proumenoir de Monsieur de
Montaign,e 1594 )
FREN. 87500 - Villon GC:
T, 4:15-6:15 p.m., Rm. TBA, 2 credits, Prof. Sautman, [96555] Course
meets October 10 - December 8.
The course is run as an independent
study, and will thus only register a small group of students to a maximum of
seven. Students from other Programs are welcome, but priority will be given to
students in the French Program, and permission must be given by the French
Program. Meetings are in French. Students outside of French may do their oral
and written work in English.
This is a workshop/seminar format and all participants, regardless of status,
must do at least the oral part of the work. Level 1 and 2-students must register
for credit.
Ce mini-séminaire se focalise sur le Testament de Villon (le Lais
ayant déjà fait l’objet d’un autre mini-séminaire) et aborde aussi les poésies
diverses. Son but est de développer chez les participants un sens critique aïgu
par rapport à l’oeuvre de Villon, d’apprendre à interpréter son oeuvre à de
multiples niveaux, parfois divergents, parfois simultanés, et de comprendre à la
fois sa modernité et comment l’insérer dans son temps.Une bibliographie
extensive sur l’état present des recherches sur Villon et une liste d’ouvrages
critiques essentiels pour le semestre seront distribuées avant la fin du mois de
mai aux étudiants déjà inscrits.
Travail à faire: un court exposé oral sur un passage de l’oeuvre; un travail
écrit incorporant approches théoriques et interprétation.
Problèmes et état présent des études sur Villon.- 2. Villon et les traditions
littéraires et scolastiques du Moyen Age. – 3. Villon et la culture populaire. –
4. Villon et les théories de l’échange. – 5. Villon et la psychanalyse. – 6.
"Queer Villon." – 7. Interpréter Villon: quelques ensembles textuels. – 8.
Interpréter Villon: application de modèles théoriques . – 9. exposés étudiants.
PHIL. 76300 -
Descartes/Spinoza/Leibniz GC: T, 9:30-11:30 a.m., Rm. TBA, 4 credits, Prof.
Wilson, [96333]
This course is a survey of the main
writings of Descartes, Spinoza and Leibniz. We will begin with a close reading
of Descartes’s Meditations, and follow up with a study of Gassendi’s
vigorous Objections to them and Descartes’s physical theory before
turning to Descartes’s two successors.
Emphasis will be placed on topics such as the following: 1) the 17th
century theory of substance and its relation to scientific developments of the
period;2) debates concerning the possibility of thinking matter and "mechanical"
life; 3) the god of the philosophers vs. the God of the theologians; 4)
determinism, motivation, and the status of the will; 6) perception and emotion;
7) the problem of immortality; 8) concepts of proof, certainty, and
demonstration.
We will be concerned with both the systematic unity of these three metaphysical
systems and with their various fissures, as well as with the overall question,
what if anything is characteristic of rationalist philosophers, their
assumptions, commitments, and mode of argumentation, by contrast with
empiricists?
Main Readings:
Descartes: Meditations, Treatise of
the World/Treatise of Man, Objections and Replies
Spinoza: Ethics
Leibniz: Discourse on Metaphysics, On
Nature Itself, New Essays (selections), Monadology and
Principles of Nature and of Grace.
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