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Renaissance Studies Certificate Program at the CUNY Graduate Center

FACULTY SPECIALIZATIONS

Allan Atlas, Music
15th century music; Puccini; free-reed instruments

Barbara Bowen, English
Feminism and materialist theory and criticism; early modern period, especially Shakespeare and women writers; postcolonial literature and theory

Marvin Carlson, Theatre; Comparative Literature
Dramatic theory and Western European theatre history and dramatic literature

Clare Carroll, Comparative Literature
Critical theory; comparative epic; early modern colonialization; Humanism; 16th century Italian literature

Raquel Chang-Rodríguez, Hispanic & Luso-Brazilian Literatures
Colonial literary studies with an emphasis on the Andean area

Joseph Dauben, History
History of science, history of mathematics; the Scientific Revolution; sociology of science; intellectual history, 17-18th centuries

Ruth I. DeFord, Music
Italian secular music; Italian madrigal; music theory of the Renaissance

Ottavio DiCamillo, Hispanic & Luso-Brazilian Literatures
Spanish literature of the Renaissance; Humanism

Jacqueline Di Salvo, English
Early modern literature; the Romantic movement; politics and psychology of poetics/religion; Milton and Blake

Martin Elsky, English; Comparative Literature
Early modern literature and history; Elizabethan/Jacobean print culture and the emergence of authorship; Renaissance language theory; 17th-century religious lyric; early modern trans-Atlanticism

Daniel Gerould, Comparative Literature; Theatre
European drama and theatre (Polish and Russian); genre studies; theatre theory.

Hermann Haller, Comparative Literature
Italian; Romance linguistics

Barbara Hanning, Music
Early opera;17th-century Italian music; musical iconography

Thomas Hayes, English
Shakespeare, Jonson; the metaphysical poets; Milton; mysticism; painting

Margaret L. King, History
Italian Renaissance; Humanism; women's history, history of childhood

Isaías Lerner, Hispanic & Luso-Brazilian Literatures
Spanish literature of the Renaissance and the Baroque

Michael Mallory, Art History
Italian Renaissance art

Richard McCoy, English
Late medieval and early modern periods; 16th- and 17th-century English literature; Skelton, More, Sidney, Shakespeare, Spenser, Milton; Renaissance and Reformation politics, religion, and culture; ritual and iconography; new historicism and cultural poetics.

Eloise Quiñones-Keber (Art History)
Pre-Colombian and Latin American art; Mesoamerican manuscripts; Aztec art before and after the Spanish conquest; issues surrounding encounter between indigenous and European traditions in the Americas


James M. Saslow, Art History & Theatre
Italian Renaissance and Baroque period, with special interests in generder and sexuality in art and the visual aspects of the theatre

Francesca Canadé Sautman, French
16th-century literature and ethnology; Francophone African literature; gender studies

Laurie Schneider-Adams, Art History
Art of the Italian Renaissance

Lía Schwartz, Hispanic & Luso-Brazilian Literatures;
Comparative Literature
Hispano-Classical relations in early modern Spanish literature, in particular, the work of Francisco de Quevedo (1580-1645)

Dennis Slavin, Music
15th century music; Binchois

Domna C. Stanton, French
17-century French literature and culture; Early-Modern
studies, women writers; critical theory, Feminist theory

Andrew Tomasello, Music
Historical musicology; French Ars Nova

John Van Sickle, Classics; Comparative Literature
Pastoral tradition; Latin poetry, epic-bucolic tradition

Catherine Wilson (Philosophy)
Early Modern philosophy; moral and political theory;
philosophy of literature

Joseph Wittreich, English
Milton; the Romantics (with special interest in Blake); the visionary tradition; theories of influence; reception theory; gay and lesbian literature and queer theory; narratology.

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