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Geoffrey Batchen
Professor of the History of Photography and
Contemporary Art
PhD
University of Sydney, 1991
gbatchen@gc.cuny.edu
Professor Geoffrey Batchen teaches at the Graduate Center, having
previously taught at the University of New Mexico and the University
of California, San Diego. His first book, Burning with Desire: The
Conception of Photography, presents a critique of postmodern and
formalist accounts of photography by way of a detailed analysis of
the medium's emergence in the late eighteenth and early nineteenth
centuries. This was the first study of photography to make extensive
use of the work of Michel Foucault and Jacques Derrida. His second
book, Each Wild Idea: Writing, Photography, History, comprises a
collection of his essays on photography and electronic culture,
further demonstrating the critical possibilities offered to art
history by deconstruction. In 2004 he curated an exhibition of
vernacular photographs for the Van Gogh Museum in Amsterdam, with a
subsequent tour to the National Museum of Iceland, the National
Museum of Photography, Film and Television in the UK and the
International Center of Photography in New York. The book that
accompanied the exhibition is titled Forget Me Not: Photography and
Remembrance. He is currently working on an anthology of essays
for The MIT Press about Roland Barthes' famous book, Camera Lucida.
Books:
Forget Me Not: Photography and Remembrance . Exh. Cat.
Amsterdam: Van Gogh Museum & Princeton Architectural Press, 2004.
Each Wild Idea: Writing, Photography, History. Cambridge,
MA: The MIT Press, 2001.
Burning with Desire: The Conception of Photography. Cambridge,
MA: The MIT Press, 1997.
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