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Professor Romy Golan has previously taught at Vassar College and Yale University. She has curated exhibitions and written catalogue essays for museums in the U.S., France, and Canada. She received the Samuel and Ronnie Heyman Prize for outstanding scholarly publication by Junior Faculty Members of the Humanities at Yale for her book Modernity and Nostalgia: Art and Politics in France between the Wars (Yale Univ. Press, 1995) and the Henry Allen Moe Prize for Catalogues of Distinction in the Arts for co-authorship of The Circle of Montparnasse: Jewish Artists in Paris 1905-1945 at the Jewish Museum, New York, 1985. Books and Articles: Muralnomad: The Paradox of Wall Painting, Europe 1927-1957. Yale University Press, 2009. Modernity and Nostalgia: Art and Politics in France between the Wars. Yale University Press, 1995. Co-author with Kenneth E. Silver.The Circle of Montparnasse: Jewish Artists in Paris 1905-1945. Universe Books, 1985. “The big picture,” in Tadao Ando Builds for Walter De Maria, Claude Monet, and James Turrell, The Chichu Art Museum, Japan, 2005 "From Monument to Muralnomad: the mural in modernist architecture" in The Built Surface: Architecture and Pictures from Antiquity to the Millenium, vol. 2, Karen Koehler ed., Ashgate Press, London, 2002 "L'eternel decoratif: French art in the 1950s" in Yale French Studies, The French Fifties, Spring 2001
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PhD,
Courtauld Institute of Art, 1989