All events on this page are open to the public. With the exception of major conferences as noted, all CLAGS events are free of charge. Pre-registration is not required unless otherwise stated in the event description.
CLAGS strives to make its events accessible. ASL interpretation can be provided for any CLAGS event if requested 10 or more working days prior to the event. All events in the Graduate Center are wheelchair accessible. We ask that attendees refrain from wearing scented products so that everyone can participate comfortably.
If you have other accessibility needs, please contact the CLAGS office,
with a relay operator when necessary, at (212) 817-1955 or email us at
clags@gc.cuny.edu.
CLAGS welcomes proposals for events relevant to lesbian, gay, bisexual, and transgender communities and scholarship.
In 2004, the Workers Party administration
of President Luiz Inácio “Lula” da Silva
launched “Brazil without Homophobia,” a
program calling for the adoption of public
policies to combat homophobia across
federal ministries. This presentation
examines the agenda implemented by
the Brazilian Ministry of Education. It will
review major measures taken through
educational courses, seminars, publications
of teaching resources, evaluations, and
national awards, as well as the political
relations and tensions among these
actors in the design and implementation
of policies.
Presenter: Felipe Bruno Martins Fernandes,
CLAGS Scholar-in-Residence
(2009-10)
Katz talks about expanding from
studying sexual history to creating
sexual art, reinventing himself, and
coming out as a visual artist at age
72, and he exhibits and discusses
examples of his sensual paintingdrawings
of male nudes. A wine and
cheese reception is included.
Co-Sponsored by the Center for
Lesbian and Gay Studies,
the LGBT Center, and SAGE
Lesbian, Gay, Bisexual & Transgender Community Center
208 West 13th Street
Room 101
New York. NY 10011
6:30pm
This panel highlights the release of
IGLHRCs’ report on homophobia and
transphobia in Senegal—a project
begun in mid-2008.
Panelists: Pape Mbaye -a Senegalese
refugee in the US
Selly Thiam
-CLAGS IRN Coordinator, None on
Record Diadji Diouf -prominent HIV/
AIDS activists and Cary Johnson
-Executive Director of IGLHRC
2010 marks the 100-year anniversary of
the birth of French writer/philosopher/
provocateur Jean Genet. To commemorate
the artist’s life and work, CLAGS is
pleased to welcome an esteemed panel:
Edmund White, acclaimed writer and
winner of the National Book Critics
Circle Award for Genet: A Biography
(1994); Dr. Wayne Koestenbaum, poet,
cultural critic, and Distinguished
Professor of English at the CUNY
Graduate Center; and Annette Michelson,
art critic and founding editor of the
journal October, translator of the French
avant-garde, and Professor Emerita of
cinema studies at New York University.
Panelists: Wayne Kostenbaum,
Edmund White, Annette Michelson
The panel will discuss the production of lesbian space and place in the 1970s, both urban and otherwise and within and without lesbian feminism, with a reception to follow from 8-10pm. We hope to touch on such topics as the roles of concepts of public and private, the politics, experiences, and uses of visibility and invisibility, and shifts in lesbian-feminist, butch-femme, and other dynamics throughout this period.
The event will be recorded and archived on the CLAGS site for future viewing, while the conversation itself will continue in an online mapping venue that those in New York City and beyond can contribute their own place markers with accompanying stories to record lesbian spaces over time throughout the world.
Moderator: Jen Gieseking
Panelists: Joan Gibbs, co-founder of Azalea and Dykes Against Racism Everywhere, Madeline Davis, co-author of Boots of Leather, Slippers of Gold: The History of a Lesbian Community, Stina Soderling, Ph.D. candidate at Rutgers, working on Lesbian Land, and Julie Enszer, Ph.D. candidate in Women’s Studies, University of Maryland and the founder of the Lesbian Poetry Archive
What strategies have activists taken
up to combat legal and extra legal
measures against sexual minorities
in Africa? This seminar will raise the
pressing set of issues facing sexual
minorities in various African countries
and also explore the ways in which local,
regional, and international organizations
have sought to make interventions. Presenter, Cary Johnson, (IGLHRC), and veteran
activist leads this seminar.
Presenter: Cary Johnson, Executive Director of the
International Gay and Lesbian Human
Rights Commission (IGLHRC)
Lesbian, Gay, Bisexual & Transgender Community Center
208 West 13th Street
Room 101
New York. NY 10011
6pm - 8pm
This series of talks by major poets,
curated by Tim Peterson and titled
in honor of Eve Kosofsky Sedgwick,
explores the relationship between
contemporary poetic manifesto, practice,
queer theory and pedagogy.
Featured Poets: Akilah Oliver, Kate Eichhorn,
Charles Bernstein
Lisa Jean Moore Professor of Sociology
and Women’s Studies, Purchase College,
will discuss her new book Missing
Bodies: The Politics of Visibility. In
Missing Bodies, Moore, with Monica
Casper, explores both the visibility and
the erasures of the body in the twentyfirst
century. Moore argues that a new
politics of visibility can lead to the overexposure
of some bodies—celebrities,
for example—and to the near invisibility
of others, such as people with AIDS,
illegal immigrants, and civilian casualties
in Iraq. Moore and Casper argue that
hierarchies of privilege are established
through cultural instances of disappearances
and inclusions of the physical
body and describes some of the social,
medical and economic consequences.
Presenter: Lisa Jean Moore Professor of Sociology
and Women’s Studies, Purchase College
Graduate Center
Sociology Lounge
Room 6112
12:00 - 1:45PM
Co-Sponsored by the Center for the
Study of Women and Society, the PhD
program in Sociology and CLAGS
“Plausible Optimism” addresses film
form and narrative, with an eye to asking
how embodied feeling might provoke
new social attachments, particularly
friendship. Two films, By Hook or By
Crook and Brokeback Mountain are
used to address friendship, culture and
political optimism. Both films are queer
class texts, and each promises something
quite different in the look, tale and
feel of friendship in contexts of antiqueer
constraint and class deprivation.
With this comparison, this talk seeks to
renew interest in friendship as embodied
feeling, social form and undersung
political resource. What can friendship’s
optimism do for cultural politics
that critical bleakness and romantic
melodrama—in life as in film—cannot?
Presenter: Lisa Henderson
Associate Professor, Department of
Communication, University of
Massachusetts, Amherst
Friday, February 26 ‘Spanking and Poetry’: A Conference on
Eve Kosofsky Sedgwick, Keynote
Professors Jonathan Goldberg and
Michael Moon from Emory University will
deliver the keynote entitled, “On the Eve
of the Future.” Professor Goldberg will
be discussing Sedgwick’s unpublished
work which he is editing for publication,
while Michael Moon will speak on the
continuing impact of Sedgwick’s work.
The conference will also include panel
presentations throughout the day on
Friday.
Graduate Center
Elebash Recital Hall
4:00 PM - 5:30 PM
Reception immediately to follow
English Lounge, Room 4406
Jonathan Metzl, Assistant Professor of
Psychiatry and Women’s Studies at the
University of Michigan and Director
of the Program in Culture, Health and
Medicine will discuss his book Prozac on
the Couch: Prescribing Gender in the
Era of Wonderdrugs. The book provides a
cultural history of psychotropic medications
from the 1950s to the 21st century.
Metzl argues that Freudian and heteronormative
notions of gender inform
both popular and biologic approaches
to depression. Seminar attendees will
also be introduced to Metzl’s new work
Protest Psychosis: Race, Stigma, and
the Diagnosis of Schizophrenia.
Graduate Center
Sociology Lounge
Room 6112
12:00 - 1:45PM
Sponsored by the Center for the Study of
Women and Society, the PhD program in
Sociology and CLAGS
In March 2010, the Commission on
the Status of Women will undertake a
fifteen-year review of the implementation
of the Beijing Declaration and
Platform for Action and the outcomes
of the twenty-third special session of
the General Assembly. This seminar
considers “Asia” as the site of this
conversation and discusses issues of
gender and sexuality in development
and human rights.
Lesbian, Gay, Bisexual & Transgender Community Center
208 West 13th Street
New York. NY 10011
7-9 PM
Juggling Gender Politics, Sex and
Identity: A Portrait of Jennifer Miller
And
A new video with Jennifer Miller fifteen
years later
Director: Tami Gold
Each 27 min, USA
A loving portrait of Jennifer Miller, a
lesbian performer who lives her life with a
full beard. Miller works as a performance
artist, circus director, clown and as
the “bearded lady” in one of the only
remaining sideshows in America. In
public she is often mistaken for a man,
an experience she handles with the wit
and intelligence that characterize her
stage performances. Juggling Gender
explores the fluidity of gender and
raises important questions about the
construction of sexual and gender
identity.
Screening to be followed by Q&A with
Tami Gold and Jennifer Miller
Special juggling act by Jennifer Miller
Thursday, March 11 Performing Queer America:
The Politics of Lesbian Comedy
CLAGS Lesbians in the 70s Series
How do lesbian comics perform America—
in other words, how is lesbian identity
and civil rights negotiated through
performance, particularly when faced
with cultural and legal exclusion in one’s
own nation? Drawing from the comedic
stylings of Robin Tyler and other 1970s
lesbian comics, this panel will examine
the socio-political issues explores by
lesbian comics. Special attention will
be given to the impact of early lesbian
comedy on contemporary lesbian humor
production, the strategies these women
impart for combating queer exclusion in
the national polity, and how we ought to
begin negotiating the politics of national
belonging (so we win).
2010 sees the fiftieth anniversary of
ground-breaking films such as La Dolce
Vita, Breathless, and L’Avventura. These
and other films of the period brought
with them a revolution in cinematic
language that reconfigured time and
space, and transformed perceptions
of reality. The aim of the Symposium
is to revisit this past through the lens
of aesthetics and design. The papers
will consider how a new aesthetics and
politics of style were born and how they
redefined cultural, gender, social class
and age boundaries. Fashion is always
a barometer of the transformations
that affect individuals and societies,
their taste, lifestyles, image, behavior,
politics of style.
Graduate Center
Segal Theater
Room C198
1-7 PM
Co-sponsors and Co-organizers:
University of Stockholm, Center for
Fashion Studies; The Center for the
Humanities; Concentration in Fashion
Studies; Women’s Studies; Film Studies,
Center for Gay and Lesbian Studies @
The Graduate Center, City University of
New York
Hardcore porn—both the straight and
gay varieties—entered mainstream
American culture in the 1970s as the
sexual revolution swept away many
of the cultural inhibitions and legal
restraints on explicit sexual expression.
Yet without the intense and extended
battles over obscenity and pornography
during the 1950s, the sexual revolution
of the 1960s and 1970s would never
have taken place. The increasing
acceptance of pornography during the
sixties and seventies played a significant
role in the sexual lives of gay men, even
more than it did among comparable
groups of heterosexual men. It helped
to legitimate visual representations of
homoerotic images and gay sex as well.
Bigger Than Life author Jeffrey Escoffier
and special guests from the gay porn
industry will talk about the origins of gay
porn cinema.
CLAGS Lesbians in the 70s Series
Talk and Reading with Barbara Hammer
Hammer! Making it in Sex and Movies is
the first book by influential filmmaker
Barbara Hammer, whose life and work
have inspired a generation of queer,
feminist, and avant-garde artists and
filmmakers. The wild days of nonmonogamy
in the 1970s, the development
of a queer aesthetic in the 1980s, the
fight for visibility during the culture wars
of the 1990s, her search for meaning as
she contemplates mortality in the past
ten years—this event celebrates her life
and work with clips of past work, a Q&A
and a reading from her forthcoming
book, Hammer! Making it in Sex and
Movies
Hosted at NYU
7-9 PM
Co-sponsored with Feminist Press and
Women and Performance: a journal of
feminist theory
Athenian vase-painting is one of our best
sources of information about pederasty,
the system of erotic relations between
adult men and adolescent boys
prevalent in ancient Greece. Prof. Lear
will examine the way vase-painters
portrayed pederastic desire and what
these images tell us about ancient views
of sex and sexuality.
Prof. Smith will explore poetic
representations of same-sex desire
in Constantinople where, amid fear
inspired by the Emperor Justinian’s
persecution of homosexuals, poets
adopted closeted strategies for
representing the unspeakable.
Panelists: Andrew Lear, Assistant Professor of Classics at
Pomona College, is co-author, with Eva
Cantarella, of Images of Greek Pederasty:
Boys Were Their Gods
Steven D. Smith, Assistant Professor of Classics
and Comparative Literature at Hofstra
University, and author of Greek Identity
and the Athenian Past in Chariton:
The Romance of Empire
Diagnoses of madness—in real life and
in art—are inextricably entwined with
social and cultural beliefs about gender
and sexual behavior. The portrayal of
operatic characters as mad relies on
contemporaneous understanding of
mental illness, as often resulting from,
or expressed in transgression of
normative gender roles or heteronormativity,
and this may apply either to
male or female characters. Megan
Jenkins explores such transgressions—
with regard to recent reconceptualizations
of madness within Disability Studies—in
three theatrical music works: Arnold
Schoenberg’s monodrama Erwartung
(1924); Kurt Weill’s ballet chanté, Anna-
Anna (1933), also known as The Seven
Deadly Sins; and Igor Stravinsky’s neoclassical
opera, The Rake’s Progress
(1951).
Be a part of the most exciting lgbt book event in the U.S. Join authors, poets, publishers, university presses, and the entire reading and writing community in this diverse spectacular of words, images, and talent. With over 8,000 square feet of exhibitions, events, mingling, and meeting authors and readers like yourself.
Outhistory Award Winner Presentation
Jonathan Ned Katz historian and
founder of OutHistory.org, will speak
about the history of anti-gay slurs, and
Darla Linville, Faculty Fellow in Education
at Colby College and winner of CLAGS
Monette-Horowitz dissertation prize,
will present her research on LGBTQ teens
and discourses of gender and sexuality
in high schools. This event is intended,
in part, to draw attention to the Gay
Lesbian Straight Education Network’s
annual No Name-Calling Week initiative.
Equality U is a feature-length documentary
following a group of 33 young
activists on the Soulforce Equality
Ride, a first of its kind, two-month,
cross-country tour to confront anti-gay
discrimination policies at 19 conservative
religious and military colleges. It is a
story of a group of young people struggling
to stand up for what they believe is right.
Can this small group of activists sow
the seeds of dialogue as their bus rolls
down the highway? How will the road
change them? For the Riders that identify
as both Queer and Christian, how will
the journey challenge or transform their
faith? And what happens to the outed
gay students they encounter and then
leave behind?
Thursday, April 15
I would rather be a Cyborg than a
Goddess: Intersectionality, Assemblage,
and Affective Politics with Jasbir K. Puar
Gender and Sexuality Seminar
In Terrorist Assemblages: Homonationalism
in Queer Times, Puar, Associate
Professor of Women’s and Gender
Studies at Rutgers University, utilizes
transnational feminist and queer theory
as well as poststructural and Deleuzian
theory to examine the deployment of
‘homonationalisms’ in US politics. Puar
links recent neoliberal politics of sexuality,
in which gay Americans are enfolded
into the nation-state through legal
recognition (marriage and reproductive
practices), with the production of populations
of Orientalized terrorist bodies.
She argues that ‘proper’ gay citizens are
produced in contrast with those who are
perversely sexualized and Orientalized,
particularly the “terrorist look-a-likes—
especially Sikhs, Muslims, and Arabs—
who are cordoned off for detention and
deportation.” Terrorist Assemblages
addresses racial profiling, Islamophobia
in queer politics, and the Abu Ghraib
photographs, among other topics; it is
recommended as background reading
for those attending the lecture.
Co-Sponsored by the Center for the
Study of Women and Society, the PhD
program in Sociology and CLAGS
Graduate Center
Sociology Lounge
Room 6112
12:00 - 1:45PM
CLAGS honors Joe Wittreich, and
generous supporter of CLAGS, on his
retirement from the English Department.
Chris Freeman, Paul Monette’s
authorized biographer and recipient
of the Monette-Horwitz Trust’s annual
award for distinguished work, will offer
a talk followed by reception.
Thursday, April 22
“Ladies and Gentlemen, Boyahs and
Girls: Uploading Transnational
Queer Subjectivities in the United
Arab Emirates”
CLAGS LGBTQ Colloquium Series
with Noor Al-Qasimi
This paper is concerned with queer
subjectivities and the development of
cyber technologies in the UAE. An
example of an increasingly visible
alternative narrative articulated within
the Arab Gulf States is the boyah
identity (butch identity), which has
gained increased visibility in recent
years on social networking sites such
as Facebook. This talk questions the
extent to which web-based expressions
of queer subjectivities operate with
reference to the parameters set by the
hegemonic order and how they are
challenged and/or tolerated. Parallel
to this analysis, the talk examines how
the UAE’s dilemma of maintaining its
global image has been thrust upon the
post-oil generation. The national moral
panic toward queerness is in effect a
response to this group’s endowment
with “autonomy” and its attendant
shouldering of the demands of selfregulation.
Saturday, April 24
Black Lesbian Herstory in the 70s:
An At Home Tour and Guide to the
Black Lesbian Herstory of the Collection
CLAGS Lesbians in the 70s Series
Please join us at the Lesbian Herstory
Archives where we will dig into select
Black Lesbian artifacts from the
Lesbian Herstory Archives collection,
specific to the lives of Black Lesbians
in the 1970s. A black-lesbian-specific
reading of unpublished papers, slide
show of images, short excerpts of
documentary film, and guided tour
specific to the black herstory of the
collection, will allow for discussion and
aid to the beginning of independent
research. Free and open to the public.
Black lesbians present in the 70s are
encouraged to attend and bring items
to donate to the collection.
Moderated by: Shawnta Smith Your Lesbian Librarian & Archivette of the
Lesbian Herstory Archives
What is a drag king? What is the Drag
King Conference? Simply speaking, a
drag king is a woman who dresses in a
male persona for theatrical purposes.
A Drag King Extravaganza, however,
reveals that being a drag king is not so
simple. During the last ten years this
performance art has exploded into a
complex and fascinating movement
which centralizes around an annual
drag king conference called the
International Drag King Community
Extravaganza (IDKE). Within this
conference, gender, sexuality, race
and ability are explored through indepth
discussions and provocative
performances. This documentary
provides a reflexive look at “what is
a drag king” and a personal journey
inside their conference.
All events on this page are open to the public. With the exception of major conferences as noted, all CLAGS events are free of charge. Pre-registration is not required unless otherwise stated in the event description.
All events at The Graduate Center are co-sponsored by Continuing
Education & Public Programs, The Graduate Center, CUNY.
All events in the Graduate Center are wheelchair accessible. Please
contact the security office at the Graduate Center at 212-817-7777
for further details.
Please call the CLAGS office at (212) 817-1955 for additional information
or arrangements.