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Events |
2002 EventsThe Music of Ernesto LecuonaPianist: Huberal Herrera
Pianist Huberal Herrera was born in Mayarí, near Holguín, and studied music at the Hubert de Blanck and Amadeo Roldán Conservatories. He holds a degree in law from the Universidad de La Habana. Herrera's professional career as a concert pianist began in 1954 with a recital of works by Cuban composers. He has since presented recitals at concert halls throughout his country and abroad featuring works by Carlos Fariñas, Héctor Angulo, Ernesto Lecuona, Neno González, Félix Guerrero, Hector Villa-Lobos, and Francisco Mignone. He has toured Europe, Asia, Africa, and the United States. As a composer, his oeuvre includes works for chorus, piano, voice and piano, and chamber ensemble. One of the foremost interpreters of the Cuban composer Ernesto Lecuona's piano musico, Herrera has investigated, researched, and transcribed Lecuona's works, including the revision of Lecuona's complete collection of piano compositions. This repertory encompasses more than eighty pieces which Herrera has presented as a three-recital series on various occasions. Recently Herrera has served as jury member at national and international piano competitions honoring Ernesto Lecuona. The Program was as follows: I - Cuatro Danzas Cubanas - Tres Valses II - Suite Andalucía
The son of a newspaper editor, Lecuona was taught piano by his older sister, Ernestina. All of his siblings--two sisters and two brothers--were musicians, and he was a child prodigy, debuting at the age of five. He attended the National Conservatory in Havana and received his certificate at the age of 15. He studied with Ravel in Paris briefly, then played recitals in the U.S. His first major composition, "Malaguena," was introduced by Lecuona at the Roxy Theatre in New York in 1927. "Andalucia," published in 1930, was later reintroduced with English lyrics as "The Breeze and I" in 1940. Following the success of Don Azpiazu's Havana Casino Orchestra, the first major Latin group to perform in the U.S., Lecuona formed the Palau Brothers Cuban Orchestra, and later renamed it the Lecuona Cuban Boys. This group met with great success in the U.S. and Europe before disbanding the band in the mid 1930s and appeared in the early sound film, "Cuban Love Song." Lecuona wrote in virtually every form, from cantatas to piano pieces, but his songs are by far the best remembers works. BMI lists "The Breeze and I" as a having received over one million airplays. Among his other popular songs are "Dust on the Moon," "Say Si Si," "Jungle Drums," "Always in My Heart," "Siboney," "La Comparsa," and "Maria My Own (Maria la O)." Lecuona was among the leading composers in early sound films, writing scores for numerous American and Latin American movies, including: "Under Cuban Skies," MGM (1931) Lecuona was named honorary cultural attache to the Cuban embassy in Washington in 1943 in recognition of his work as Cuba's cultural ambassador. He performed only occasionally after that, though. One might say that he anticipated the percussion craze with his 1943 work, "Black Rhapsody," which called for the orchestra to use "una quijada"--the jawbone of an ass. Lecuona prefered to live in ranches and farms in Cuba, raising small animals and exotic birds in his spare time. A lifelong bachelor, he pursued hobbies ranging from collecting antiques, cigarette lighters, and music boxes, reading Agatha Christie mysteries, following Cuban and American baseball leagues, and playing poker. He left Cuba for good in 1960... He maintained residences in New York City and Tampa and Tallahassee, Florida. He died in the Canary Islands after travelling there to vacation and attend a concert in his honor. He was buried at the Gates of Heaven Cemetery in Long Island (near New York City).
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Bildner Center for Western Hemisphere Studies |