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A Multi-Year Program on the Sixties Sponsored by the PhD Program in French March 27: The New Wave
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| The New Wave Projection of three movies followed by discussion, presentations and a panel on the ways French films in the Sixties and after foreshadowed or reflected the events of 1968 |
| 12.00-2.30 pm: projection, Le Diable probablement (1978) by Robert Bresson Followed by a presentation on post-68 disillusionment by Ivone Margulies, Associate Professor in the Film and Media Studies department at Hunter College and member of the Ph.D. program in Theatre at the Graduate Center |
| 3.00-5.00 pm : opening sections of La Maman et la Putain (1973) by Jean Eustache Followed by a presentation of the movie and its connection to the aftermath of May ‘68 by Sam Di Iorio, Associate Professor of French at Hunter College of CUNY |
| 5.15-6.45 pm : projection Pierrot le Fou (1965) by Jean Luc Godard Followed by a discussion and presentation on the premises of a cultural revolution in Godard’s masterpiece by Royal S. Brown, Chair of European Languages and Literatures at Queens College, and Professor of French, Film, and Music, at Queens College and the Graduate Center of CUNY |
| 7.00- 8.00 pm : Panel discussion with faculty and doctoral students on film and the Sixties |
The Sixties: Philosophies and Ideologies |
| Emmanuelle Loyer is professor of contemporary history at the Institut d'Etudes Politiques, Paris, and the author of, among other works, Mai 68 dans le texte (Complexe, 2008) Paris à New York: Intellectuels et artistes français en exil (1940-1947) (Hachette, 2007), and Le Théâtre citoyen de Jean Vilar, une utopie d'après-guerre (PUF, 1997). Peter Carravetta is A. D'Amato Professor of Italian Studies at Stony Brook, and author, among other works, of Prefaces to the Diaphora: Rhetorics, Allegory, and the Interpretation of Postmodernity (Purdue University Press, 1991), Il Fantasma di Hermes: saggio su metodo, retorica, interpretare (Milella, 1996) and The Sun and Other Things (Guernica, 1998). |
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