| Volume 11 Number 1 |
Marxism and Formalism in the Films of Luchino Visconti, 2-12 Walter F. Korte Jr. The 'Eastern' Writer in Hollywood, 13-47 John Schultheiss Symposium on Published Film Scripts The Values of Close Analysis, 48-52 J. Dudley Andrew Bergman and Anderson for Sophomores, 52-57 James M. Welsh Facing the Music in Scripts, 57-62 Douglas W. Gallez Book Reviews Cinema Journal ----------------, 63-65 The American Film Institute Catalog: Feature Films 1921-30 Kenneth W. Munden Review Author[s]: Timothy J. Lyons ----------------, 65-66 The Camera and I Joris Ivens Review Author[s]: Peter Harcourt ----------------, 67-68 A Short History of the Movies Gerald Mast Review Author[s]: Donald E. Staples ----------------, 68-71 Stardom: The Hollywood Phenomenon Alexander Walker The Great Movie Stars: The Golden Years David Shipman The Movie Stars Richard Griffith Review Author [s]: Kent R. Brown |
| Volume 11 Number 2 |
The Unknown Cinema of Britain, 1-8 Alan Lovell The Idea of Montage in Soviet Art and Film, 9-17 David Bordwell A Quantitative View of Soviet Cinema, 18-25 Steven P. Hill The Mysteries of Cocteau's "Orpheus", 26-33 Robert M. Hammond Cinema Journal Book Reviews ----------------, 34-37 Negative Space Manny Farber Running Away from Myself Barbara Deming Review Author[s]: John L. Fell ----------------, 37-40 The Name above the Title Frank Capra Review Author[s]: Russell Merritt ----------------, 40-42 The New Documentary in Action: A Casebook in Film Making Alan Rosenthal Review Author[s]: Peter Harcourt Orson Welles Maurice Bessy, Ciba Vaughn The Films of Orson Welles Charles Higham Review Author[s]: Linda Provinzano |
| Volume 12 Number 1 |
The Loss of Community: Six European Directors, 2-10 Peter Harcourt The "Heart of Darkness" in "Citizen Kane", 11-25 Hubert Cohen Dixon, Griffith, and the Southern Legend, 26-45 Russell Merritt Sinclair Lewis and the Movies, 46-56 Kenneth W. Munden "Touch of Evil": Style Expressing Content, 57-63 Eric M. Krueger Cinema Journal Book Reviews ----------------, 64-66 Movies and Society I. C. Jarvie Review Author[s]: Calvin Pryluck D. W. Griffith: His Life and Work Robert M. Henderson D. W. Griffith: The Years at Biograph Robert M. Henderson Focus on D. W. Griffith Harry M. Geduld Focus on The Birth of a Nation Fred Silva Review Author[s]: Ron Mottram Focus on Citizen Kane Ronald Gottesman Focus on Blow-up Roy Huss Focus on The Seventh Seal Birgitta Steene Focus on Chaplin Donald W. McCaffrey Focus on Hitchcock Albert J. LaValley Review Author[s]: H. Wayne Schuth The Documentary Tradition--From Nanook to Woodstock Lewis Jacobs Documentary Explorations: Fifteen Interviews with Film Makers G. Roy Levin Review Author[s]: Peter Harcourt |
| Volume
12 Number 2 |
Japanese Swordfighters and American Gunfighters, 1-21 J. L. Anderson "This Is America": Documentaries for Theaters, 1942-1951, 22-38 Richard Meran Barsam Grierson at University, 39-47 Jack C. Ellis "Kes" and the Press, 48-55 William Stephenson Darling, This Is Bigger than Both of Us, 56-64 John L. Fell Cinema Journal Book Reviews ----------------, 65-66 Graham Greene on Film: Collected Film Criticism, 1935-1939 John Russell Taylor Review Author[s]: Judy Adamson Dictionary of Film Makers Georges Sadoul, Peter Morris Dictionary of Films Georges Sadoul, Peter Morris Review Author[s]: Edwin Jahiel The Art of the Moving Picture Vachel Lindsay A Discovery of Cinema Thorold Dickinson Review Author[s]: Kristin Thompson A Mirror for England Raymond Durgnat Lindsay Anderson Elizabeth Sussex Review Author[s]: Mark Johnson The Celluloid Weapon; Social Comment in the American Film David Manning White, Richard Averson The Complete GREED Herman G. Weinberg Review Author[s]: James Spellerberg The German Cinema Roger Manvell, Heinrich Fraenkel Review Author[s]: John Hess |
| Volume 13 Number 1 |
The Eisenstein-Prokofiev Correspondence, 1-16 Ronald Levaco Object-Subject Relationships in German Expressionist Cinema, 17-24 John S. Titford Game Theory and "The Rules of the Game", 25-34 George A. Wood Jr. Sound Track: "The Rules of the Game", 35-44 Michael Litle Luis Bunuel: The Process of Dissociation in Three Films, 45-48 Elisabeth H. Lyon Cinema Journal Book Reviews ----------------, 49-51 The American Newsreel, 1911-1967 Raymond Fielding Review Author[s]: Douglas W. Gallez Horizons West Jim Kitses Underworld USA Colin McArthur Review Author[s]: Michael Budd Eadweard Muybridge: The Man Who Invented the Moving Picture Kevin MacDonnell Eadweard Muybridge, The Stanford Years, 1872-1882 Anita Ventura Mozley Review Author[s]: Richard H. Martin The International Encyclopedia of Film Roger Manvell, Lewis Jacobs Cinema Booklist George Rehrauer A Reference Guide to Audiovisual Information James L. Limbacher Guidebook to Film Ronald Gottesman, Harry M. Geduld Review Author[s]: Frank Manchel |
| Volume 13 Number 2 |
About Bergman: Some Critical Responses to His Films, 1-10 Birgitta Steene The Torment of Insight: Youth and Innocence in the Films of Ingmar Bergman, 11-22 Stuart M. Kaminsky Devils in the Cathedral: Bergman's Trilogy, 23-33 William Alexander From "L 136": A Diary of Ingmar Bergman's "Winter Light", 34-40 Vilgot Sjoman Susanne Langer's Film Theory: Elaboration and Implications, 41-54 Courtenay Wyche Beinhorn Cinema Journal Book Reviews ----------------, 55-58 Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films Donald Bogle The Only Good Indian... The Hollywood Gospel Ralph E. Friar, Natasha Friar Everything and Nothing: The Dorothy Dandridge Tragedy Dorothy Dandridge, Earl Conrad Blacks in American Films: Today and Yesterday Edward Mapp Blacks in the Cinema: The Changing Image Jim Pines Review Author[s]: Thomas Cripps Jean Renoir: The World of His Films Leo Braudy Jean Renoir André Bazin, W. W. Halsey II, William H. Simon Review Author[s]: William Gilcher Filmguide to The Rules of the Game Gerald Mast Review Author[s]: William Rothman |
| Volume
14 Number 1 |
Cultural Identity and Film in the European Economic Community, 2-17 Thomas H. Guback The Financing of Film Production in Europe, 18-25 Eitel Monaco Films and European Competition Law, 26-31 Neville Hunnings EEC Documents, 32-33 The Evolution of Eisenstein's "Old and New", 34-50 Vance Kepley Jr. Filming Inner Life: The Works of Robert Enrico, 51-59 Thomas Simonet, Robert Enrico Cinema Journal Book Reviews ----------------, 60-63 Le Western Jean-Louis Leutrat Univers du Western George-Albert Astre, Albert-Patrick Hoarau Westerns Philip French Focus on the Western Jack Nachbar Review Author[s]: Dean McWilliams Graham Greene: The Films of His Fiction Gene D. Phillips Review Author[s]: Judy Adamson The History of World Cinema David Robinson The Classic Cinema: Essays in Criticism Stanley J. Solomon Film Theory and Criticism: Introductory Readings Gerald Mast, Marshall Cohen Review Author[s]: Timothy J. Lyons American Film Criticism: From the Beginnings to Citizen Kane Stanley Kauffmann, Bruce Henstell The Origins of American Film Criticism, 1909-1939 Myron Lounsbury Movies in America William Kuhns The Art of the American Film, 1900-1971 Charles Higham Reel Plastic Magic: A History of Films and Film-Making in America Laurence Kardish Review Author[s]: Richard Dyer MacCann Freeze Frame: A History of the American Film Joseph Dispenza Fifty Years of Film James R. Silke, Rory Guy Fifty Years of Film Music James R. Silke, Rudy Behlmer Review Author[s]: R. D. M. |
| Volume
14 Number 2 |
[Editorial Note] Introduction, 1-2 Eileen Bowser Influences between National Cinemas: Denmark and the United States, 3-10 Ron Mottram A Method of Reconstructing Lost Films, 11-15 Gosta Werner Early Stage and Screen: A Two-Way Street, 16-19 George Pratt From a Written Film History to a Visual Film History, 20-24 Vladimir Petric Formal Strategies as an Index to the Evolution of Film History, 25-36 Ted Perry Next Steps in Film History Research, 37-39 Yon Barna Toward a New Film History, 40-41 Jay Leyda The Future Film Historian: Less Art and More Craft, 42-46 Thomas Cripps Transcript of Discussion, 47-63 John Kuiper, Jacques Ledoux, Wolfgang Klaue, A. Ruszkowski, Vladimir Petric, Bujor Ripeanu, James Kitses, Ted Perry, Margareta Akermark, Eileen Bowser, Howard Suber, Yon Barna, Peter Kubelka, Peter Morris, Thomas Cripps, Pierre Véronneau, Keith Lucas, Vladimir Pogacic, Cosme Alves-Neto Appendix I: Visual-Analytical History of the Silent Cinema, 64-71 Vladimir Petric |
| Volume
14 Number 3 |
The Film Theory of Jean Mitry, 1-17 J. Dudley Andrew The Contribution of the French Literary Avant-Garde to Film Theory and Criticism (1907-1924), 18-40 Richard Abel Correspondence, 40 Gene D. Phillips Some Structural Approaches to Cinema: A Survey of Models, 41-54 David A. Cook Abel Gance's Accusation against War, 55-67 James M. Welsh, Steven Philip Kramer Films in Paris, 68-74 Lotte H. Eisner, David D. Williams Cinema Journal Book Reviews ----------------, 75-77 The Comic Mind: Comedy and the Movies Gerald Mast Review Author[s]: Donald W. McCaffrey Theories of Film Andrew Tudor Film as Film V. F. Perkins Review Author[s]: Brian Lewis The Hollywood Professionals, Vol. 1: Michael Curtiz, Raoul Walsh, Henry Hathaway Kingsley Canham Review Author[s]: Hubert I. Cohen |
| Volume 15 Number 1 |
One Man's Voyage: Ideas and Films in the 1930's, 1-15 Leo Hurwitz Frontier Films, 1936-1941: The Aesthetics of Impact, 16-28 William Alexander Correction: Appendix II: Reference Works for Film Study, 28 Nazi Party Election Films, 1927-1938, 29-47 William G. Chrystal "Triumph of the Will": Document or Artifice?, 48-57 David B. Hinton Cinema Journal Book Reviews ----------------, 58-60 Documentary: A History of the Non-Fiction Film Erik Barnouw Nonfiction Film: A Critical History Richard Meran Barsam Review Author[s]: Don Fredericksen Orson Welles Joseph McBride Frank Capra: The Man and His Films Richard Glatzer, John Raeburn Review Author[s]: Hubert I. Cohen On Cukor Gavin Lambert Kazan on Kazan Michel Ciment Working with Kazan Jeanine Basinger, John Frazer, Joseph W. Reed Review Author[s]: Kent R. Brown Take One Mervyn LeRoy Each Man in His Time Raoul Walsh A Short Time for Insanity William A. Wellman Review Author[s]: John Raeburn Spellbound in Darkness: A History of the Silent Film George Pratt The Complete Wedding March of Erich von Stroheim Herman G. Weinberg Review Author[s]: Robert C. Allen Dianying: Electric Shadows Jay Leyda Review Author[s]: Humphrey W. Leynse |
| Volume 15 Number 2 |
The Aesthetic Relevance of the Organization of Film Production, 1-6 Calvin Pryluck The Genesis and Ideology of "Gabriel over the White House", 7-26 Robert L. McConnell Alfred Hitchcock and the Ghost of Thomas Hobbes, 27-41 Philip Dynia The Reconstitution of "A Corner in Wheat", 42-52 Eileen Bowser D. W. Griffith and the Use of Off-Screen Space, 53-57 Robert L. Adams Jr. Edison's Dream: A Brief History of the Kinetophone, 58-68 Rosalind Rogoff Sternberg and "The Last Command", 68-73 John Tibbetts Stroheim and "Queen Kelly", 73-79 Eric Myers Cinema Journal Book Reviews ----------------, 79-81 American Film Genres Stuart M. Kaminsky Sixguns and Society Will Wright Review Author[s]: Thomas G. Schatz Movie-Made America: A Cultural History of American Movies Robert Sklar The Spoken Seen: Film and the Romantic Imagination Frank D. McConnell America in the Movies Michael Wood Review Author[s]: John L. Fell |