JADT Volumes 4-6

Volume 4 Number 1 Winter 1992	Expressionism Takes the Stage: Dreiser's "Laughing Gas" KIETH NEWLIN Mike Gold's Theatre GERALD WEALES Battle of Angels: Margaret Webster Directs Tennessee Williams MILLY S. BARRANGER Role-Playing and Authenticity in Mid-Century Melodrama BRUCE MCCONACHIE Artistic and Social Dimensions of Black Culture in the "Voodoo" Macbeth KAREN C. BLANSFIELD
Volume 4 Number 2 Spring 1992	Chaos and Cruelty in the Theatrical Space: Horse Eats Hat, Hellzapoppin', and the Pleasure of Farce in Depression America MARK FEARNOW "He Drank from the Poisoned Cup": Theatre, Culture and Temperance in Antebellum America JOHN W. FRICK Roberto Rodriguez Suarez: Transcultural Catalyst of Puerto Rican Drama JOHN V. ANTUSH Reverence and Repugnance: Willy Loman's Sentiments Toward His Son Biff ANNE STAVNEY Katherine Corcoran and Margaret Fleming: Exploring the Feminist Dynamic ELIZABETH REITZ MULLENIX
Volume 4 Number 3 Fall 1992	The Dramatization of Native Son: How "Bigger" was Reborn CURTIS R. SCOTT Challenging the Frontier Myth: Contemporary Women's Plays About Women Pioneers RICHARD WATTENBERG Charles S. Gilpin: The Actor Before the Emperor DAVID KRASNER Drama Along the Turnpikes: The Earliest Theatrical Activity in the Villages of Central and Western New York JACK HRKACH
Volume 5 Number 1 Winter 1993	"Reminiscences" by Nate Salbury Edited and Introduced by ROGER HALL
Volume 5 Number 2 Spring 1993	Voyages of Discovery: The Columbus Productions of Imre Kiralfy, E. E. Rice, and Steele MacKaye TIM FORT "The Game of Politics": Edwin Forrest and the Jackson Democrats MARK E. MALLETT Theatre on the Home Front: World War II on New York's Stages, 1941-1945 SAMUEL L. LEITER Ideology and Theatre at Hull-House Under Jane Addams MELANIE N. BLOOD Pandemic and Popular Opinion: Spirochete in Seattle BARRY B. WITHAM
Volume 5 Number 3 Fall 1993	The Meaning of Pictures: Myth and American History Plays of the Great Depression, or, Lincoln Died (So You and I Might Live) MARK FEARNOW Mrs. Trolloppe Visits the Theatre: Cultural Diplomacy and Historical Appropriation ROSEMARIE K. BANK Alan Schneider's Entrances: Autobiography, Theatre, and Style in an American Frame MICHAEL L. QUINN An Air of the Dream: Jo Mielziner, Innovation and Influence, 1935-1955 HARRY W. SMITH Madame Pace's Hats: Architecture and the Creation of Drama WILLIAM F. CONDEE
Volume 6 Number 1 Winter 1994	Harold Clurman and the Group Theatre ROBERT BRUSTEIN Occupational Hazards of the Playwright During the Age of Jackson WALTER J. MESERVE Petticoat Governments: Early Women Theatre Managers in the United States J.K. CURRY Depraved Women and Wicked Plays: Olga Nethersole's Production of Sapho JOHN H. HOUCHIN Beyond ''A Curtain Chain of Reasoning'': Wallace Shawn's Aunt Dan and Lemon W.D. KING
Volume 6 Number 2 & 3 Spring/Fall 1994	Shaw's American Inheritors GERALD WEALES The Forgotten Music of Triple-A Plowed Under, Power, and One Third of a Nation DEBORAH NOVAK Garland Anderson and Appearances: The Playwright and His Play ALAN KREIZENBECK The Search for America's National Theatre at the Vivian Beaumont WILLIAM FARICY CONDEE Ida Ruah: Power Player at the Provincetown CHERYL BLACK "This Sort of Thing . . . " Productions of Gothic Plays in America: 1790-1830 M. SUSAN ANTHONY Tennessee Williams's Plastic Theatre: Camino Real CLAUS-PETER NEUMANN