JADT Volumes 7-9

Volume 7 Number 1 Winter 1995	"Masters of Our Business": The Shuberts and Lew Fields L. MARK FIELDS Disparate Voices: African-American Theatre Critics of the 1920s FREDA SCOTT GILES Creating a New Broadway: The American Playwrights Theatre Production of The Night Henry Thoreau Spent in Jail, or, What is Henry David Thoreau Doing in Campus Riots and Nixon's Hometown? FARRY FINK Classical Black Theatre: Federal Theatre's All-Black "Voodoo Macbeth" JOA. TANNER "To Rave Notices": William Faulkner's Requiem for a Nun at the Royal Court Theatre CHRIS LALONDE An Historical Note: Margaret Anglin's Last Stage Appearance JOHN LEVAY
Volume 7 Number 2 Spring 1995	Objectivity in the Growth of a Pulitzer: Edward Albee's Three Tall Women JEAN LUERE "Women, Identity, and Sexuality": An Interview with Edward Albee KAMAL BHASIN The Neigborhood Playhouse's Salut au Monde: A Theatrical Vision of 1920s America MELANIE N. BLOOD From "Madness" to "The Cosmos": Gay/Lesbian Characters in the Plays of Lanford Wilson LARRY FINK Stevedore in Seattle: A Case Study in the Politics of Presenting Race on Stage TINA REDD "Torchbearers of the Earth": Women, Pageantry, and World War I FANCES DIODATO BZOWSKI
Volume 7 Number 3 Fall 1995	Glitter, Glitz, and Race: The Production of Harlem FREDA SCOTT GILES American Dramatic Reactions To the Birth of the Atomic Age CHARLES A. CARPENTER "One Finds What One Seeks": Arthur Miller's The Crucible as a Regeneration of the American Myth of Violence CRISTINA C. CARUSO "I Charge Thee Speak": John Barrymore and His Voice Coach, Margaret Carrington BARBARA F. ACKER "Torchbearers of the Earth": Women and Pageantry Between the World Wars FRANCES DIODATO BZOWSKI Alan Schneider on Broadway GERALD WEALES
Volume 8 Number 1 Winter 1996	Uplifting the Stage: Hamlin Garland and the Chicago Theater Society KEITH NEWLIN Thornton Wilder's Early Work in the Theatre MARTIN BLANK Whose Town Is It, Anyway?: An Historico-Aesthetic Inquiry into Our Town BERT CARDULLO The Drag: Mae West and the Gay World RICHARD HELFER The Idiosyncratic Theatre of John Howard Lawson JOHN D. SHOUT
Volume 8 Number 2 Spring 1996	The Group Remembered ARNOLD SUNDGAARD Experiments on the American Musical Stage in the Twenties JULIAN MATES Buddhism on the Contemporary American Stage: Jean-Claude van Itallie's The Tibetan Book of the Dead GENE A. PLUNKA Mamet's Inland Sea DOROTHY H. JACOBS The Holocaust on the Air: The Radio Plays of the Writers' War Board ALVIN GOLDFARB Ecology vs. Economy in Robert Schenkkan's The Kentucky Cycle DOWNING CLESS
Volume 8 Number 3 Fall 1996	Genre, Transgression, and the Struggle for (Self) Representation in U.S. Ethnic Drama BRIAN RICHARDSON Made in America: Adaptations of British Gothic Plays for the American Stage: 1790-1820 SUSAN ANTHONY Horse vs. Crow: Sam Shepard, Ted Hughes, and The Tooth of Crime D. S. NEFF Tracers: This is our Parade A First Look at an Understudied Vietnam Drama CINDA GILLILAN Reflections in the Mirror: Public Arts Funding in the United States STEPHEN NUNNS Parlor Combat BRUCE MCCONACHIE
Volume 9 Number 1 Winter 1997	Susan Glaspell and The Federal Theatre Revisited ARNOLD SUNDGAARD The Pleasures of Brick: Eros and the Gay Spectator in Cat on a Hot Tin Roof ROGER GROSS Staging Orientalia: Dangerous ''Authenticity'' in David Henry Hwang's M. Butterfly HSIEH-CHEN LIN Fun To Be Free: Intervention Takes the Stage ROBERT ROARTY Lynching, American Theatre, and The Preservation of a Tradition JUDITH STEPHENS Eugene O'Neill and American Race Relations THOMAS D. PAWLEY
Volume 9 Number 2 Spring 1997	Anti-Intellectualism and Representations of 'Commonness' in the Nineteenth-Century American Theatre JOHN W. FRICK The Myth of Narcissus: Shepard's True West and Mamet's Speed the Plow KATHERINE H. BURKMAN Crossing Cultures and Kinds: Maria Irene Fornes and the Performance of a Post-Modern Sublime SHEILA RABILLARD Horton Foote's Politics of Intimacy GERALD C. WOOD Interviews with Wendy Wasserstein JAN BALAKIAN
Volume 9 Number 3 Fall 1997	Four Saints in Our Town: A Comparative Analysis of Works by Gertrude Stein and Thornton Wilder DIANE ALMEIDA Mary Carr Clarke's Dramas of Working Women, 1815-1833 AMELIA HOWE KRITZER Pioneering Theatre Managers: Edna Kenton and Eleanor Fitzgerald of the Provincetown Players CHERYL BLACK Making the Grave Less Deep: A Descriptive Assessment of Sam Shepard's Revisions to Buried Child JAMES R.STACY Tony Kushner and the "Not Yet" of Gay Existence RICHARD DELLAMORA