WES Volumes 13-16

Volume 13 Number 1 Winter 2001	SPECIAL ISSUE: THEATRE AT THE MILLENNIUM Austria Belgium Denmark England Finland France Germany Greece Iceland Ireland Italy Monaco and Beyond Netherlands Norway Portugal Spain Sweden Switzerland
Volume 13 Number 2 Winter 2001	To Begin Again: Madrid Stages 1998-2000 CANDYCE LEONARD Death and the Madrid Stage: November 2000 PHYLLIS ZATLIN Paris Theatre: 2000-2001 BARRY DANIELS Hamlet Times Two in Paris MARVIN CARLSON Austrian Music Theatre Festivals GLENN LONEY Update on Schauspiel Leipzig under Wolfgang Engel MARNA KING The Recklinghausen European Theatre Festival ROY KIFT Berlin in Transformation YVONNE SHAFER Germany 2001: Still Drawing on Brecht and Wagner JOSHUA ABRAMS Music-Theatre in Millennial Munich GLENN LONEY Reincarnation and Individuality: Rudolf Steiner’s “Mystery Dramas” EDMUND B. LINGAN Woman Playwrights International Conference DIANA BARTH
Volume 13 Number 3 Fall 2001	Theatertreffen Berlin 2001 KLAUS VAN DEN BERG Recklinghausen and Co.—the Theaterfestival Ruhr 2001 ROY KIFT Hamlet Opens 2001-2002 Season at Schauspiel Leipzig STEVE EARNEST Interview with Wolfgang Engel, Intendant of Schauspiel Leipzig STEVE EARNEST Innovative Music-Theatre Stagings in Selected Central European Festivals GLENN LONEY “Reich Chancellery Style” in Switzerland: Christoph Schlingensief’s Hamlet JÖRG WIESEL A New Director and a New Play at London’s Royal National MARVIN CARLSON The Edinburgh Festival GLENN LONEY Calixto Bieto’s Don Giovanni outrages the British Critics MARIA M. DELGADO The Fifty-Fifth Avignon Festival PHILIPPA WEHLE Avignon OFF 2001: Opening Up! JEAN DECOCK Braunschweig’s Prometheus Bound in Strasbourg MANUEL GARCIA MARTINEZ Needcompany’s King Lear MARVIN CARLSON Madrid in June: 2001 PHYLLIS ZATLIN Interview with Alfonso Armada CANDYCE LEONARD Willy Loman Visits Madrid PHYLLIS ZATLIN Neapolitan Theatre in Rome MIMI GISOLFI D’APONTE
Volume 14 Number 1 Winter 2002	SPECIAL ISSUE: Eurotheatre European Union Production Exchanges: Showcase Edinburgh GLENN LONEY European Union Production Exchanges: Benelex GLENN LONEY France and Eurotheatre SOPHIE PROUST Paris and International Theatre BARRY DANIELS Edward Bond’s Righteous Anger ROSETTE CLEMENTINE LAMONT Robert Wilson’s Woyzeck at the Berliner Ensemble—September 2001 STEVE EARNEST Juan Mayorga: Playwright without Borders PHYLLIS ZATLIN Local is the Best Global: Finnish Eurotheatre PIRKKO KOSKI Queen of Spades East & West GLENN LONEY Report from Paris MARVIN CARLSON Letter from the UK—February 2002 NOEL WITTS “Theatre of War, Theatre of Peace”: David Edgar’s The Prisoner’s Dilemma JANELLE REINELT The 2001 Season at Shakespeare’s Globe, London LOUIS MUINZER Report from Rome MARVIN CARLSON Hedda G. in Finland MARIA IGNATIEVA The Dutch National Ballet Celebrates a Jubilee YVONNE SHAFER Meg Stuart’s Alibi in Zurich CHRISTINE THURNER
Volume 14 Number 2 Spring 2002	Paris Theatre, 2001-2002 BARRY DANIELS Interview with Alain Crombecque SANDRA LAREDO The Screens at Théâtre de la Colline JOSHUA ABRAMS AND JENNIFER PARKER-STARBUCK Interview with Jose Montalvo SANDRA LAREDO Interview with Dogtroep’s Titia Bouwmeester and Bart Kusters LOREN EDELSON Storytelling at the Kunsten Festival des Arts in Brussels JENNIFER PARKER-STARBUCK AND JOSHUA ABRAMS The Spanish Stage in Madrid and Seville—January 2001 LINDA MATERNA Lorca in Berlin MARVIN CARLSON Robert Wilson’s Doktor Caligari at the Deutsches Theater, Berlin JOHN ROUSE Staffan Valdemar Holm’s Twelfth Night MARVIN CARLSON Hamlet as Mousetrap: Stefan Bachmann and the German Critics JÖRG WIESEL Eimuntas Nekro_ius Directs Chekhov’s Ivanov in Rome DANIELE VIANELLO Franz Biberkopf and his double in Helsinki OUTI LAHTINEN Western European Festivals 2002 MARVIN CARLSON Index to Volume 13
Volume 14 Number 3 Fall 2002	The 2002 Berlin Theatertreffen MARVIN CARLSON AND JOHN ROUSE Touring the Insulted and the Injured RALF REMSHARDT The RUHRtriennale—Germany 2002 ROY KIFT Festival Productions in Central Europe 2002 GLENN LONEY The 56th Avignon Festival July 2002 PHILIPPA WEHLE Avignon OFF 2002: The Year of Paradox JEAN DECOCK The 2002 Ibsen Stage Festival at Oslo LOUIS MUINZER Edinburgh Festival and Fringe 2002 GLENN LONEY Four at the RSC ELIZABETH SWAIN Summer at the National Theatre BRUCE KIRLE The 2002 Season at Shakespeare’s Globe LOUIS MUINZER Barcelona 2002 MARION PETER HOLT Arrabel’s Love Letter: Stellar Attraction of Madrid’s CDN Season PHYLLIS ZATLIN One Director’s Work on the Sorrentine Peninsula MIMI GISOLFI D’APONTE Zeffirelli’s Aida at the Verona Arena MARVIN CARLSON
Volume 15 Number 1 Winter 2003	THEATRE IN FRANCE Paris, Summer 2002 BRUCE KIRLE Paris Theatre 2003 BARRY DANIELS Didier Bezace Stages Chère Eléna Serguéiévna MANUEL GARCÍA MARTÍNEZ Report from Paris, January 2003 MARVIN CARLSON What Victor Hugo (Bi)Centennial?: An Interview with Jean Luc Jeener JEAN DECOCK New Struggles, New Theatre(s):? Contemporary Engaged Theatre in France OLIVER NEVEUX Philippe Caubère: Molière Forever SOPHIE PROUST Stéphane Braunschweig and the Theatre in Strasbourg MARVIN CARLSON The Theatre at Nice SOPHIE PROUST A Review of the 2002 London Theatre Season ROBERT SKLOOT Tom Stoppard, The Coast of Utopia, National Theatre, London, Autumn 2002 NOEL WITTS Station House Opera, Mare’s Nest; and Forkbeard Fantasy, Frankenstein GREG GIESEKAM The Twenty-Fifth Annual Festival Internacional de Teatro Clásico in Almagro, Spain CELIA BRAXTON A Masked Ball, Die Fledermaus, Threepenny Opera: Calixto Bieito’s 2002 Alles nur Spass: Cologne’s Carnival Stunksitzung ERIK ABBOTT
Volume 15 Number 2 Spring 2003	Alternative Theatre Festivals in Madrid CANDYCE LEONARD AND CYNTHIA GENDRICH Valle-Inclán and Fernán Gómez: Major Revivals in Madrid, 2003 PHYLLIS ZATLIN Directing the Contemporary Spanish Stage: Carlos Rodríguez CANDYCE LEONARD AND CYNTHIA GENDRICH Pedrero and Teatro Yeses: Women Take Center Stage in Madrid PHYLLIS ZATLIN Report From Denmark MARVIN CARLSON April in Paris, 2003 BARRY DANIELS Street Theatre in Bethune BERTIE FERDMAN Frank Castorf’s Streetcar MARVIN CARLSON A Gorki Trio MARVIN CARLSON Waiting for Godot at the Gate ROBERT S. MCLEAN
Volume 15 Number 3 Fall 2003	FESTIVAL REPORTS Avignon PHILIPPA WEHLE Avignon 2003: The Festival That Was Not JEAN DECOCK The Edinburgh Festival GLENN LONEY The 2003 Berlin Theatertreffen MARVIN CARLSON German Festival Report: Munich and Bayreuth GLENN LONEY Festivals from Recklinghausen to the Ruhrtiennale ROY KIFT Austrian Festival Report: Salzburg and Bregenz GLENN LONEY The 2003 Season at Shakespeare’s Globe LOUIS MUINZER Lope de Vega, Peribañez JUDITH MILHOUS Letter from the UK: Summer and Autumn, 2003 NOEL WITTS Paris Theatre: June, July, 2003 BARRY DANIELS Fear and Loathing at the Munich Kammerspiele LAURENCE SENELICK Ignacio Amestoy Eguiguren and the Politics of Contemporary Spanish Theatre CANDYCE LEONARD Abbas Kiarostami’s Ta'ziye at the Teatro India, Rome P.A. SKANTZE To You Who Are Listening from Athens, Greece MARINA KOTZAMANI
Volume 16 Number 1 Winter 2004	Special Section on Berlin Three December Productions in Berlin MARVIN CARLSON Bernd Wilms at the Deutsches Theater WILLIAM GRANGE Two by Thalheimer at the Deutsches Theater JOHN ROUSE A New Vision of Theatre: The Timely introduction of Video and Film in the Work of Frank Castorf, René Pollesch, and Olaf Nicolai THOMAS IRMER Sarah Kane’s Crave at the Schaubühne am Lehniner Platz, Berlin STEVE EARNEST Der Auftrag LYDIA STRYK Two by Büchner in Berlin JOHN ROUSE Le Grand Macabre at the Komische Oper, Berlin STEVE EARNEST Two from Berlin: Tabori’s Jews and Kimmig’s Stella ERIK ABBOTT Letter from Paris BARRY DANIELS Theatre in Paris: October 2003 ALLAN GRAUBARD Hedda Gabler: Théâtre Marigny. Paris. Autumn Season, 2003 JOAN TEMPLETON Justifying War and the Case of David Kelly JANELLE REINELT Matthew Bourne’s Nutcracker! at Sadler’s Wells MARVIN CARLSON “A Lot of Work and a Flicker of Intuition.” Calixto Bieito Stages Hamlet MARIA M. DELGADO Belgian Theatre Making a Comeback: Four Plays and an Opera DAVID WILLINGER
Volume 16 Number 2 Spring 2004	Democracy at the National Theatre Marvin Carlson London 2004 Josh Abrams and Jennifer Parker-Starbuck The Burial at Thebes: A Poetic Rendering of Sophocles’ Antigone by Seamus Heaney Kevin Byrne Paris 2003 Bruce Kirle 2004: April in Paris Barry Daniels Report from Paris, March 2004 Marvin Carlson Interview with Christian Benedetti Allan Graubard Madrid in March 2004: From Days of Mourning to Standing Room Only Phyllis Zatlin Opera and Theatre in Barcelona: Catalan Veterans, Spanish Stars, and International Visitors Maria M. Delgado A Sampling of Cologne’s Smaller Stages Erik Abbott New Names, New Plays, New Ways: Matthias Hartmann and the Bochum Schauspielhaus Roy Kift “Alternative” Subversion: Cologne Carnival and the Stunksitzung Erik Abbott The Audience and Civic-Religious Celebration in Tuscany Jenna Soleo
Volume 16 Number 3 Fall 2004	The 2004 Theatertreffen Marvin Carlson and Klaus van den Berg Munich Festival 2004: New Music-Theatre Stagings Glenn Loney Full of sound and fury: Gérard Mortier, the Ruhr Triennale, and the Frank Castorf Disaster Roy Kift Avignon 2004, a New Festival for a New Europe? Philippa Wehle Avignon OFF 2004: Fall Out Jean Decock The Edinburgh Festival 2004: Cutting Edges and Dull Blades Glenn Loney Forum 2004 Barcelona: A Summer of Stagings in Spain’s Theatrical Capital Maria M. Delgado Bregenz Festival 2004: Kurt Weill & David Pountney Glenn Loney Paris Theatre, Summer 2004 Barry Daniels Jacque Nichet Directs Sophocles’ Antigone Manuel Garcia Martinez Scenographic Approaches in Recent French Productions Patrice Pavis Cruel and Tender: Metaphysics and Performance in a Time of Terror John Ginman The Playboy in the Western World Charles Dietrich Beyond the Theatertreffen Marvin Carlson Trespassing: An Experimental Production in Aarhus Jens Christian Lauenstein Led

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