"Thaw" at O'Neill
BETHE THOMAS
(First appeared in The Day 1 September 1995, New London, Connecticut)

Lumin or the Anarchy of Reason
EDVARD RADZINNSKY (translation ALMA LAW)

On the Presence and Prescience of Stanislavsky
SPENCER GOLUB

REVIEWS

Leonid Zorin
LEO HECHT

A Seagull
LEO HECHT

The Role of the Artist in Andrei Rublev and Demitri Merezhkovski's
The Romance of Leonardo da Vinci
PETER G. CHRISTENSEN

Yugoslav Theatre: The Sum of Its Parts
DRAGAN KLAIC

A Miscellany of Motion Pictures
LEO HECHT

Grigory Gorin
VAAP (Reprint: Soviet Copyright Agency)

REVIEWS

The Contemporary meaning of Kozintsev's Film Hamlet
JOSEPH TRONCALE

The Cherry Orchard at the Folger
EVERETT JONES

Sturua's production of Richard III
MARIE TARSITANO

Russian Drama from Its Beginnings to the Age of Pushkin
JOSEPH C. TRONCALE

Mikhail Shatrov
VAAP (Reprint: Soviet Copyright Agency)

REVIEWS

The Man from the USSR and Other Plays
SPENCER GOLUB

The King of Time
SPENCER GOLUB

Nostalghia
LEO HECHT

Tarkovskii: A Tribute

Nikita Mikhalkov's Revisionist Oblomov
PETER G. CHRISTENSEN

New Direction at the Ermolova Theatre
ELENA SOKOL

Tymoteusz Rymcimci
JAN WILKOWSKI

Soviet-American Cooperation in Film Studies and Production: Achievements and Prospects
ANNA LAWTON

Jewish Themes on the Moscow Stage
LEO HECHT

Theatre in Moscow: The 1986-1987 Season
ALMA LAW

Yugoslavia: Even Summer Theatre Carries on the Business of Politics
DRAGAN KLAIC

Eastern European Films
LEO HECHT

Andrei Tarkovsky 1932-1986 (Chronology)

Kierkegaardian Motifs in Tarkovsky's The Sacrifice
PETER G. CHRISTENSEN

The Poetry of Infidelity
LISA PORTES

Zbigniew Cynkutis 1938-1987
MARC ROBINSON

REVIEWS

Aleksandr Sokurov: Man's Lonely Voice
DANIEL GEROULD

Piwnica Pod Baranami-A Cabaret from Poland
TEODOR ZAREBA

Folktheatre in Poland
STEVEN HART

An Absurdoid Evening in Binghamton
EUGENE BROGYÁNI

On Radzinsky's Jogging
ALMA LAW

Polished Polish Performances: Without Benefit of Translation
GLENN LONEY

US-USSR Commission on Theatre and Dance Meets in Princeton
MARVIN CARLSON

1987-88 Season: A Survey of Productions
ALMA LAW

I Shall Never Return: A Manifesto
TADEUSZ KANTOR

Abandon All Hope?-Tadeusz Kantor's Vision of An Artists Role in Modern Society
MICHAL KOBIALKA

Ion Sava, The First Promoter of Re-theatricalization in Romania
BOGDAN MISCHIU

The American Film Festival
LEO HECHT

REVIEWS

'Pure Form' is Pure Fun in Witkacy's Country House
JUDITH BRUSSELL

Theme
JEFF BRONE

ARTICLES

Nikolai Robertovich Erdman
JOHN FREEDMAN

Yuri Lyubimov on Nikolai Erdman. An Interview
JOHN FREEDMAN

Conversation with Elena Tiapkina
ALMA LAW

News of the Soviet Theatre: Banned plays and Playwrights
ALMA LAW

The Stanislavsky Colloquium at the Theatre de Chaillot
LAWRENCE SENELICK

The Triumph of Hamlet: Some Thoughts on
the Moscow Art Theatre's Current Production of The Seagull
JAMES CURTIS

The Polish Theatre of the 80s: Thoughts on the Crisis
JULIUSZ TYSZKA

Polish Theatre, 1988
GLENN LONEY

Dr. Faustus in Pure Form: Critical Review of Dr. Faustus
Performed by Teatr Witkacy, Zakopane, Poland, August 8, 1987
JAMES F. SCHLATTER

A Talk with Tadeusz Rózewicz
MARC ROBINSON

Four Plays in Boston
JOHN FREEDMAN and HALLIE ANNE WHITE

Directing Gombrowicz's The Marriage
BEVYA ROSTEN

Tengiz Abuladze's Repentance: Despair in the Age of Perestroika
PETER G. CHRISTENSEN

REVIEWS

Bulgakov's Heart of a Dog
DANIEL GEROULD

Kantor at La Mama
DANIEL GEROULD

Gombrowicz's The Marriage
J. K. CURRY

Petition
VSEVOLOD MEYERHOLD

ARTICLES

International Workshop Honoring 110th Anniversary of Meyerhold's Birth
MARJORIE HOOVER

An Economic Appraisal of Soviet Theatre Today
MARVIN CARLSON

Observations on the Moscow Theatre: January, 1989
MARVIN CARLSON

Yuri Lyubimov, con't
ALMA LAW

Alternative Theatre in Poland
KATHLEEN CIOFFI

Glasnost in Film
LEO HECHT

REVIEWS

A Providential Chekhov
JEANNIE M. WOODS

Platonov by Anton Chekhov
HALLIE ANNE WHITE

Temptation by Václav Havel
RICHARD BRAD MEDOFF

Double Takes by Miklos Vamos
ZSUZSA BERGER

Václav Havel: From Playwright to President: Notes and Recollections
JARKA BURIAN

Grotowski or The Limit
JAN KOTT

BITEF 23: September 14-27, 1989 Belgrade, Yugoslavia
BEKA VUCO

Polyphony of Created Worlds in Aksyonov's The Four Temperaments
BENJAMIN RIFKIN

The Moscow Conference on Theatre Studies in the U.S and the U.S.S.R.
LAURENCE SENELICK

Nine Common Misconceptions About Stanislavsky and His System
MEL GORDON

Some Thoughts on Theatre
MARK ROZOVSKY

Soviet Filmmakers: The New Generation
LEO HECHT

REVIEWS

The Maly Theatre's Brothers and Sisters in San Diego
EDWIN WILSON

Three From the Baltic Republics: Overviews
GLENN LONEY

Lavelli and Grombrowicz's Operetta
MARVIN CARLSON

The Pragmatists by Stanislaw Witkiewicz
MELINDA JO GUTTMAN

Anatoly Vasilev and Pirandello's Six Characters: Mixing It Up
LURANA DONNELS O'MALLEY

Address by Anikó and Katalin Vajda December 31, 1989
Translated by ZSUZSA BERGER

Interview with Katalin Vajda, Artistic Director of the Játékszín Theatre, Budapest
ZSUZSA BERGER

Impressions of Theatre in a Changing Political Climate: Warsaw, East Berlin and Budapest
FELICIA HARDISON LONDRE

Cinders in the U.S.S.R.
JANUSZ GLOWACKI

The Gang of Crazy Youth
ALMA LAW

A Glimpse into the Life and Work of Aleksandr Galin: An Interview
REBECCA ROVIT

REVIEWS

"By and for Havel": A Review
EDWARD DEE

Edmund Kean in Riga: A Review
RON ENGLE

The Polish Puppet Theatre: A Report from the UNIMA Conference
JANE McMAHN

Czechoslovak Theatre During the Velvet Revolution
OLGA F. CHITGUEL

Compensation: A Liturgy of Fact
ALMA LAW

New Life for an Old Idea: The Reappearance of Moscow's Bat
JOHN FREEDMAN

Red Fish in America
ALMA LAW

PAGES FROM THE PAST

A Moscow Letter-May 7, 1922 by Nikolai Yarovoff
ALMA LAW

The Mrozek Festival: Cracow, Summer 1990
DANIEL GEROULD

New Battlegrounds of Peace in Our Time: The Theatre and Literature After Ceausescu
JOHN LONDON and JOANNA HARRIS

The Return of Hellcat, or the Timeliness of Witkiewicz
DANIEL GEROULD

Leaving a Sinking Ship: Wladislaw Zawistowski's From Here to America
DAVID MALCOLM

A New Prologue to Brecht's Caucasian Chalk Circle at the Arena Stage
LAURENCE MASLON

PAGES FROM THE PAST

Meyerhold, Blok, and Uraneff: The Show Booth (1923)
JAMES F. FISHER

REVIEWS

St. Petersburg/Irondale Collaboration
MARVIN CARLSON

Hungarian Theatre and Drama at the Avignon Festival, 1990
ZSUSZA BERGER

Gogol's Inspector General by the Katona Jozsef Theatre of Budapest
Third Biennial International Theatre Festival
Chicago Spring, 1990
OLGA F. CHTIGUEL

Havel's The Garden Party at the Theatre Goose on a String in Brno
OLGA F. CHTIGUEL

Book Review: The Theatrical Instinct by Sharon Carnicke
DANIEL GEROULD