City University of New York Graduate Center Music PhD/DMA Program
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Announcements: Scholarships and Awards

Robert Starer Composition Award: Students who wish to compete for the Robert Starer Composition Award must submit their score  (and recording if possible) by April 20, 2012. Address any questions to Professor Olan.

Elebash Dissertation Award:  The Baisley Powell Elebash Fund Committee welcomes applications from doctoral students pursuing topics related to music in New York City (this is broadly defined as anywhere in the five boroughs or Greater NYC area). Topics must seriously engage the cultural, political, and/or social context of NYC in some way; work on musicians, genres, events, etc. that just happen to be located in NYC are not likely to be considered. The Committee awards two types of grants:
   (1) Dissertation Grants. Sizeable grants for students at the dissertation stage (i.e., with an approved proposal). These consist of a lump sum with no restrictions. Students who previously received Elebash Dissertation grants must submit a sample of the work they accomplished under the last grant they received, or a description of how the funds were used.
   (2) Research-Related Grants. Smaller grants for travel, research, performances, equipment, etc. Grants are usually $5000 or less. These are available for students at any stage of their doctoral study who wish to pursue a NYC topic. Though students who have previously received research grants may propose different topics, they must submit a sample of the work they accomplished under the last grant they received, or a description of how the funds were used.
   To apply for a Dissertation Grant, please submit your approved proposal with one additional page in which you explain why your topic is appropriate for this grant. Make sure the proposal includes the name of your advisor.
   To apply for a Research-Related Grant, submit a one-page description of how you wish to spend the funds, how the project relates to your studies at the Graduate Center, and why your application is appropriate for an Elebash Grant. Then include a brief itemized budget.
   Submit a PDF of your proposal (as an email attachment) to Prof. Jeffrey Taylor, Chair of the Elebash Fund Committee, at jtaylor@brooklyn.cuny.edu. In addition, leave one hard copy of your proposal in Prof. Taylor’s mailbox at the Graduate Center.
   The deadline for all materials is 5 p.m., Saturday, October 15, 2011. Please direct further inquiries to Prof. Taylor at jtaylor@brooklyn.cuny.edu

Barry S. Brook Dissertation Award in Music: Students who are defending dissertations in the upcoming months and who wish to have them eligible for the Barry S. Brook Dissertation Award must have defended the dissertation before April 1, 2012. Please note that dissertations defended after that date will be eligible for the 2012 Award and that dissertations must, in any event, be nominated for the award by one's defense committee. Address questions to Professor Olan.

Higini Anglès Dissertation Award: The Foundation for Iberian Music, a project of the Barry S. Brook Center for Music Research and Documentation of The Graduate Center, The City University of New York, is pleased to announce the establishment of the Higini Anglès Dissertation Award. Named after the eminent Catalan musicologist Higini Anglès (1888-1969), this prize of $1000 is awarded to a student of the music programs of The CUNY Graduate Center who has completed a dissertation on a subject that is in line with the mission of the Foundation for Iberian Music. The dissertation committee of the Music Programs will nominate candidates for the award. The director of the Foundation for Iberian Music, in consultation with the director of the Barry S. Brook Center for Music Research and members of the faculty of The Graduate Center’s Music Programs, determines eligible dissertations and selects award recipients.

 


The following people won awards in the past:

Barry Brook Award

2011: John Wriggle "Chappie Willet and Popular Music Arranging in Swing Era New York."

2010: Jonas Westover "A Study and Reconstruction of The Passing Show of 1914: The  American Musical Revue and its Development in the Early Twentieth  Century."

2009: Quynh T. Nguyen “An analysis of Olivier Messiaen’s Last Piano Solo Work: Les Petites Esquisses d’Oiseaux.”  

2008: Jadranka Važanová  "Svadobné nôty: Ceremonial Wedding Tunes in the Context of Slovak Traditional Culture."

2007: Kyle Adams "A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century"

2006: Cathy Ragland “Ni Aquí ni Allá (Neither Here nor There): Música Norte a and the Mexican Working-Class Diaspora”

2005: Channan Willner, “Durational Pacing in Handel’s Instrumental Works: the Nature of Temporality in Music of the High Baroque.”

2004:  Marva Duerksen "Organicism and Music Analysis: Three Case Studies," and Philip Stoecker, "Studies in Post-Tonal Symmetry: A Transformational Approach."

2003: David Garcia "Arsenio Rodriquez: A Black Cuban Musician in the Dance Music Milieus of Havana, New York City, and Los Angeles."

2002: Marc Thorman "Speech and Text in Compositions by John Cage, 1950-1992," and Andrew White, "Good Invention Repaid with Interest: The Importance of Borrowing in Bach's Compositional Practice."


Robert Starer Award

2010: Casey Hale for "Todesfuge" for tenor and chamber orchestra and Whitney George for "The Anatomy of the Curiosity Cabinet" for chamber orchestra.

2010: Daniel Colson for Broken Consortini (flute, oboe, two guitars, violin and cello) and Angélica Negrón for Quimbombó (flute, violin, cello and percussion)

2009: Karen Siegel for "Sponge Squeezed Dry" for horn and chorus of mixed voices.

2008: Cynthia Wong, for "On Baldness and Other  Songs" for Soprano and Orchestra.

2007: Pedro Malpica, for “Taripakuy,” a  trio for flute, cello and piano.

2006: Nathan Bowen, "Cassia" for flute, clarinet/bass clarinet, violin, cello, percussion and piano.

2005:  Pat Muchmore, “palimpsest alpha for solo cello and chamber orchestra” and Tolga Tuzun, “Cross-Sections/Kesitler 1. Blueprint for clarinet and piano.”

2004: Michael Capobianco, "String Trio."

2003: Gregg Wramage, "in shadows, in silence" for Flute, Clarinet, Violin, 'Cello, Percussion and Piano.

2002: Scott Ethier, "Spray" for Orchestra.

Higini Anglès Dissertation Award

2006:  Mauricio Molina, “Frame Drums in the Medieval Iberian Peninsula”
 

Other Recent Awards

Lucille Field Goodman Award
: Heather Feldman and Julia Grella.

Mario Capelloni Dissertation Fellowship: Stephen Amico

Elebash summer fellowships: Marc. E. Johnson, Andrea Saposnik, and Elizabeth Wollman

 Magnet Dissertation Year Fellowship: Catherine Losada

Jewish Foundation for Education of Women: Alessandra Ciucci

 

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