Announcements: Scholarships and Awards
Robert Starer
Composition Award:
Students who wish to compete for the Robert Starer Composition
Award must submit their score (and recording if possible)
by April 20, 2012. Address
any questions to Professor Olan.
Elebash
Dissertation Award:
The Baisley Powell Elebash Fund Committee welcomes
applications from doctoral students pursuing topics related to
music in New York City (this is broadly defined as anywhere in
the five boroughs or Greater NYC area). Topics must seriously
engage the cultural, political, and/or social context of NYC in
some way; work on musicians, genres, events, etc. that just
happen to be located in NYC are not likely to be considered. The
Committee awards two types of grants:
(1) Dissertation Grants. Sizeable grants for students at the
dissertation stage (i.e., with an approved proposal). These
consist of a lump sum with no restrictions. Students who
previously received Elebash Dissertation grants must submit a
sample of the work they accomplished under the last grant they
received, or a description of how the funds were used.
(2) Research-Related Grants. Smaller grants for travel,
research, performances, equipment, etc. Grants are usually $5000
or less. These are available for students at any stage of their
doctoral study who wish to pursue a NYC topic. Though students
who have previously received research grants may propose
different topics, they must submit a sample of the work they
accomplished under the last grant they received, or a
description of how the funds were used.
To apply for a Dissertation Grant, please submit your approved
proposal with one additional page in which you explain why your
topic is appropriate for this grant. Make sure the proposal
includes the name of your advisor.
To apply for a Research-Related Grant, submit a one-page
description of how you wish to spend the funds, how the project
relates to your studies at the Graduate Center, and why your
application is appropriate for an Elebash Grant. Then include a
brief itemized budget.
Submit a PDF of your proposal (as an email attachment) to Prof.
Jeffrey Taylor, Chair of the Elebash Fund Committee, at
jtaylor@brooklyn.cuny.edu. In addition, leave one hard copy
of your proposal in Prof. Taylor’s mailbox at the Graduate
Center.
The deadline for all materials is 5 p.m., Saturday, October 15,
2011. Please direct further inquiries to Prof. Taylor at
jtaylor@brooklyn.cuny.edu
Barry S. Brook
Dissertation Award in Music:
Students who are defending dissertations in the upcoming months
and who wish to have them eligible for the Barry S. Brook
Dissertation Award must have defended the dissertation before
April 1, 2012. Please note that dissertations defended after
that date will be eligible for the 2012 Award and that
dissertations must, in any event, be nominated for the award by
one's defense committee. Address questions to Professor Olan.
Higini Anglès
Dissertation Award:
The Foundation for Iberian Music, a project of the Barry S.
Brook Center for Music Research and Documentation of The
Graduate Center, The City University of New York, is pleased to
announce the establishment of the Higini Anglès Dissertation
Award. Named after the eminent Catalan musicologist Higini
Anglès (1888-1969), this prize of $1000 is awarded to a student
of the music programs of The CUNY Graduate Center who has
completed a dissertation on a subject that is in line with the
mission of the Foundation for Iberian Music. The dissertation
committee of the Music Programs will nominate candidates for the
award. The director of the Foundation for Iberian Music, in
consultation with the director of the Barry S. Brook Center for
Music Research and members of the faculty of The Graduate
Center’s Music Programs, determines eligible dissertations and
selects award recipients.
The following people won awards in the past:
Barry Brook Award
2011: John Wriggle "Chappie Willet and Popular Music Arranging
in Swing Era New York."
2010: Jonas Westover
"A Study and Reconstruction of The
Passing Show of 1914: The American Musical Revue and its
Development in the Early Twentieth Century."
2009: Quynh T. Nguyen
“An
analysis of Olivier Messiaen’s Last Piano Solo Work: Les Petites
Esquisses d’Oiseaux.”
2008: Jadranka Važanová "Svadobné nôty: Ceremonial Wedding
Tunes in the Context of Slovak Traditional Culture."
2007: Kyle Adams "A New Theory of Chromaticism from the Late
Sixteenth to the Early Eighteenth Century"
2006: Cathy Ragland “Ni Aquí ni Allá (Neither Here nor
There): Música Norte a and the Mexican Working-Class Diaspora”
2005: Channan Willner, “Durational Pacing in Handel’s
Instrumental Works: the Nature of Temporality in Music of the High Baroque.”
2004: Marva Duerksen "Organicism and Music Analysis: Three Case
Studies," and Philip Stoecker, "Studies in Post-Tonal Symmetry: A Transformational
Approach."
2003: David Garcia "Arsenio Rodriquez: A Black Cuban Musician in the Dance Music Milieus of Havana, New York City, and Los
Angeles."
2002:
Marc Thorman "Speech and Text in Compositions by John Cage,
1950-1992," and Andrew White, "Good Invention Repaid with Interest: The Importance of
Borrowing in Bach's Compositional Practice."
Robert Starer Award
2010: Casey Hale for "Todesfuge" for tenor and chamber
orchestra and Whitney George for "The Anatomy of the Curiosity
Cabinet" for chamber orchestra.
2010: Daniel Colson for
Broken Consortini
(flute,
oboe, two guitars, violin and cello) and Angélica Negrón for
Quimbombó (flute, violin, cello and percussion)
2009: Karen Siegel
for "Sponge Squeezed Dry" for horn and chorus of mixed voices.
2008: Cynthia Wong,
for "On Baldness and Other
Songs" for Soprano and Orchestra.
2007: Pedro Malpica, for “Taripakuy,” a trio for flute, cello and
piano.
2006: Nathan Bowen, "Cassia"
for flute, clarinet/bass clarinet, violin, cello, percussion and piano.
2005: Pat Muchmore, “palimpsest alpha for
solo cello and chamber orchestra” and Tolga Tuzun,
“Cross-Sections/Kesitler 1. Blueprint for clarinet and piano.”
2004: Michael Capobianco, "String Trio."
2003: Gregg Wramage, "in
shadows, in silence" for Flute, Clarinet, Violin, 'Cello, Percussion
and Piano.
2002: Scott Ethier, "Spray" for Orchestra.
Higini Anglès Dissertation Award
2006: Mauricio Molina, “Frame Drums in the Medieval Iberian
Peninsula”
Other
Recent Awards
Lucille Field Goodman Award: Heather
Feldman and Julia Grella.
Mario Capelloni
Dissertation Fellowship: Stephen Amico
Elebash summer fellowships: Marc. E. Johnson, Andrea Saposnik, and Elizabeth Wollman
Magnet Dissertation Year Fellowship: Catherine Losada
Jewish
Foundation for Education of Women: Alessandra Ciucci
Music Programs The Graduate Center, CUNY
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(212) 817-8590 music@gc.cuny.edu