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Zdravko Blazekovic: List of Publications
History of Music i negovata kulturna dejnost vo Vienna [The Zefarovic family and their cultural activities in Vienna], Glasnik Instituta za nacionalna istorija XXIV/3 (1980), 153-163. Odraz društveno-politicke situacije u Bosni i Hercegovini na hrvatsku glazbu šezdesetih i sedamdesetih godina 19. stoljeca [Reflection of the social and political situation in Bosnia and Herzegovina upon Croatian music of the 1860s and 1870s], Zvuk 4 (1980), 46-55. Ðuro Arnold (1781-1848) u krugu svojih slavonsko-vojvodanskih suvremenika [Ðuro Arnold (1781-1848) and the circle of his contemporaries in Slavonia and Vojvodina], Arti musices XII/1-2 (1981), 61-82. Tereza Marija i Daniel von Zefarovic: Kompozitori od makedonsko poteklo na krajot od klasikata [Tereza Marija and Daniel von Zefarovic: Composers from Macedonia, from the end of the Classic era], Makedonska muzika 3 (1981), 43-55. Djelatnost Ivana Zajca u okvirima Hrvatskog Zemaljskog Glazbenog Zavoda [Activity of Ivan Zajc at the Hrvatski Zemaljski Glazbeni Zavod], Lovro Zupanovic, ed., Zbornik radova sa znanstvenog skupa odrzanog u povodu 150. obljetnice rodenja Ivana Zajca (Zagreb: Jugoslavenska akademija znanosti i umjetnosti, 1982), 55-78. Crkveno Glazbeno Društvo u Zagrebu (1872-1874) [The Crkveno Glazbeno Društvo in Zagreb (1872-1874)], Sv. Cecilija LIII/1 (1983), 6-7. U Zagrebu se nekad i tako muziciralo [Music making in Zagreb once upon a time], Stoletni KAJ kalendar (1983), 65-75. Nekoliko podataka o vezama Franza von Suppéa s rodnom Dalmacijom [Some data on Franz von Suppé's connections with his native Dalmatia], Arti musices XIV/2 (1983), 133-144. Strani glazbenici u Zagrebu šezdesetih i sedamdesetih godina 19. stoljeca [Foreign musicians in Zagreb in the sixties and seventies of the nineteenth century], Zvuk 2 (1983), 33-39. Glazba na zagrebackom Kaptolu [Music in Zagreb Kaptol], OD DO V/3:46 (1 March 1983), 6-7. Previše muzicara, premalo novaca: Interview s Krešimirom Baranoviƒem [Too many musicians, too little money: An interview with Krešimir Baranovic], OD DO V/6:49 (1 June 1983), 8-9. Sli…ice iz glazbene prošlosti: Pozivnica na društveni koncert s plesom [Images from music history: An invitation to a concert with the dance], OD DO V/7-8:50-51 (1 July 1983), 6-7. Prva hrvatska opereta [The first Croatian operetta], OD DO V/7-8:50-51 (1 July 1983), 9. Društveni i politi…ki aspekti muzickog zivota u Zagrebu (1860-1883) [Social and political aspects of musical life in Zagreb], (M.A. thesis, Muzicka akademija in Zagreb, 1983) 370 p. Materijalni polozaj zagrebackih glazbenika sredinom druge polovice 19. stoljeca [The economic position of Zagreb musicians in the 1860s and 1870s], Zvuk 3 (1984), 47-52. The economic position of Zagreb musicians in the sixties and seventies of the nineteenth century, International review of the aesthetics and sociology of music XV/2 (1984), 129-140. Hrvatsko pjevacko društvo Kolo (1860-1880), Zvuk 3-4, (1985), 16-23. Glazba u Hrvatskoj u godinama Narodnog Preporoda [Music culture in Croatia in the years of the National revival (1835-1850)], Hrvatski narodni preporod 1790-1848 (Zagreb: Globus; Muzej za Umjetnost i Obrt, 1985), 114-120. Uredbe i odluke o sluzbi voditelja kora donešene na nadbiskupskim sinodama zadarske dijeceze 1664. i 1680. godine [Regulations and decisions about the duties of the regens chori reached at the Zadar diocesan sinods of 1664 and 1680], Sv. Cecilija LV/4 (1985), 83-84. The first music journals in Croatia, Periodica musica IV (1986), 12-13. Zadarsko kazalište krajem 18. stoljeca [The Zadar theatre at the end of the 18th century], Zadarska revija XXXV/5-6 (1986), 521-525. Dragan Plamenac i Hrvatski Glazbeni Zavod u Zagrebu [Dragan Plamenac and the Hrvatski Glazbeni Zavod in Zagreb], Arti musices XVII/2 (1986), 201-210. Einige musikalische Ereignisse in Zagreb des sechziger und siebziger Jahre des 19. Jahrhunderts in ihrer Abhandigkeit von der politischen Verhaltnissen [The Zagreb music events of the 1860s and 1870s in their dependence of the political circumstances], International review of the aesthetics and sociology of music XVIII/1 (1987), 31-50. Muzikološki interesi Ladislava Šabana [Musicological interests of Ladislav Šaban], Muzi…ka kultura, 3-4 (1987), 2-3. Glazbena kultura Zadra u prvoj polovici 19. stoljeca [Musical culture in Zadar in the first half of the 19th century], Dalmacija u narodnom preporodu 1835-1850 (Zadar: Zadarska revija, 1988), 257-269. Prilog biografiji Nikole Strmica [A contribution to the biography of Nikola Strmic], Rad Jugoslavenske akademije znanosti i umjetnosti 409 (1988), 285-313. Joseph Lanner: Vive la danse, 15 dana 1-2 (1988), 18-19. Elementi za ñivotopis Josipa Mihovila Stratica [Contributions to the biography of Josip Mihovil Stratico], Radovi Centra za povijesne znanosti Jugoslavenske akademije znanosti i umjetnosti u Zadru 32 (1990), 109-138. Bilješke o glazbenicima na zagrebackom Gricu u 18. stoljecu [Notes on the 18th-century musicians at Gric in Zagreb], Glazbeni barok u Hrvatskoj. Ed. by Ennio Stipcevic (Osor: Osorske glazbene veceri, 1989), 114-123. Komercijalizirani folklorni sastavi u urbanim sredinama u drugoj polovici 19. stoljeƒa [Commertial folk ensembles in the mid-19th-century urban centers], Zvuk 5 (1990), 69-72 The early Romanticism in Croatian music, Tradition and its future in music: Report of SIMS 1990 Osaka (Tokyo; Osaka: Mita, 1991), 435-441. The nineteenth-century Croatian rousing songs: From composers' desks to the oral tradition and back. Schladminger Gespräche zum Thema Musik und Tourismus: Tagungsbericht der 30. ICTM-Konferenz in Schladming 1989. Ed. by Wolfgang Suppan. Musikethnologisce Sammelbände 12 (Tutzing: Hans Schneider, 1991), 41-48. Friedrich Wieck's Musikalische Bauernsprüche: Some new aphorisms, Studia musicologica Academiae Scientiarum Hungaricae XXX/1-4 (1991), 121-130. Music in Zagreb between Croatian, Hungarian and Austrian politics (1860-1883), History of European ideas XVI/4-6 (1993), 671-676. Horns in a bag, or, Disparity of parallel musical histories among the South Slavs, Proceedings of the 22nd Consortium on Revolutionary Europe 1750-1850. Ed. by Gordon C. Bond & John W. Rooney, Jr. (Talahassee: Florida State University; Institut on Napoleon and the French Revolution, 1993), 107-116. Due musicisti nella Pannonia del primo Ottocento: Ðuro Arnold e Petrus Jakob Haibel, Danubio: Una civiltà musicale. VI: Croazia, Serbia, Bulgaria, Romania. Ed. by Carlo De Incontrera & Alba Zanini (Monfalcone: Teatro Comunale, 1994), 47-64. Salonsko kolo: Dance of nineteenth-century Croatian ballrooms, Dance research: The journal of the Society for Dance Research XII/2 (autumn 1994), 114-126. Political implications of the Croatian opera in the nineteenth century, Music-culture in contact: Convergences and collisions. Ed. by Stephen Blum & Margaret J. Kartomi (Sidney: Currency Press; Basel: Gordon and Breach, 1994), 51-61. The origins of modern Croatian music, 1770-1830, Journal of the Croatian studies XXXIV-XXXV (1993-94), 75-97. Franz von Suppé und Dalmatien, Studien zur Musikwissenschaft XLIII (1994), 249-268. Together with Aleksandra Wagner, European fiction—Facts or music, History of European ideas XX/1-3 (January 1995), 461-467. Da li je Smareglia najavio ekspresionizam u operi? [Did Smareglia announced the expressionism in opera], Hrvatsko slovo I/19 (1 September 1995), 22-23. Together with Ennio Stip…eviƒ: Jakob Petrus Haibel (1762–1826) and his sixteen newly discovered Masses from Ðakovo, Off-Mozart: Glazbena kultura i mali majstori srednje Europe, 1750.-1820./Musical culture and the Kleinmeister of Central Europe, 1750-1820. Ed. by Vjera Katalinic (Zagreb: Hrvatsko muzikološko društvo, 1995), 67-75. Anonymous vs. onymous, or When will Croatian musicology remember an unknown composer? Studia musicologica Academiae Scientiarum Hungaricae XXXVII/2-4 (1996) 217-230; also in International journal of musicology VI (1997), 205-216. The shadow of politics on the north Croatian music of the nineteenth century, Music, politics, and war: Views from Croatia. Ed. by Svanibor Pettan (Zagreb: Zavod za etnologiju i folkloristiku, 1998), 65-78. Leopold Alexander Zellner and the reports on Croatian music in his Blätter für Theater, Musik und bildende Kunst (1855–1873), Zagreb i hrvatske zemlje kao most izmedu srednjoeuropskih i mediteranskih glazbenih kultura/Zagreb and Croatian lands as a bridge between Central-European and Mediterranean musical cultures. Ed. by Stanislav Tuksar. Muzikološki zbornici 5 (Zagreb: Hrvatsko muzikološko društvo, 1998), 263-276. Toward the present age (19th-20th century): Music, The Croats: Christianity, culture, art (Città del Vaticano, Musei Vaticani, Salone Sistino (28 October1999–15 January 2000). Ed. by Vladimir Markovic & Andelko Badurina (Zagreb: Ministarstvo kulture Republike Hrvatske; Galerija Klovicevi dvori, 1999), 383-397.Verso la nostra epoca (XIX–XX secolo): Musica, I Croati: Cristianesimo, cultura, arte (Città del Vaticano, Musei Vaticani, Salone Sistino (28 ottobre 1999-15 gennaio 2000). A cura di Vladimir Markovic & Andelko Badurina (Zagreb: Ministarstvo kulture Republike Hrvatske; Galerija Klovicevi dvori, 1999), 383-397. Glazba osjenjena politikom: Studije o hrvatskoj glazbi izmedu 17. i 19. stoljeca [Music in shadow of the politics: Essays on Croatian music between the 17th and 19th centuries]. Mala biblioteka X/57 (Zagreb: Matica hrvatska, 2002), 312 p. ISBN 953-150-672-8. Zašto je Ivan (Iwan) Hermann Fröbe napustio Zagreb? [Why did Ivan (Iwan) Hermann Fröbe left from Zagreb?], Glazba i baština: Zbornik u čast Lovri Županoviću. Ed. by Ennio Stipčević. Knjižnica Faust (Šibenik: Gradska Knjižnica Juraj Šižgorić, 2002), 305-317. György (Ðuro) Arnold (1781–1848): The musician with two homelands, Studia musicologica Academiae Scientiarum Hunaricae XLIV/1-32 (2003), 69-89. Kućno muziciranje u Zagrebu [Music making in Zagreb homes], HaGeZe VI/6 (March 2003), 2-3. Vizantista srpskog porekla: Razgovor s muzikologom Milošem Velimirovićem, Novi zvuk 26 (2006), 40-52 / A Byzantinist of Serbian origin: A conversation with musicologist Miloš Velimirović, New sound 26 (2006) http://www.newsound.org.yu/
Publications
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