Ivan Zajc u ogledalu svoje korespondencije [Ivan
Zajc in light of his correspondence], Arti musices X/1 (1979),
43-77.
Semejstvoto Zefarović i negovata kulturna dejnost vo Vienna [The Zefarović
family and their cultural activities in Vienna], Glasnik Instituta
za nacionalna istorija XXIV/3 (1980), 153-163.
Odraz društveno-politicke
situacije u Bosni i Hercegovini na hrvatsku glazbu šezdesetih i
sedamdesetih godina 19. stoljeca
[Reflection of the social and political situation in Bosnia and
Herzegovina upon Croatian music of the 1860s and 1870s], Zvuk 4
(1980), 46-55.
Đuro Arnold (1781-1848) u krugu svojih slavonsko-vojvodanskih suvremenika [Đuro
Arnold (1781-1848) and the circle of his contemporaries in Slavonia and
Vojvodina], Arti musices XII/1-2 (1981), 61-82.
Tereza Marija i Daniel von Zefarovic:
Kompozitori od makedonsko poteklo na krajot od klasikata [Tereza Marija
and Daniel von Zefarović: Composers from Macedonia, from the end of the Classic era], Makedonska
muzika 3 (1981), 43-55.
Djelatnost Ivana Zajca u okvirima Hrvatskog
Zemaljskog Glazbenog Zavoda [Activity of Ivan Zajc at the Hrvatski
Zemaljski Glazbeni Zavod], Lovro Zupanović, ed., Zbornik radova sa znanstvenog skupa odrzanog
u povodu 150. obljetnice rodenja
Ivana Zajca (Zagreb:
Jugoslavenska akademija znanosti i umjetnosti, 1982), 55-78.
Crkveno Glazbeno Društvo u Zagrebu (1872-1874) [The
Crkveno Glazbeno Društvo in Zagreb (1872-1874)], Sv. Cecilija
LIII/1 (1983), 6-7.
U Zagrebu se nekad i tako muziciralo [Music making in
Zagreb once upon a time], Stoletni KAJ kalendar (1983), 65-75.
Nekoliko podataka o vezama Franza von Suppéa s
rodnom Dalmacijom [Some data on Franz von Suppé's connections with his
native Dalmatia], Arti musices XIV/2 (1983), 133-144.
Strani glazbenici u Zagrebu šezdesetih i
sedamdesetih godina 19. stoljeca
[Foreign musicians in Zagreb in the sixties and seventies of the
nineteenth century], Zvuk 2 (1983), 33-39.
Glazba na zagrebackom
Kaptolu [Music in Zagreb Kaptol], OD DO V/3:46 (1 March 1983), 6-7.
Previše muzicara, premalo
novaca: Interview s Krešimirom Baranovićem
[Too many musicians, too little money: An interview with Krešimir
Baranović], OD DO V/6:49 (1 June 1983), 8-9.
Slicice
iz glazbene prošlosti: Pozivnica na društveni koncert s plesom
[Images from music history: An invitation to a concert with the
dance], OD DO V/7-8:50-51 (1 July 1983), 6-7.
Prva hrvatska opereta [The first Croatian
operetta], OD DO V/7-8:50-51 (1 July 1983), 9.
Društveni i politicki aspekti muzickog zivota
u Zagrebu (1860-1883) [Social and political aspects of musical life in
Zagreb], (M.A. thesis, Muzicka
akademija in Zagreb, 1983) 370 p.
Materijalni polozaj zagrebackih
glazbenika sredinom druge polovice 19. stoljeca
[The economic position of Zagreb musicians in the 1860s and 1870s], Zvuk
3 (1984), 47-52.
The economic position of Zagreb musicians in the
sixties and seventies of the nineteenth century, International
review of the aesthetics and sociology of music XV/2 (1984),
129-140.
Hrvatsko pjevacko
društvo Kolo (1860-1880), Zvuk 3-4, (1985), 16-23.
Glazba u Hrvatskoj u godinama Narodnog Preporoda
[Music culture in Croatia in the years of the National revival
(1835-1850)], Hrvatski narodni preporod 1790-1848 (Zagreb:
Globus; Muzej za Umjetnost i Obrt, 1985), 114-120.
Uredbe i odluke o sluzbi
voditelja kora donešene na nadbiskupskim sinodama zadarske dijeceze
1664. i 1680. godine [Regulations and decisions about the duties of
the regens chori reached at the Zadar diocesan sinods of 1664 and
1680], Sv. Cecilija LV/4 (1985), 83-84.
The first music journals in Croatia, Periodica
musica IV (1986), 12-13.
Zadarsko kazalište krajem 18. stoljeća
[The Zadar theatre at the end of the 18th century], Zadarska revija
XXXV/5-6 (1986), 521-525.
Dragan Plamenac i Hrvatski Glazbeni Zavod u Zagrebu
[Dragan Plamenac and the Hrvatski Glazbeni Zavod in Zagreb], Arti
musices XVII/2 (1986), 201-210.
Einige musikalische Ereignisse in Zagreb des
sechziger und siebziger Jahre des 19. Jahrhunderts in ihrer
Abhandigkeit von der politischen Verhaltnissen [The Zagreb music
events of the 1860s and 1870s in their dependence of the political
circumstances], International review of the aesthetics and
sociology of music XVIII/1 (1987), 31-50.
Muzikološki interesi Ladislava Šabana [Musicological
interests of Ladislav Šaban], Muzicka
kultura, 3-4 (1987), 2-3.
Glazbena kultura Zadra u prvoj polovici 19. stoljeća
[Musical culture in Zadar in the first half of the 19th century], Dalmacija
u narodnom preporodu 1835-1850 (Zadar: Zadarska revija, 1988),
257-269.
Prilog biografiji Nikole Strmića
[A contribution to the biography of Nikola Strmić],
Rad Jugoslavenske akademije znanosti i umjetnosti 409 (1988),
285-313.
Joseph Lanner: Vive la danse, 15 dana 1-2 (1988),
18-19.
Elementi za zivotopis
Josipa Mihovila Stratica [Contributions to the biography of Josip
Mihovil Stratico], Radovi Centra za povijesne znanosti
Jugoslavenske akademije znanosti i umjetnosti u Zadru 32 (1990),
109-138.
Bilješke o glazbenicima na zagrebackom Gricu
u 18. stoljecu
[Notes on the 18th-century musicians at Gric
in Zagreb], Glazbeni barok u Hrvatskoj. Ed. by Ennio Stipcevic
(Osor: Osorske glazbene veceri,
1989), 114-123.
Komercijalizirani folklorni sastavi u urbanim
sredinama u drugoj polovici 19. stoljeca
[Commertial folk ensembles in the mid-19th-century urban centers],
Zvuk 5 (1990), 69-72
The early Romanticism in Croatian music, Tradition
and its future in music: Report of SIMS 1990 Osaka (Tokyo; Osaka:
Mita, 1991), 435-441.
The nineteenth-century Croatian rousing songs: From
composers' desks to the oral tradition and back. Schladminger
Gespräche zum Thema Musik und Tourismus: Tagungsbericht der 30.
ICTM-Konferenz in Schladming 1989. Ed. by Wolfgang Suppan. Musikethnologisce
Sammelbände 12 (Tutzing: Hans Schneider, 1991), 41-48.
Friedrich Wieck's Musikalische Bauernsprüche:
Some new aphorisms, Studia musicologica Academiae Scientiarum
Hungaricae XXX/1-4 (1991), 121-130.
Music in Zagreb between Croatian, Hungarian and
Austrian politics (1860-1883), History of European ideas
XVI/4-6 (1993), 671-676.
Horns in a bag, or, Disparity of parallel musical
histories among the South Slavs, Proceedings of the 22nd Consortium
on Revolutionary Europe 1750-1850. Ed. by Gordon C. Bond &
John W. Rooney, Jr. (Talahassee: Florida State University; Institut on
Napoleon and the French Revolution, 1993), 107-116.
Due musicisti nella Pannonia del primo Ottocento:
Đuro
Arnold e Petrus Jakob Haibel, Danubio: Una civiltŕ musicale. VI:
Croazia, Serbia, Bulgaria, Romania. Ed. by Carlo De Incontrera
& Alba Zanini (Monfalcone: Teatro Comunale, 1994), 47-64.
Salonsko kolo: Dance of nineteenth-century Croatian
ballrooms, Dance research: The journal of the Society for Dance
Research XII/2 (autumn 1994), 114-126.
Political implications of the Croatian opera in the
nineteenth century, Music-culture in contact: Convergences and
collisions. Ed. by Stephen Blum & Margaret J. Kartomi (Sidney:
Currency Press; Basel: Gordon and Breach, 1994), 51-61.
The origins of modern Croatian music, 1770-1830, Journal
of the Croatian studies XXXIV-XXXV (1993-94), 75-97.
Franz von Suppé und Dalmatien, Studien zur
Musikwissenschaft XLIII (1994), 249-268.
Together with Aleksandra Wagner, European fiction—Facts
or music, History of European ideas XX/1-3 (January 1995),
461-467.
Da li je Smareglia najavio ekspresionizam u operi?
[Has Smareglia announced the expressionism in opera], Hrvatsko
slovo I/19 (1 September 1995), 22-23.
Together with Ennio Stipcević:
Jakob Petrus Haibel (1762–1826) and his sixteen newly discovered
Masses from Đakovo, Off-Mozart: Glazbena kultura i mali majstori srednje Europe,
1750.-1820./Musical culture and the Kleinmeister of Central Europe,
1750-1820. Ed. by Vjera Katalinic
(Zagreb: Hrvatsko muzikološko društvo, 1995), 67-75.
Anonymous vs. onymous, or When will Croatian
musicology remember an unknown composer? Studia musicologica
Academiae Scientiarum Hungaricae XXXVII/2-4 (1996) 217-230; also
in International journal of musicology VI (1997), 205-216.
The shadow of politics on the north Croatian music
of the nineteenth century, Music, politics, and war: Views from
Croatia. Ed. by Svanibor Pettan (Zagreb: Zavod za etnologiju i folkloristiku, 1998), 65-78.
Leopold Alexander Zellner and the reports on
Croatian music in his Blätter für Theater, Musik und bildende
Kunst (1855–1873), Zagreb i hrvatske zemlje kao most izmedu srednjoeuropskih i mediteranskih glazbenih kultura/Zagreb and Croatian
lands as a bridge between Central-European and Mediterranean musical
cultures. Ed. by
Stanislav Tuksar. Muzikološki zbornici 5 (Zagreb: Hrvatsko
muzikološko društvo, 1998), 263-276.
Toward the present age (19th-20th century): Music, The
Croats: Christianity, culture, art (Cittŕ del Vaticano, Musei
Vaticani, Salone Sistino (28 October1999–15 January 2000). Ed. by
Vladimir Marković & Andelko Badurina (Zagreb: Ministarstvo kulture Republike Hrvatske; Galerija
Klovićevi dvori, 1999), 383-397.
Verso la nostra epoca (XIX–XX secolo): Musica, I Croati: Cristianesimo, cultura, arte (Cittŕ del Vaticano, Musei Vaticani, Salone Sistino (28 ottobre 1999-15 gennaio 2000). A cura
di
Vladimir Marković
& Andelko
Badurina (Zagreb: Ministarstvo kulture Republike Hrvatske; Galerija
Klovićevi dvori, 1999), 383-397.
Glazba osjenjena politikom: Studije o hrvatskoj
glazbi izmedu 17. i 19. stoljeca
[Music in shadow of the politics: Essays on Croatian music
between the 17th and 19th centuries]. Mala biblioteka X/57 (Zagreb: Matica hrvatska, 2002),
312 p. ISBN 953-150-672-8.
Zašto
je Ivan (Iwan) Hermann Fröbe napustio Zagreb? [Why did Ivan (Iwan)
Hermann Fröbe left from Zagreb?], Glazba i baština: Zbornik u čast Lovri
Županoviću. Ed. by Ennio Stipčević. Knjižnica Faust (Šibenik:
Gradska Knjižnica Juraj Šižgorić,
2002), 305-317.
György (Đuro)
Arnold (1781–1848): The musician with two homelands, Studia
musicologica Academiae Scientiarum Hunaricae XLIV/1-32 (2003),
69-89.
Kućno
muziciranje u Zagrebu [Music making in Zagreb homes], HaGeZe VI/6
(March 2003), 2-3.
Vizantista
srpskog porekla: Razgovor s muzikologom Milošem Velimirovićem, Novi
zvuk 26 (2006), 40-52 / A Byzantinist of Serbian origin: A
conversation with musicologist Miloš Velimirović, New sound 26
(2006) http://www.newsound.org.rs/
Publications