Zdravko Blazekovic: List of Publications      

Od glazbene do slikovne drama: Roy Thomasov i Gil Kaneov strip Wagnerovoga Prstena Nibelunga [From dramma in musica to dramma in pitura: Roy Thomas’s and Gil Kane’s comic strip of Wagner’s Ring der Nibelungen], Hrvatsko slovo I/18 (25 August 1995), 23-24.

Indian decans, Arabic interpretations, European images, European iconography east and west: Selected papers of the Szeged international conference June 9-12, 1993. Ed. by György E. Szonyi (Leiden: E.J. Brill, 1996), 225-235.

Music in medieval and Renaissance astrological imagery. Ph.D. dissertation, The City University of New York, 1997, xxii, 549.

The understanding and misunderstanding the terminology and iconography of instruments in Fendulus’s abridgment of Introductorium maius in astronomiam, Music in art XXIII/1-2 (1998), 23-32.

What Marsyas may have meant to the Cinquecento Venetians, or, Andrea Schiavone's symbolism of music instruments, Glazba, rijeci i slike: Svecani zbornik za Koraljku Kos/Music, words, and images: Essays in honour of Koraljka Kos. Ed. by Vjera Katalinic & Zdravko Blazekovic (Zagreb: Hrvatsko muzikološko društvo, 1999), 93-116; reprinted in Music in art XXVI/1-2 (2001), 30-46.

What could Giorgio Schiavone’s Madonnas tell us about instruments played in 15th-century Dalmatia?, Glazba, folklor i kultura: Svečani zbornik za Jerka Bezića/Music, folklore, and culture: Essays in honour of Jerko Bezić. Ed. by Naila Ceribašić & Grozdana Marošević (Zagreb: Hrvatsko muzikološko društvo; Institut za etnologiju i folkloristiku, 1999), 63-73.

Variations on the theme of the Planets' Children, or Medieval musical life according to the Housebook's astrological imagery, Art and music in the early modern period: Essays in honor of Franca Trinchieri Camiz. Ed. by Katherine A. McIver (Aldeshot: Ashgate, 2003), 241-286.

Crossovers in Paduan narratives: Music and visual art between antiquity and the Renaissance, in: Eleonora M. Beck, Giotto's harmony: Music and art in Padua at the crossroads of the Renaissance (Firenze: European Press Academic Publishing, 2005), 7-17.

对东西方之间音乐图像学的研究 [Opening the dialogue: Research of music iconography between East and West], in 艺术中的音乐 (Yi shu zhong de yin yue), (Wuhan: Chang jiang wen yi chu ban she, 2006), 1-10.

玛西阿对于十六世纪的威尼斯人的意义，或谈安德列亚·斯基亚沃内赋予乐器的象征内涵 [What Marsyas may  have meant to the cinquecento Venetians, or Andrea Schiavone’s symbolism of music instruments],in 艺术中的音乐 (Yi shu zhong de yin yue), (Wuhan: Chang jiang wen yi chu ban she, 2006), 95-116.

 

 

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