|
Title |
Author |
Committee |
The Roots of American Improvisation: Play, Process, and Pedagogy
|
Margaret M. Duffy
May 2011 |
Jane Bowers,
Chair
John Jay College, CUNY
Daniel Gerould
The Graduate Center, CUNY
Claudia Orenstein
Hunter College, CUNY
|
Displaced Conversations: A Genealogy of Feminist Performance
|
Constance Zaytoun
May 2011 |
David Savran,
Chair
The Graduate Center, CUNY
Jean Graham-Jones
The Graduate Center, CUNY
Alisa Solomon
Columbia University
Julie Malnig
New York University
|
"Real American Entertainment": Performance and Nationalism in Branson, Missouri
|
Jennifer Worth
May 2011 |
Marvin Carlson,
Chair
The Graduate Center, CUNY
David Savran
The Graduate Center, CUNY
Jean Graham-Jones
The Graduate Center, CUNY
|
The Pleasure Gardens of Antebellum America and the Performance of American Identities
|
Naomi Stubbs
May 2011 |
Judith Milhous,
Chair
The Graduate Center, CUNY
Marvin Carlson
The Graduate Center, CUNY
David Savran
The Graduate Center, CUNY
Heather Nathans
University of Maryland
|
Fashioning Performance Careers in New York, 1869-1899: How Female Performers Negotiated Changing Ideas of Womanhood
|
Celia Braxton
May 2011 |
Judith Milhous,
Chair
The Graduate Center, CUNY
David Savran
The Graduate Center, CUNY
Kathleen McCarthy
The Graduate Center, CUNY
|
Without Papers: Legal Identity, Legal Consciousness, and Performance
|
Gad Guterman
February 2011 |
Jean Graham-Jones,
Chair
The Graduate Center, CUNY
Judith Milhous
The Graduate Center, CUNY
David Savran
The Graduate Center, CUNY
Sally Engle Merry, NYU
|
Devouring Metaphors: Neoliberal Consumption in Argentine and Brazilian Theatre |
Elisa Legon
February 2011 |
Jean Graham-Jones,
Chair
The Graduate Center, CUNY
Judith Milhous
The Graduate Center, CUNY
David Savran
The Graduate Center, CUNY |
Exporting America: Theatre, Gay Male Identities, and Anti-Americanism in Denmark and West Germany |
Ken Nielsen
February 2011 |
David Savran,
Chair
The Graduate Center, CUNY
Judith Milhous
The Graduate Center, CUNY
Marvin Carlson
The Graduate Center, CUNY |
"A Spectacle to the World:" The Performance of Christian Virgins and Monks in Late Antiquity |
William Conte
October 2010 |
Pamela Sheingorn,
Chair
Emerita, CUNY
Judith Milhous
The Graduate Center, CUNY
David Savran
The Graduate Center, CUNY |
Staging the Volk: Nazi Policy and the Reality of Theatrical Production in Three Berlin Theatres, 1933-1944 |
Hillary Rosenberg
October 2010 |
Marvin Carlson,
Chair
The Graduate Center, CUNY
Judith Milhous
The Graduate Center, CUNY
Daniel Gerould
The Graduate Center, CUNY |
The Circulation of Blackface: Nostalgia and Tradition in US Minstrel Performance of the Early 1920s |
Kevin Byrne
May 2010 |
David Savran,
Chair
The Graduate Center, CUNY
Marvin Carlson
The Graduate Center, CUNY
Jean Graham-Jones
The Graduate Center, CUNY |
Synesthetic Landscapes in Harold Pinter's Theatre: A Symbolist Legacy |
Graca M. Correa
May 2010 |
Daniel Gerould,
Chair The Graduate Center, CUNY
Jean Graham-Jones
The Graduate Center, CUNY
Mary Ann Caws
The Graduate Center, CUNY |
The Foundations of American Regional Theatre
|
Tomoko Aono
May 2010 |
Judith Milhous,
Chair
The Graduate Center, CUNY
David Savran
The Graduate Center, CUNY
Pamela Sheingorn, Emerita
The Graduate Center, CUNY
|
Contemporary Site-Specific Theatre in New York City: Performance, the City, and Spatial Politics
|
Bertie Ferdman
May 2010 |
Judith Milhous,
Chair
The Graduate Center, CUNY
Marvin Carlson
The Graduate Center, CUNY
David Savran
The Graduate Center, CUNY
|
Staging Fat: Dramaturgy, Female Bodies, and Contemporary American Culture
|
Jennifer Scott Mobley
May 2010
|
Judith Milhous, Chair
The Graduate Center, CUNY
Pamela Sheingorn, Emerita
The Graduate Center, CUNY
Maurya Wickstrom
Coll., of Staten Island CUNY
David Savran
The Graduate Center CUNY
|
A Quest Beyond Enlightenment: Buddhism as Counter-Enlightenment and Modernity's Other Being in the Practices of Antonin Artaud, John Cage, Tatsumi Hijikata, Kazuo Ohno, and Xingjian Gao
|
Yu-Shian (Ivy) Lin
October 2009 |
David Savran,
Chair
The Graduate Center, CUNY
Judith Milhous
The Graduate Center, CUNY
Claudia Orenstein
Hunter College, CUNY |
The Lost Apple Plays:
Performing Operation Pedro Pan
|
Kimberly Ramirez
May 2009
|
Jean Graham-Jones,
Chair The Graduate Center, CUNY
David Savran
The Graduate Center, CUNY
Marvin Carlson
The Graduate Center, CUNY
|
Carmen Rivera:
Theatre
of Latinidad
|
Jason Ramirez
May 2009
|
Gloria Waldman,
Chair Emerita, GC, CUNY
David Savran
The Graduate Center, CUNY
Juan Flores
The Graduate Center, CUNY
|
Race and Realism in Edward Harrigan's Mulligan Guard Series
|
Michael Aman
May 2009 |
David Savran,
Chair
The Graduate Center, CUNY
Daniel Gerould
The Graduate Center, CUNY
John Graziano
The Graduate Center, CUNY
|
Sensation, Spectacle, and Reform in the Mid-Nineteenth-Century American Theatre
|
Amy Hughes
May 2009 |
Marvin Carlson,
Chair
The Graduate Center, CUNY
Judith Milhous
The Graduate Center, CUNY
Daniel Gerould
The Graduate Center, CUNYHeather Nathans
University of Maryland
|
Performing the 'Ben Comune': The Political Functions of Performance in the Republic of Siena (1260-1555)
|
Jenna Soleo-Shanks
May 2009 |
Pamela Sheingorn,
Chair The Graduate Center, CUNY
Marvin Carlson
The Graduate Center, CUNYJudith Milhous
The Graduate Center, CUNY
James Saslow
The Graduate Center, CUNYRonald Herzman
Geneseo College, SUNY
|
The Powerful Voice of Women Dramatists in the Arab American Theatre Movement
|
Dalia Basiouny
May 2009 |
Marvin Carlson,
Chair
The Graduate Center, CUNY
Jane Bowers
John Jay College, CUNY
Pamela Sheingorn
The Graduate Center, CUNY Alisa Solomon
Columbia University
|
back to top |
